Also making an appearance in my “star for later” bucket is Casablanca Girl’s “Hamlet / Dr. Faustus” crossover.  At 1000 words or so it’s a pretty quick read. The premise is kind of neat.  Everybody’s quick to point out that Hamlet at Wittenburg is complete anachronism, as the university did not exist in Hamlet’s time (it did in Shakespeare’s).  So then was Shakespeare maybe copying directly from Marlowe?  Is the connection deliberate?

Always fun to talk about the mystery man that some feel was indeed Shakespeare himself in disguise (that is, Marlowe wrote as Shakespeare – stay with me, people.)  I’m not quite sure the larger point of this article at “La Stampa”, and I think this might even be part 6 of something larger, but it’s loaded with good Marlowe info that casual geeks may not have already known:

This is what the “School of Night”, which formed around Sir Walter Raleigh did. Here the greatest original minds of the day thought and discussed in secret the unthinkable and Raleigh, another self-made man of extravagant tastes, and the Queen’s favourite became Marlowe’s patron. Like Tamburlaine Raleigh was a man of humble origins who was setting out to conquer the “New” World in Virginia and was capable of barbarity in Ireland. Like Dr Faustus were the mathematical genius Thomas Heriot who created modern algebra and went to Virginia, the “Wizard Earl” of Northumberland, the greatest contemporary Alchemist/scientist Dr John Dee and the cosmologist Giordano Bruno; all friends of Marlowe in the School of Night. Indeed both Raleigh and Marlowe were accused of “atheism” though they were probably, like later Isaac Newton, Arians; denying the divinity of Christ.

I’m no Marlowe Geek so I can’t speak to how much of the article is the same old stuff, how much is just restating urban legend, and how much might actually be new.  But I found it a nice change of pace from all the “Computer proved Shakespeare didn’t work alone!” stories cluttering my newsfeeds this past week.  http://www.lastampa.it/_web/CMSTP/tmplrubriche/giornalisti/grubrica.asp?ID_blog=145&ID_articolo=128&ID_sezione=308&sezione=

http://thebooksmugglers.com/2009/10/joint-review-prospero-lost-by-l-jagi-lamplighter.html Now, see, how come I don’t get to review stuff like this?

More than four hundred years after the events of Shakespeare’s The Tempest, the sorcerer Prospero, his daughter Miranda, and his other children have attained everlasting life. Miranda is the head of her family’s business, Prospero Inc., which secretly has used its magic for good around the world. One day, Miranda receives a warning from her father: “Beware of the Three Shadowed Ones.” When Miranda goes to her father for an explanation, he is nowhere to be found.

I’m dying to make a joke about Ethan Hawke playing Miranda, you realize. 🙂

For those in the Boston area:  I note with serious interest that Commonwealth Shakespeare, the wonderful people who bring us Shakespeare on the Common every summer, are sending out mysterious messages on Twitter about another play, coming in November.  How exciting would *that* be?  I highly doubt it’ll be free and outdoors, but then again, who knows what they’re up to?

How’s *that* for an attention grabbing headline?  Such is the premise of Myrlin A. Hermes’ coming novel, “The Lunatic, The Lover, And The Poet,” waiting for me this morning.  The book comes out in January, but sometimes I get sneak peeks like this 🙂

A 16th-century Divinity student at Wittenberg University, Horatio prides himself on his ability to argue both sides of any debate–but does not fully believe in anything. Then he meets the beautiful, provocative, and quite possibly mad Prince of Denmark, who teaches him more about both earth and Heaven than any of his philosophy books.
But his patroness, the dark and manipulative Lady Adriane, employs her own seductive wiles to test whether the "platonic true-love" described in Horatio’s poetry is truly so platonic–or so true. And when a mysterious rival poet calling himself "Will Shakespeare" begins to court both Prince Hamlet and his dark lady, Horatio is forced to choose between his skepticism and his love.
Laced with quotes, wordplay, thespian in-jokes, bed-tricks, cross-dressing, and a steamy bisexual love-triangle inspired by Shakespeare’s own sonnets, this witty, sexy new novel will make you rethink everything you thought you knew about the Bard.

There’s a video trailer up on her site, if you’re curious.   What’s got me thinking is that right at the end the word ‘satire’ flashes on the screen.  Is the whole thing a joke? A comedy?  At first I thought it was just traditional net slash fiction gone book length.  But now I wonder …