I don't want to do no damn Shakespeare

There is a lot of buzz about this interesting case from my neck of the woods, where juvenile delinquents are being sentenced to Shakespeare. I scanned the article to see if there’s any mention of the very well-regarded Shakespeare Behind Bars, but there is none.I don’t know how I feel about this on several levels.  First, there’s an issue regarding the quality of the journalism.  “I’ve been asked to refer to them by their first names to protect their privacy,” the author notes parenthetically in a paragraph next to a video of the kids?!  Thanks for describing the same young man as “sporting an over-sized red hoodie and a slight shadow of facial hair,” I see exactly who you’re talking about.

Second, I’m not a big fan of Shakespeare as punishment.  Equating Shakespeare as something *worse* than prison is not helpful.  That’s why I grabbed the subject line, a quote from one of the kids.  A judge has just told him that he is *not* going to juvenile hall; he is instead going to do Shakespeare, and that’s his reaction.  That saddens me.  This is ten times worse than “Memorize the balcony scene because I’m your teacher and I said so.”  Forget about the fear of a failing grade. Now you’ve got the weight of the courts mandating you to drag your feet through it.

“This program is not designed to fix them,” the director says.  “That’s not our goal.”  Awesome.  The entire goal is to give the kids an outlet for their anger.  In the video voiceover (I do not see this bit in the article text) he also points out that Henry V was chosen specifically for the physicality, rather than a Hamlet where you sit around talking.  (Insert obligatory joke here about that year they tried Titus Andronicus and the chaos that ensued 😉 ).  The above-linked “Shakespeare Behind Bars”, in comparison, takes on The Tempest – a play with almost no violence at all, instead populated with magic, fairies and monsters.

I don’t really see the difference between this and those programs where you’d take kids down to the gym and let them punch the heavy bag for a little while, or take up karate.  Shakespeare teaches these kids self-control.  So would a black belt martial arts instructor who put them on the ground every time they got out of control.  Maybe this is a good thing, and I’m just too far removed from that end of our world, and I don’t see it.  I see the irony in the director quoting Macbeth’s “I have no words, my voice is in my sword.”  When they quote a student who punched his locker instead of his friend as if this were a good thing, I think, “How about getting to a place where he doesn’t punch anything?”

“Am I allowed to say whatever I want?” asks one kid who’s obviously just doing whatever he can to stay out of jail.  “It just gives me something to do after school so I’m not selling drugs.”  There will be people that read that and say “See? He’s not selling drugs!”  All I see is “Ok, he’s not getting anything out of it other than a place he’s required to be for a few hours, and when his sentence is over he’ll go right back to doing what he’s been doing.”  The people running the program, who clearly state “We’re not therapists,” acknowledge that the kids might re-offend.

Maybe it’s a good program and a terrible article.  This “Shakespeare in the Courts” program has been running for 10 years, apparently.  Where’s the story from the graduate of the program who’s gone on to do great things with his life?  Have you got even one kid who got turned around? Any success stories? Any?

Le Shakespeare?

I just recently found 365 Days of Shakespeare, and I’m kicking myself for not having done so sooner.  In this linked post she’s found the French translations of some Shakespeare works, and asks how many you can name.  I’m … not good at that game.  Sure, “Jules Cesar” is pretty obviously Midsummer 😉 but I wouldn’t have a clue at Songe d’une Nuit d’ete without some googling.  Much Ado, maybe?

Where Does Cleopatra Live?

Sometimes I like to poke around Google and see what sorts of Shakespeare questions people ask.  We did this will great success on the “Why Does Romeo?” thread earlier this year.

I found an interesting one today, though, that stumps me a little bit.  The following question ends up being the most popular question on my list, above “How did Hamlet die” and “What does Romeo compare Juliet to”.  Ready for this?  Well, I suppose there’s really no surprise as I put it right in the title.  Where does Cleopatra live?

