Is Caliban human?

Is Caliban human? The question comes through on my logs every now and then so we must have touched on the subject at some point.  I think that perhaps students are looking for help with their homework and just want a yes or no answer and maybe a citation, but I think it’s more complicated than that.

Then was this island–
Save for the son that she did litter here,
A freckled whelp hag-born–not honour’d with
A human shape.

The very first description we have for Caliban is “not honored with a human shape.”  Does that mean not human?

EDIT:  November 1, 2017.  As the commenter rightly points out, that’s a misinterpretation of the passage.  It is the island that would be “without human shape” if it were not for Caliban, i.e. he was alone on the island. 

The word “whelp” would normally apply to animals, but Prospero’s not saying that Caliban is closer to a dog than a person. (When I drive to work each morning and inevitably call someone a jackass I don’t literally mean he’s a donkey. How can you give someone the finger if you have hooves?)

Normally we would say, “Is Caliban human? Of course Caliban is human. He’s got a mind and free will of his own and can communicate. He loves his mother Sycorax and worships her god, Setebos.” By our modern biological standards, it’s a no-brainer.  There’s no creature other than humans that can do any of that.

But this is also a play with magic and fairies, witches and devils. So maybe our modern definitions don’t apply?

Is Caliban human?We’re told that Sycorax is a witch, and that she was banished here. Prospero goes one step more, telling Caliban that he is the offspring of his mother mating with the devil himself.

By modern standards, and by that I mean post Salem witch trials, we could interpret this to mean “Single woman gets pregnant, gets on the wrong side of a conservative society’s rules, and gets kicked out.”  By that logic Caliban is human.  A little wild, maybe, from growing up outside civilization (and civilized medicine), but basically human.  Personally I like this interpretation because it keeps the play universal.  Tell me what Caliban is like as a character because he’s human, and therefore at some level he is like all of us. If he’s not human, I can’t really learn anything from his plight because everything’s different. If he is, I can feel sympathy for him.

Did Shakespeare believe in witches?  It’s not known for certain, but it was certainly typical of the time. Whether the audience believes in witches or not, however, we have to suspend that belief because this play takes place in a universe where magic exists.  Prospero rescued Ariel from a tree, after he was imprisoned there Sycorax. So Sycorax did have powers (like Prospero), and therefore was an actual witch, so is it really that far fetched that she was impregnated by a devil?  And if that is the case in this universe, what exactly does that make Caliban?  Because “appearing human” would probably be closer than “actually human”.  If that’s the case then the play isn’t nearly the same to me.  I have no sympathy for Caliban if he’s just a walking, talking animal.

So, is Caliban human? I prefer to see it that way, but I think that Shakespeare probably didn’t. What does everybody else think?

 

Jaffrey, NH Gets All The Good Tempests

I’m kind of digging this trend of bringing live stage performance Shakespeare to the big screen.  I can’t possibly get to all the live show I’d like to, so it’s nice to have the option.

This is particularly true of RSC’s recent “digital” version of The Tempest that got all the great writeups for its use of special effects and virtual reality.  (Actually I heard that the performance gets lost in the glitz, but I’d like to see for myself!)

So when I heard that they’re taking the show on the road I was prepared to get in line for my tickets (like I did with Benedick Cumberbatch’s Hamlet).  But … there are no Massachusetts show times listed.  I would understand, if only other big cities like NY, DC, Chicago, etc.. were on the list. Fine.  But the closest city to me with a screening is Jaffrey, New Hampshire? I’ve lived in Massachusetts all my life, raised three children who have all had to do social studies / geography presentations on the New England states, and nobody’s ever so much as mentioned Jaffrey.

Seriously though, I suspect that the calendar is just not updated.  When you select Jaffrey it actually says “Here are other cities with showtimes” and lists several Massachusetts cities including Chestnut Hill and Revere (neither of which I am likely to get to), but when you click on them it goes back to the main list of theatres as if you experienced an error.  I’m hoping to see either Cambridge / Kendall Square on there (which would be walking distance for me), or Burlington, where I saw Benebatch Hamlet.

 

 

On The Complexity of Rosalind

“Rosalind and Hamlet are surely the most complex in the vast parade of Shakespeare’s characters.”

So begins this Signature article, “What’s So Complex About Shakespeare’s Immortal Rosalind?

