- I would not wish any companion in the world but you.
- Your heart’s desires be with you!
- The very instant that I saw you did my heart fly to your service.
- When you do dance, I wish you a wave o’ the sea, that you might ever do nothing but that. Probably only useful after chasing down someone who’s just come off the dancefloor.
- Who ever loved that loved not at first sight? Yeah, I’ve heard you want to be careful starting out with the L word.
- If love be rough with you, be rough with love; Prick love for pricking, and you beat love down. Especially useful when your target gives off that “recently broke up with somebody” vibe.
How's that wedding book coming? Why, thank you for asking…
Hi Gang,
I’m happy to report that my wedding book project is coming along quite nicely and should be ready for its debut some time this summer. I’ve got the bulk of content in place – thanks for all the quotes! Searching gets tricky once you realize that not every good quote is going to have the words “love” or “marriage” in it, you know. 🙂 Now I’m working on formatting for presentation as well as beefing it up with some other wedding related content, not just quotes. Shakespeare bio, section on Elizabethan wedding tradition, that sort of thing.
Which brings me to my question. Anybody got ideas for me on … unusual … ways to incorporate Shakespeare into the wedding? It’s fairly easy to grab a sonnet for a reading, or offer up a toast, or scribble a love quote onto the invitations. I’ve got all that. Now I’m looking for more out of the ordinary ideas. For instance, could you decorate the cake in a Shakespeare theme? I have this wonderful (to me :)) idea about a Romeo and Juliet cake where the bride is up on the top tier, done up like a balcony, and the groom is down on the lower tier, done up like a garden or something similar. (If anybody runs with that, please send me a picture!!) Or here’s another one, I don’t know if anybody would ever do this but how awesome a wedding reception would it be if actors were hired to perform the final scene of Midsummer? I mean, come on, YouTube is loaded with people who break out in a group Thriller dance at the reception, why can’t we have Pyramus and Thisbe? This simply must be done. Quick, someone out there get married so we can do this.
What else ya got?
Othello's Self-Hatred?
Really? Guess I never thought about it. Othello hates himself? Why and where’s the evidence? It may be obvious and I’m just not putting enough thought into it.
Shakespeare as History Lesson
Today’s topic is about history. Topics like Julius Caesar, Mark Antony and Cleopatra show up frequently. What’s neat is that you can’t always tell whether somebody’s asking about the play (“Does Brutus die in Julius Caesar?”) or history in general (“What did Cleopatra do for Egypt?”) But unlike the Juliet/LOST example, in this case the answers overlap. “When did Julius Caesar die?” has both a history answer and a Shakespeare answer. What I think would be cool is if we Shakespeare geeks just banded together to storm Google a bit and take those questions as our own. Why not have the questioner land on a Shakespeare answer? Even if that’s not what he was looking for, maybe he’ll learn a bit about Shakespeare in the process. What could it hurt? It’s not like we’re giving anybody the *wrong* answers. We can plainly tell them “In the play, Cleopatra does this…” and, if you know it to be different from the “real” answer, throw in the real answer as well.
So, fellow Shakespeare bloggers, there’s your call to action. Looking for content? Blast out some Julius Caesar / Antony+Cleopatra posts. Who were they, what did they do, where did they live, when were they born and what did they do? Assume that the searcher is a student looking for the historic answer, and give them the Shakespeare answer now that you’ve got them. Bet you’ll see some traffic. Hint, hint. Big ol’ hint.
Come Not Between Ben Kingsley And His Wrath
But let’s be honest: Prince of Persia is based on a video game. It’s a mega-budget, effects-heavy tale about a street urchin-turned-prince, Dastan (Jake Gyllenhaal), who finds a mysterious dagger that can turn back time. Its producer, Jerry Bruckheimer, is a spectacle-meister whose films are not usually lauded for their delicate subtlety.
Sir Ben, from the minute (earlier in the article) that she calls his acting “scenery-chewing”, disagrees:
“I do the same job. The background alters, and where the camera is placed, and the effects around me. But I am doing the same job. I serve Nizam as if Nizam was written by Shakespeare and he was called Richard III.
“Why waste my time trivializing a character or a film?” he continued, now fully engaged, his voice smooth and mellifluous. “If I trivialize it, it’s going to spoil three, four, five months of my life. Instead, I consciously think to myself, ‘Aim high, aim very high with Nizam. If the kids are going to come and watch it, let them see Richard III from Shakespeare. That will make them go, ‘Wow.’ Don’t give them a Punch and Judy show villain.”
I see both points. I don’t think, even if all the planets aligned just right, that any kid is going to walk out of Prince of Persia with visions of Shakespeare dancing in their heads. But like he says, why waste your time trivializing the character? There are certainly actors out there in the biz that just phone it in for the paycheck. Sir Ben doesn’t appear to be one of them, regardless of what roles he takes.