Interesting find here at “Dewey Dink” blog called, “Shakespeare, or, How To Destroy At Elizabethan Idol.” It seems to start with the premise of “You think Shakespeare was trying to make a bold statement about what was wrong with his culture, but really he was just playing into what he knew would work.” Which we’ve heard before – the whole “is Merchant of Venice anti-Semitic, or what?” argument. I’m linking it, though, for the emphasis that the author puts on messages left by Shakespeare in character names. They include:
Othello –> a cross between “brothel” and “bordello” Desdemona –> contains “demon” right there in the middle Romeo –> “Rome”, a symbol of the Catholic Church Juliet –> “J”esus Rosaline –> Rosa, the Rose, aka Virgin Mary Lear –> leer, a suggestive sidelong glance suggestive of sexual desire or malice Hamlet –> a small village without a church (emphasis his) Macbeth –> …beth –> Elizabeth, as in Queen Elizabeth Shylock –> wedlock / warlock Portia –> Porcius –> Pig
http://deweydink.wordpress.com/2009/10/01/shakespeare-or-how-to-destroy-an-elizabethan-idol/