http://www.csmonitor.com/2008/0502/p13s03-almp.html American Repertory is doing Cardenio in Cambridge, Mass starting May 10.  I have really got to make more effort to see these things. 

http://nietzschefish.blogspot.com/2008/05/bard-never-would-have-let-me-use-sledge.html [Note, image NSFW] The above link just goes to a not-safe-to-work, albeit artistic image, with the following caption:

Shakespeare only really wrote with two views on women – the conniving sexualized and the innocent virgins.  The guys I work with in construction see me as either a sexual object or an incompetent child, so they aren’t much different than Shakespeare.  Except the Bard never would have let me use a sledge hammer.

Discuss.

http://imagery.willentrekin.com/2008/05/03/macbeth/ A USC student has a vision for Macbeth that includes, among others, Christian Bale.  The link is to a sort of “promotional” piece for his idea, which mostly repurposes clips from American Psycho spliced in with music and Macbeth quotes.  I thought it was pretty cool.

http://geek.shakespearezone.com/?p=2309 Alan K. Farrar (omgwtfbbq!) makes me want to read Peter Brook right now.  The topic, Forget Shakespeare, deals with advice on how to perform a Shakespearean role.  In so doing, Brook expresses pretty clearly one of the central reasons why I do love this stuff so very very much:

“The actor’s task is not to think of words as part of a text, but of words as part of a person whom we believe actually minted them in the heat of the moment” (pg 43).

In other words, take out the middle man between you and this fictious character.  Forget the playwright in the middle, forget that you are an actor performing a role created by Mr. Shakespeare.   You can’t say “I will play Scene 2 this way because I know that in Scene 5 I respond in this way….” because Hamlet himself would have had no idea what he was going to do in scene 5, nor that there even is such a thing as a scene break.

Shakespeare’s words, Brook reminds us, are ‘necessary expressions of the inner patterns of exceptional human creatures.’

I think that summarizes nicely how I feel about things like Shakespeare biography, Elizabethan history, the Authorship question and all that sort of thing.  I care about the characters inside the plays, as if they are real people.  Hamlet is not a construct of this many words in this sequence – Hamlet is a messed up college kid whose dad was murdered and whose mom did some….well, he’s got issues with his mom.  Hamlet, minus the sword fights and poisoning and such, could be any number of college kids in the world right now.  Same goes for Romeo, Juliet, Lear, Cordelia….. When I experience Shakespeare, I don’t see text, I see people.  Exceptional people.   Last month I wrote a post entitled But what if you would? in which I tried to get at a similar idea.  Most of us in our lives will never experience the sort of exceptional life of a Hamlet or Romeo.  That is part of the great gift of Shakespeare, both to the actor who is given the roadmap for how to experience, and also to the audience, that they might witness it.

http://www.cnn.com/2008/LIVING/personal/05/02/o.alone.or.not/index.html There’s really no Shakespeare in this story, but it did give me an idea.  Can you imagine if Shakespeare were alive today?  I don’t know whether he’d be writing for television, movies or theatre, but I’m pretty darned sure he’d have trademarked the whole “To be or not to be” thing, and would be running around like a mad fool suing everyone who uses it.  Don’t even get him started on people that use “wherefore” incorrectly.