The Tempest Is A Bad Play

Got your attention?  Because it certainly got mine when I read it.

I didn’t write it — this guy did.

A friend cc’d me on a shared post, knowing that a clickbait headline like that was guaranteed to make me a little nuts.  It did.

His argument appears to be that Prospero is too powerful, and his enemies don’t stand a chance against him, therefore it’s boring to watch what we know will be his ultimate triumph over them.  I think this guy maybe thought he was going to see Infinity War or something. He’s describing Shakespeare like a superhero movie and he’s disappointed that there weren’t enough explosions.

He also seems bewildered at this idea that we know how the play is going to end, therefore it stinks:

We must root for him, and we know at every moment that he — yawn — will triumph.

…but you know in an instant how that’s going to end up; there’s no more suspense in it than in the Harlem Globetrotters taking on the Washington Generals.

I wonder how he feels about Romeo and Juliet?

At the end, though, he seems to actually get it:

There is a scene toward the end of the play in which Ariel expresses sympathy for Prospero’s enemies, laid low as they are from Prospero’s magic. Prospero marvels at the fact that the inhuman Ariel can experience empathy, where he, though human, cannot. And at that moment Prospero has his singular insight, which turns his life around: although he himself is at present incapable of empathy, he must act as though he has empathy for others, and, over time, learn to acquire it. And to do so, he must give up his god-like powers, and take his share in the human heart.

Like the kids say, and excuse my language, No Shit, Sherlock. That’s the story that’s in front of you the whole time.  Did you think that the director and actors put it there? I don’t follow how you get off calling the play terrible for half your word count, and then saying “But, this production was amazing.”  Were you scarred by a bad high school production when you were a child?

This guy’s bio suggests he’s actually seen Shakespeare more than once, so the only possible explanation I can find for this nonsense is that he’s trolling us.  He also takes a random slap at Coriolanus, which is apparently also terrible.  I’m surprised he didn’t say Hamlet is overrated and Falstaff’s not that difficult a role to play.

 

 

Midsummer Movie!

I did not see this coming!  Looks like it’s time for somebody to try A Midsummer Night’s Dream on the big screen again:

Interesting.  Looks like they’re going with the original text, which is always a good way to start in my book.

The biggest name attached appears to be Rachel Leigh Cook (Hermia) who seems like she’s kept busy, but was really “big” back in the days of Dawson’s Creek and She’s All That.  Trivia?  I continually confuse “She’s All That” with “She’s The Man” and assume that it’s a Twelfth Night adaptation.  I suppose Hamish Linklater (Lysander) is also a big name now, he’s had steady primetime TV work for years now (Legion, Fargo, The Crazy Ones, New Adventures of Old Christine, Ugly Betty…)

What I’m worried about is the trailer shows none of the Rude Mechanicals at all. I came away from it worrying that they’d be entirely cut. Luckily the IMDB page does list credits for all of them so they’ll definitely make some sort of appearance.

Oh! I knew this guy looked familiar!  Fran Kranz (Bottom) is one of Joss Whedon’s gang, and played Claudio in Whedon’s Much Ado About Nothing. That could be cool.

Anybody know more about this movie?  IMDB dates it 2017, but the YouTube trailer appears to be brand new and it looks to be arriving in theatres July 13.  No clue if it’ll be in wide release or not (but I really doubt it).

Is it possible to make a good movie version of Midsummer?  Or is it just too ridiculous (unless you go animated)?

 

Shakespeare Calling (A Geeklet Story)

This weekend my son and I went to the Boston Calling music festival because he’s a big Eminem fan.  His sisters will be going to see Taylor Swift this summer, and we already dragged him to that once, it didn’t seem fair to doom him to a life of shows like that just because he’s outnumbered.

Anyway, here’s where the Shakespeare comes in.  We’re walking from the hotel to the festival…

Geeklet:  “I told my friend at school that I’m going to see Eminem and he said, ‘Are you going to eat M&Ms?'”

Me:  “I once played Othello *at* Othello.”

Geeklet:  “What?”

Me: “Never mind.”

Later in the evening when we’re trying literally not to get lost in a crowd. Somehow the conversation turns to how you never know, just bumping into somebody or stepping on their shoe might set them off.

A few hours after that, it’s dark, it’s a standing room only crush of people, and he steps on my toe.

Me:  “Yo homes, you just step on my toe?  I will murder you.”

Geeklet: “No you wouldn’t.”

