What Francisco Saw

While trying to explain all of Hamlet’s characters to my daughter I found another interesting spin I’d never considered.

Poor Francisco is in the play entirely to hand over the watch to Bernardo and Marcellus (and Horatio, but he’s not technically one of the guards). 

How come one guy is being relieved by two?

Second question – do you think Francisco saw the ghost? 

Think about it. He has no witnesses to back his story. Who is he going to tell?  At least Marcellus and Bernardo have someone else with them so they can do that whole “Did you see what I just saw?” dance.  But Francisco’s just out there by his lonesome with no one to talk to but himself.

I got a laugh out of the image of the ghost appearing before Francisco, and Francisco just staring blankly back at him.  The ghost, who is here to get a message to Hamlet, gets more and more frustrated at Francisco’s refusal to tell anybody that he eventually throws up his hands and tries Marcellus and Bernardo.  Meanwhile Francisco’s all, “Yeah, I’m not saying a word about this.”

You could even work it in here:

BERNARDO Have you had … quiet guard?

FRANCISCO

(wait for it…..wait for it…..) Not a mouse stirring.
“If you’re asking whether I saw the ghost of dead king Hamlet then no I most certainly did not thank you very much, I’m going to bed.”

GIVEAWAY – Star Wars Shakespeare!


Ok, so. I’ve had this review copy of Ian Doescher’s “William Shakespeare’s Star Wars” for months, given to me by the publisher, with the intent that I post a review.  And then I never did it.  The more time goes past the more I tell myself I should, and then I feel guilty that I’d be forcing myself to review it out of guilt and thus not give it a fair review, and then I put it off even longer.

So it’s only fair that I give it to someone who is going to review it.

How To Enter

1) You must be a Shakespeare blogger.  You can prove this by posting something on your Shakespeare blog, linking back to ShakespeareGeek.com (the homepage if you please, not this specific post).

2) You must not have previously reviewed the book. I don’t know why you’d want another copy if you already have one, but I need to put this in.  I’d like the book to go to someone who has not yet read it, and would like to.

3) In your post, make a Shakespeare/Star Wars reference of some sort. Be creative.  Here’s a whole bunch of ideas to get you started.

4) Contact me and let me know you’ve done this and where I can check.

5) Do all of this before end of day Saturday, November 9, 2013.  That’s this Saturday. End of day for the detail-oriented folks means midnight in the Eastern Standard time zone, counting for daylight savings time. I’ve never had anybody run it down to the minute before but my lawyers insist I say that.

6) Continental US residents only, please.

Obviously I am hoping that the winner will succeed where I failed, and post a review of the book. I can’t force that ahead of time, I can only ask nicely.  So whoever does win, please post a review of the book?  Thanks 🙂

Hamlet’s Crazy Timeline

I’m working my way through a Hamlet summary for my daughter (their high school is performing Hamlet next week!) and I want to make sure I understand something.  Here’s the timeline of how Hamlet’s “antic disposition” goes down:

* Hamlet sees ghost.  Hatches plan to “put an antic disposition on.”

* Scene with Polonius where Ophelia runs in to tell her father that “she has been so affrighted” that Hamlet wandered into her room looking all crazy and what not. Polonius decides that he’s mad from love and runs to tell the king and queen.

* Scene with Claudius and Gertrude, who have already summoned Rosencrantz and Guildenstern to snap Hamlet out o this mood he’s been in.

* Polonius enters, announcing that he has discovered the cause of Hamlet’s madness. The queen says well duh it’s obviously his father’s death and our o’erhasty marriage.

* Polonius then reads the love letters that Hamlet has sent Ophelia.

So I’m trying to figure out how much time is going by here.  If we take Ophelia out of the picture we’re led to believe that significant time has passed, for Claudius and Gertrude to decide that something’s wrong with Hamlet and to send for Rosencrantz and Guildenstern, right?  Everybody seems to agree that something’s wrong with Hamlet, and has been for awhile.

If that’s true … then how does the Ophelia story work into it? Why now all of a sudden is she so suddenly affrighted? Doesn’t she know that Hamlet is crazy? And, doesn’t Polonius also know that Hamlet is crazy?

Maybe Polonius has an epiphany here, maybe in whatever months have gone by Hamlet’s had nothing to do with Ophelia (as Polonius desired), but now he suddenly bursts in on her and Polonius says “Aha!  He’s clearly mad because he hasn’t been close to my daughter! I’ve cracked the case!”

But if *that* is true…then where did the love poems come from?  He doesn’t apparently give her anything when he barges into her room.  And if the letters were part of what Ophelia gave over to her father back at the beginning when she was initially asked, those would have been written at a time before Hamlet was supposedly nuts.  So that means that Hamlet’s been writing letters to Ophelia during these intervening months?

Is that it?  Ophelia is no longer speaking to Hamlet. Hamlet is writing letters to Ophelia, which she is not answering, and he’s getting more and more desperate.  Nobody notices the connection. But now he’s so desperate he’s getting physical, and Polonius finally connects the dots.

Do I have that right?

Gertrude’s Levirate Marriage

This morning I learned what a “levirate marriage” is.  From the wiki page:

a type of marriage in which the brother of a deceased man is obliged to marry his brother’s widow.

Interesting.  Now, who do we know who married the brother of her deceased husband?  Gertrude is even referenced in the Wikipedia page as a popular culture reference.