I’m already stumped, and that’s nothing personal against Rosalind.  I’ll give you Hamlet. But a funny thing happened as I sat here thinking, “No, wait, surely there’s a lengthy cast of characters that could vie for that title.”  Complex female characters in Shakespeare’s work. Ummm….hmmm. Maybe they have a point? I keep rattling off names – Desdemona, Juliet, Cordelia – but the word “complex” does not come to mind for each of them, even though they each have their own strengths.  I guess Viola is the obvious competition.

Maybe I’ve not yet seen a good As You Like It, because my impression of Rosalind is inevitably “boy crazy teenager.”  I saw this one interpretation where Rosalind and  Celia, talking about boys, at one point grab each other by the forearms, jumping up and down in a circle while laughing and squealing loudly. You’ve no doubt seen similar played out in many a television sitcom. It didn’t take much creative energy, I’m sure. I didn’t like it, as it left me thinking, “Is this all there is to this one?”

Maybe I’m wrong, though, and I’m open to debate.  I think I’m biased toward Viola in Twelfth Night , however, thanks to Wayne Myers’ book “The Book of Twelfth Night, or What You Will: Musings on Shakespeare’s Most Wonderful Play,” which explores many of the darker themes of that one.  Viola doesn’t have time to finish mourning for her dead brother before she assumes his identity. Let’s see Rosalind try that!

Rosalind.  Complex?

P.S. – Can I get a word in about the editor’s note?  The article’s title says “the immortal Rosalind,” to which the editor adds, “a character who has never lived and therefore can never die.”  So…literally, in the literal sense of the word, every fictional character.

 

 

Has Anybody Seen Hamlet’s Ghost?

By that I mean Hamlet’s Ghost, a new film by Walker Haynes.  I just saw it scroll past on my FIOS On Demand. I’d never heard of it!  It appears new – their Facebook page says that it just became available this past week, which would explain why I never heard of it – but the IMDB page dates it 2015, so I guess it took a spin on the festival circuit first.

A modern Shakespearean actor must travel back in time to confront enigmatic forces from the past and future.

You had me at Hamlet.  But I’m still trying to figure out how much Shakespeare is actually in this.  Here, check out the trailer (which is dated two years ago and looks like the director put it together on his Commodore 64, but maybe he didn’t have much budget left at the time…):

So there’s a swordfight on stage.  Is that it? Do we even see Hamlet’s ghost? I’m happy to check this out, but I can tell you right now that I’m in it for the Shakespeare so if there’s not much, I’m going to be disappointed.

Also, does anybody else get a strong “young George Clooney” vibe from the director / star, Walker Haynes? I don’t believe I’ve seen him in anything else, George Clooney is the name that keeps leaping to mind as I watch.

Be the players ready?

The credits list Gertrude, Horatio, Laertes and Polonius, so that gives me hope. Where was everybody else? I clicked “See full cast” and discovered Claudius, Osric and Fortinbras.  Can’t find Ophelia anywhere, though.

Hey here’s a fun bit of trivia!  Hamlet’s ghost (or, at least, “The Ghost”) does show up!  The actor is someone whose credits include apparently long-running full time work as a transcriber for Shark Tank, and production assistant for The Real Housewives of Orange County. Guess the actual amount of acting experience needed for the ghost wasn’t too high.

Seriously, though, has anybody seen this yet? Is it worth seeking out?

Hamlet's Ghost

Your Loss, Beatrice.

“Lord, I could not endure a husband with a
beard on his face: I had rather lie in the woollen. ” – Beatrice, Much Ado About Nothing

Every year around this time I like to take part in “No Shave November,” otherwise known as “Woohoo I don’t have to shave for two weeks!” followed by “Oh my god is it December yet this itching is going to drive me crazy!”

Seriously, though, sometimes it’s nice to have a cause and try to do something meaningful:

The goal of No-Shave November is to grow awareness by embracing our hair, which many cancer patients lose, and letting it grow wild and free. Donate the money you typically spend on shaving and grooming to educate about cancer prevention, save lives, and aid those fighting the battle.

If I count Facebook and Twitter I’ve potentially got over ten thousand people that might see this post.  Maybe some of you might find it a cause worth supporting.  I don’t really register and create my own page and that sort of thing, because it’s not really about me. If you’re in a position to donate and would like to do so, that’s awesome. If you’re not, then maybe you can share this post so more people see it. There’s lots of ways to help.

Thanks for your support!  I’ll update again later in the month!