Me: “I can do it, too. We’re in the same hotel room. Smother you in your sleep with a pillow.”

Geeklet:  “Othello.”

Me: “…wait, what? Seriously?”

Geeklet: “Wait what what?”

Me: “That’s the one that ends where the guy smothers his wife with a pillow.  Didn’t know you remembered that.”

Geeklet: “I didn’t, I just picked the one that rhymed with pillow.”

 

Guest Post : The Wild Waves Whist by Erin Nelsen Parekh

Back in September 2016, Shakespeare Geek readers helped make life better by backing Behowl the Moon, a baby board book based on “A Midsummer Night’s Dream”, into existence. I’m very happy to welcome back Erin Nelsen Parekh to tell us about her follow on project “The Wild Waves Whist”, using material from The Tempest.

Maybe you remember reading here about Behowl the Moon, the board book that turns two quotes from A Midsummer Night’s Dream into a story for babies and toddlers. There’s a second book up on Kickstarter now that would make it a series: The Wild Waves Whist, which steals two bits of The Tempest.

https://www.kickstarter.com/projects/172320179/shakespeare-for-babies-real-literature-to-read-on

The Wild Waves Whist will have more Shakespeare-certified animal noises, more rhymes, more funny old language, an island setting brimming with mystery and possibility. It will be a delight and a dare.

Many of you helped bring Behowl the Moon into being by supporting it on
Kickstarter. And once it was made, the pairing of Shakespeare’s words and narrative art caught a good bit of attention (link to http://drivelanddrool.com/press/). Behowl the Moon is just about sold out of its first printing and going back to press!

It’s not probably ever going to be a blockbuster—not every adult wants this kind of wordplay during storytime with a kid. Even if they did, lots of people grow up with no feelings about Shakespeare aside from vague, homework-induced distaste. But among those who love and respect the complex play of image and sound and meaning in Shakespeare’s work, Behowl the Moon finds the perfect audience.

The Wild Waves Whist
Back The Wild Waves Whist on Kickstarter now!

What actually happens when you mix small children and early modern English? My oldest, at two, told me we needed breakfast, “else the Puck a liar call.” A three-year-old remixes songs and quotes: “Twinkle, twinkle, little star, and the wolf behowls the moon.” When I read for a group of kids, usually aged from about one to three or sometimes all the way to six and seven, they hiss for “’scape the serpent’s tongue,” clap on “give me your hands,” lay their heads down at “good night unto you all,” and happily roar, tweet, bray, hoot, and squeak whenever they get a chance. And everybody, everybody, howls.

Toddlers interact with a snippet of unadulterated Shakespeare just as they would any other kids’ book, remembering the bits they like the sound of, puzzling out what’s going on in the pictures, asking questions about the characters. They are hilarious and brave and unexpected. I have to make another one—just to see what they’ll do next.

If you can help me make this, by supporting the project, sharing the link, or telling a friend, you’ll get my endless gratitude—and we’ll get to find out what happens together.

What, Is There More Merch?

Look at that, I had a picture of Boatswain after all.

It dawns on me, as I sit here in my Tempest mood, that I’ve got almost 100 Shakespeare Geek designs in Amazon and RedBubble, but none of them have anything to do with The Tempest.

How’d that happen?

I immediately set about to remedy that problem when … I got stuck. I have no idea how to proceed! It’s easy to grab a quote and throw it on a shirt, but I think that’s just playing the “quantity over quality” rule and I don’t love that.  Maybe that’s why I’m not raking in the cash, either, but that’s never been my goal 😉  If I’m going to put up a design and ask people to spend real money to own it, I’d like to feel like I put some effort into it.

So, who wants to brainstorm with me? Amazon offers t-shirts and hooded sweatshirts, but RedBubble offers a larger selection of other merch – iPhone cases, pillows, blankets, journals, stickers, etc… so I can really do either.  If you’re a fan of The Tempest, what do you think would look good on merchandise?  A favorite quote?  One of our old jokes or hashtags games from over the years?

I suppose we could look into original artwork if somebody had a cool idea.  I’m already thinking about maybe digging into the public domain stuff and seeing if I can’t get creative with one of the old woodcut images depicting Prospero and Ariel.  Hmmm…

Who’s feeling creative? I promise I won’t nag people to buy it if we end up making it.  I just want to see some new designs flowing into the store, and
The Tempest is the biggest gap I see right now.  (Not a lot of call for Pericles merchandise.)