Any connection, or purely a coincidence?  I expect the latter.  The technical definition of the term suggests that only *childless* widows count, and Queen Gertrude is not childless … is she? 🙂  While some folks like to argue that perhaps Claudius is Hamlet’s real father, I don’t think anybody argues that Gertrude is not his real mother.

Review : Shakespeare At Play’s “Romeo and Juliet”

By very strange coincidence I received two independent requests for review recently for almost the exact same thing – interactive Shakespeare for my iPad. Here’s the thing, though – one is an interactive book, and one is an app. Other than this technicality they are nearly identical both in function as well as what they hope to accomplish. As such I cannot help but review them against each other. Here we look at the app.


Read the plays or see them performed?

It’s a question we’ve beaten into the ground over the years and my position has always been that it’s the “or” that causes trouble. You absolutely positively without doubt should do one and the other. The constraints of daily life are what decide which you have the better opportunity to accomplish.

Every time I have a new project I think to myself, book or app? The traditional book format reaches a wider audience with simpler requirements, but you sacrifice  your ability to really dig in and create a truly interactive experience.  An app is a more complex beast, taking longer to produce for what is ultimately a smaller audience, but you get to make it do exactly what you envisioned.
Today we have the Shakespeare At Play app for review.  Much like other offerings in this space, this product walks you through Shakespeare’s work by providing half a page of text and half a page of video.  Each scene gets an audio description, a textual description, and a textual description of the characters.
Before getting into the quality of the content, I want to mention a few other features. Under the global Menu option is a Shakespeare FAQ, whose purpose I did not truly understand. It’s just a text file, not even searchable. There is an integrated glossary, which is a nice touch.  As you read you’ll see some words in boldface.  Hold your finger on one, and you’ll get the definiton.
There is also a Download Manager. In my previous post I mentioned that without internet connectivity I was unable to stream the videos, thus giving a point to the more traditional book format. However, you can opt to download all the videos and take them with you. The thing is you need to plan to do that ahead of time, it’s still not going to work if your internet goes out :).
This is also a player app for multiple titles, and as such it has its own Library (unlike iBooks, where going to Library takes you out of each individual title).  As of this moment I think that their Library functionality needs work, it took me ages to figure out that I’m supposed to click on the unadorned price box under each title in order to complete the in-app purchase and actually get my book.
Lastly, what I think is perhaps the most useful feature of the entire app.  Running alongside the text is not what I’d call modern translation, but more like “director’s notes” telling you what’s going on, and why.  An example:

Presumably Gregory sees Tybalt approaches, which is confusing as it is Benvolio who arrives first. This could mean that Tybalt is seen by Samson and Gregory, but is positioned so as to surprise Benvolio.

This commentary runs throughout the play, and I thought it was an excellent addition.
Ok, with features out of the way let’s talk about the content.  In this particular case I’ve chosen Romeo and Juliet, since I did Macbeth in a previous review.  The company’s Hamlet is listed as “Coming Soon”.
Similar to the previous title I reviewed, each scene is a bare stage (that in this case blends almost completely into the page), tightly focused on the speaking characters. This puts an unfortunate focus on the quality of the acting, which is far from award winning.  It’s more like people just got in front of the character with the intent of demonstrating how the lines should go.  But that’s fine, it’s not like Sir Ian and Sir Patrick are just hanging out waiting for their phone call.  The value of these apps is in their interactivity, not their stagecraft.  I don’t mean to fault the enthusiasm of the actors who made this, I just don’t think that this nothing-but-character-closeups method of filming is the best way to present Shakespeare. 
Each video represents an entire scene, which you follow along by vertically scrolling the text in a separate frame. I would love it if these could be synced up in some way.  If you let the video run for a few minutes and then actually have a question, it’s going to take you awhile to find that spot in the text. Similarly if you’re reading ahead and want to jump the video to a certain place, you’ll have equal trouble.  
I’m at a complete loss as to what I’m supposed to do when I get to the end of a scene.  There’s no obvious way to move to the next one.  The unobvious way is to tap the current Act and Scene button at the top of the page, which brings down a menu and allows you to pick another scene.  I find this so unintuitive that I assume I’m just missing something.  Sure, it allows you to easily jump around the play.  But aren’t most reader/watchers going to most often want to simply say “next scene”?
What else….  the audio commentary I suppose is a nice idea, but the interface needs work. Unlike the video player which has the traditional pause buttons and progress bars, the audio offers none of that, just a play button. Every time you stop and start, it starts over.  Which I’d be fine with except for the fact that there’s no way to tell how long he’s going to talk!  Is this a 45 second commentary or a 12 minute one?  That makes a big difference.
I’d like to see many more features to bring an app like this on par with a book.  Highlighting passages and taking notes would be a big one.  That seems like an easy add.  As I mentioned I’d like the video and text to stay in sync, even going so far as to seamlessly jump between scenes so you could if you wanted just watch the whole book end to end.
Right now I think that the “director’s commentary” I spoke of is the best part of this app.  Perhaps they could marry this together with the video syncing and the audio commentary to produce something more like a modern DVD?  Where the user could opt to turn on the commentary track and then following through the play in text and video, while listening to the director’s notes?  That would be seriously cool.
Shakespeare at Play comes in both iPhone and iPad editions. The app itself is free, but in-app purchase is required for the plays you wish to study.