Romeo and Juliet Homework Help Here!

Bardfilm and I were joking this afternoon that my daughter, who is now studying Romeo and Juliet, is in the enviable (?) position of knowing more about the entire play than most of her classmates, setting her up to be the one they turn to for answers to all their questions.  So of course we started considering how she might abuse that power…

Romeo and Juliet Helpful (Not Really) Homework Answers

There’s a lost scene from the Quarto version of Romeo and Juliet where the Nurse tries to resuscitate Tybalt, which explains why she is called Nurse.

Mercutio is supposed to be on drugs during the “Queen Mab” speech. The 1996 Leonardo DiCaprio interpretation is one of the few that gets that correct. It’s not supposed to make any sense.

Friar Laurence was arrested for illegally trading in herbs.  That’s why the young lovers have to visit him in his cell.
Audiences so completely misunderstood the ending, assuming Friar Laurence was executed for his role in the deaths of Romeo and Juliet, that Shakespeare inserted a cameo for him in Two Gentlemen of Verona, the play he’d written by popular demand to show off Valentine, Mercutio’s brother.
The Rolling Stones made the play relevant by turning Romeo’s  response to Juliet’s “What satisfaction canst thou have tonight?” into one of their biggest hits:  “(I Can’t Get No) Satisfaction.”
A “thumb” is an Italian dessert on a stick—something like a popsicle gelato.  Eating one while pointing the stick at someone was considered very rude.
The planet Mercury was discovered in 1599, the same year Shakespeare wrote Romeo and Juliet. That’s where he got the name Mercutio.
“Wherefore” actually does mean “where”. Your English teacher is just messing with you.
Perhaps the most famous speech in the play comes near the end of Act V.  Romeo says, “Juliet, the dice was loaded from the start / And I bet and you exploded in my heart / And I forget, I forget.”
The “ancient grudge,” as explained in the original source material, refers to a time two generations prior when the patriarchs of both the Capulet and Montague families were wrestlers who battled frequently at fairs an exhibitions around Italy.
“Arise, fair sun, and kill the envious moon” is a not-so-subtle jab at the actor who played Moon in A Midsummer Night’s Dream, who was known backstage to have a serious attitude problem.
Mercutio and Valentine were supposed to be twin brothers, and the play a traditional farce. When the actors all got together and told Shakespeare, “No more twins!” he killed Mercutio out of spite and rewrote the second half.
This above all: you must have fun with it. Shakespeare doesn’t make life better by being stodgy and stuffy and difficult, a chore to approach with fear and trepidation. Don’t ever be afraid to get silly with it. Laugh at the parts you think are funny. Make up weird back stories for the minor characters. Rewrite your favorite song lyrics to fit the play. Drop a reference here and there and see who picks it up. When you read and understand and remember Shakespeare you have a special bond with millions of other people, across the world and throughout history, who read and understood and remember it, too. We do this for fun, and there’s always room for more to join the game.

Alas, Poor Donald (Another Geeklet Story)

“Daddy!” said my middle daughter, “I have a Shakespeare reference! Can I tell you?”

“Silly question!”

“Ok, so, we’re in art class, and we’re making these puppets.  And this other girl is making this one that looks like a skeleton. It’s supposed to be Donald Trump, but whatever. Anyway she holds it up and says, “To be or not to be, what is the question!”

“Is this one of the girls I would know, from when I came into your classes and taught Shakespeare?”

“No, you don’t know her.”

Ok, cool, so a completely random Shakespeare reference.  I like her already.

But … can we get back to the “skeleton that’s supposed to be Donald Trump” thing???

Only My Geeklets Could Spoil A 400 Year Old Play

“Oh my god, I feel so bad!”

My daughters were at the school this fine Saturday morning working on a garden project with other middle schoolers.  I assumed she felt bad that I was picking them up early and leaving their friends to continue the work.  “Why?” I asked.

“I just totally spoiled Romeo and Juliet for my friends,” said my oldest.

“How do you spoil a 400 year old play? How does anybody not know how it ends?”

“They didn’t know that Mercutio and Tybalt both die!”

“Explain.”

“Ok, Elizabeth and I were play fighting, so she said, “I’m Mercutio, you be Tybalt!”

Ok, pause…   *beam with pride* … Ok, continue.

So then my oldest continues, “So then I say, Mercutio drew first! Ha! You die!  But then I remembered Tybalt dies too and said Oh wait no so do I.  And my friends who are reading the play in class with me now looked at us like, “WHAT?””

Only my kids!  But you know what? I wouldn’t have it any other way 🙂

Of Quartos, Folios and Wherefores

I love it when my coworkers want to talk Shakespeare.  Glad that I’m there to answer their question (because, if I hadn’t been there, would they have found someone else? Or just never asked it?) and also glad that here’s another person who wants to learn more about my favorite subject.

I’m especially pleased when they ask me questions I don’t know the answer to, because I get to post about it and we all get to learn something.

Today’s questions are about the publication of the First Folio, and the Quartos before that.

I consider my copy a work of art.

Q1:  Why was there a market for quartos at all?  We all seem to be in agreement that there was really no market for “casually read the play as literature” like we might do today.  The market for them seems to have been purely Shakespeare’s competitors who were looking for new ideas, to put it generously (to steal his, to put it more realistically).  But how is that a valid model, to go through all the trouble?  If 100 people visit a bookseller but the market for a certain book is only 2 or 3 of those people, wouldn’t it be easier to shop your work around directly to the other theatres?  Why print N copies if only a fraction of N will ever be purchased?

Q2: Before the First Folio, was “collected works” even a thing?  This is an extension of the former question, because if there was no real market for “read the plays as literature”, and the only people who wanted the quartos were competing playwrights and theatre owners, then what in the world would have been the point of making an official, authorized version of the playwright’s entire work and making that available?  Wouldn’t that just enable the problem all the more?

Was the whole idea new?  Did Marlowe or Jonson or Fletcher or anybody else get their complete works published like this?  Or was this the first milestone that said, “Shakespeare was different, Shakespeare’s contribution to the art deserves a memorial effort that has never been done before.”

Could You Double Mercutio and Juliet?

This came up in conversation awhile back but I never posted it.  I’m pretty sure that Mercutio and Juliet never actually share the stage, right?

A new Midsummer was thinking about (not sure if they went through with it) having Helena played as a gay man.  I think that’s a horrid idea myself, but that’s just my opinion.  The point is that we’re getting pretty bold in our creative re-imaginings for the purpose of making certain statements.

People often want to argue whether Mercutio is gay.  That’s nothing new for the internet, of course – any popular male character can find fan fiction that portrays him as gay.  But what if we ran with that idea, and put the suggestion out there that what Romeo sees in Juliet is, in fact, his best friend?