I can’t imagine why that is such a popular question.  Is there a modern pop singer with that name, or something?  Given that it is being asked in the present tense, you see. Even googling for the answer, at least right now, turns up no meaningful results.  Lots of variations (“Where in Egypt did Cleopatra live?”) but none for that exact phrasing.  Makes me wonder if people are asking a question that’s not being answered.

So here we are.  Where does Cleopatra live?  There’s the easy answer of “Alexandria, Egypt.”  Is there a better or different answer, in the context of the Shakespeare play?

Update: Couple hours later, and we’re on the first page of Google results for this question.  So make it good!

If you’ve arrived from Google and this is *not* the answer to the question you were hoping for, please share with us what you meant so we can help you find the answer!  We’re good like that.

Author Roll Call!

I had a whole big take off on Full Metal Jacket planned, but it’s not ready for primetime yet.  I got as far as “drop your quills and grab your socks” 🙂

New reader Jessica hit me up with a question over the weekend where she asked (and this is a paraphrase), “I was in the bookstore the other day and saw a novel that was based on Shakespeare. Do you know which one it was?”

I wrote back suggesting that there were many, and that this was the equivalent of saying “I saw a romance novel with a pirate on the cover, do you know which one I’m talking about?” but promised that I would post an opportunity for my lurking authors to pop up and shill their work a bit.

So here’s your opportunity.  She did say “Shakespeare novel” and that was really it, so anything else is fair game.  If you’re not an author but you know a book that should go on the list, speak up!  I don’t think Christopher Moore’s hanging out but “Fool”, his rather bawdy spin on King Lear, would certainly fit the category.

Get going!  Sound off like you’ve got a couplet!

UPDATE: Since so many people are wondering, here is the exact wording.  I suppose “newish looking” might be a clue, but that’s about it:
 
The other day, I was at the bookstore (ran in with a three year old to the free potty) and spotted a newish looking novel that used Shakespeare as a jumping-off point.  I couldn’t tell you what it was about, only that I had never heard of it and that it looked interesting- I really was flying by with my son in a panic.  I tried to find it later and nobody at any bookstore, including that one, can help me figure out what it was.

Shakespeare as a jumping off point helps to classify it a bit I suppose.  Not really about Shakespeare the man, but rather an extension to one of his plays?

Can We Call This Bardercise? And Then Never Do It?

http://www.latimes.com/news/health/la-he-my-turn-shakespeare-20100510,0,3589588.story Interesting story about an 85yr old English professor who drops 80lbs on an exercise program that involves doing all your repetitive work (walking, biking, stretching) to the rhythm of sonnet recitation:

So off I went, huffing and puffing to the likes of "let ME not TO the MARriage OF true MINDS and TWO and THREE and FOUR adMIT imPEDiMENTS love IS not LOVE and TWO and THREE and FOUR and."

If you listen  you’ll hear the screams of Carl, JM and maybe even John Barton as this English professor of all people pitches the idea of reducing iambic pentameter down to nothing but a 2 step cadence (“the rhythmical barking of an Elizabethan drill instructor into my head”).  No trochee for you! And then he somehow manages to turn it into the “and TWO and THREE and FOUR and…” as if it’s a normal extension of the traditional exercise beat we’re all accustomed to.  Here’s my big problem with that, you forgot the one!  The natural rhythm we’re all accustomed to would be more akin to BAHdum BAHdum BAHdum BAHdum ONE and TWO and THREE and FOUR and… I guarantee that if someone tries to run to an iambic beat they’re going to end up straining just one knee because the mental shift necessary to put the emphasis on the second beat will cause people to subconsciously slam that foot harder into the ground. I think the only way around this would be to just say the first unstressed syllable, and then take your first step or pedal or whatever on the second beat.  But then guess what? You’re back to the traditional STRESS and stress and stress and stress and STRESS and stress … that we’ve *always* done, and there’s really no difference then between reciting a sonnet and, oh, pretty much anything else that has meter. Two ROADS diVERGED in a YELlow WOOD and I took the ONE less TRAVelled BY….