A Geeklet Remembers

Parents of middle school children, you know this scene. You’ve got to head up to the school hours after classes are over to pick up one of your children who had to stay after for one activity or another.  As a parent you think, “Great! One on one time! Bonding!”

“How was school?” you ask.

“Eh,” you  hear come from the back of her head. She’s busy texting.

“What were you doing after school?”

“What? Daddy, I’m trying to schedule my next appointment. And I need to pee.”

“Oh. So we’ll just sit here in silence, then.”

“I just have to do this.  And pee.  Badly. I haven’t gone to the bathroom since seven this morning.”

Now, I’m the kind of dad that won’t take this sort of thing lying down. So I spend the ten minute drive home narrating the entire trip.  “Hey look a red light, we’ll just hang out and be quiet longer, that’ll be nice. Oh, no, wait, turned green, here we go. Taking a left.  You know the police tend to hang out on this street you have to be careful, it says limit 25 but before you know it you’re going 40 and that’s when they get ya. I should really slow way way down. You did say you had to pee, didn’t you?  Wouldn’t want to get pulled over, that would take forever.”

You get the idea.  Get sassy with me missy and you’ll pay for it.

So we get home, she flies upstairs, we go about our business.  I help make dinner.  Eventually dinner is ready and we all sit down to dinner.

“Guess what?” this same sassy child tells me as I’m setting the table.

“What?” I ask.

“We had a Shakespeare presentation at school today!”

“….I WAS IN THE CAR WITH YOU FOR TEN MINUTES AND YOU DIDN’T FEEL LIKE MENTIONING THAT?”

“I told you, I had to pee.”

“What kind of presentation?” I asked.

“Some guy dressed up like Shakespeare, told us everything about him.”

“Which you probably knew already.”

“Yeah, mostly. Then he did some stuff from the plays.  He recited a sonnet.”

“Which one?”

“The shall I compare thee one.”

“18.  Obvious choice.”

“And I was sitting there listening and I thought, ‘Hey, I know this one.'”

“You certainly should, you’ve literally known how to sing it since you were five years old!”

How Sharper Than A Serpent’s Tooth, To Have A Thankless Geeklet

My children have literally grown up with Shakespeare, from the time my oldest was five, my middle three, and my son one.  Of course it was much more prevalent when they were younger and I could read/sing/show them whatever I wanted. As they’ve gotten older, life gets in the way and other responsibilities and activities take over.  So I’ve often wondered how much of what I tell them remains.

The other day I was telling them about the plan to scan Shakespeare’s grave, despite the curse.

“What did they find?” asked my oldest.

“They haven’t said yet,” I told them. “Apparently it’s a big deal for the 400th anniversary of his death, so we have to wait until then.”

“When did he die?” my middle child asked.

“I have no middle child,” I said, mouth agape.

She froze, realizing that Shakespeare Day is something I may have mentioned two or three thousand times in their lives. “Give me a hint,” she asked.

“Did he die on my birthday, or close to my birthday?” I asked. Embarrassed silence.  “Oldest child,” I said, “Help her out, would you?”

“When’s your birthday?” asked oldest child.

I’m changing my will and giving everything to the boy.  Also, changing his name to Cordelia.

Watch Empty Space. Seriously. Right Now. Go.

OK, stop what you’re doing.

“Empty Space” is a love-letter to live theater, a nine-episode web comedy that explores and glorifies the world of diehard thespians, those hardcore beasts of the theater who soldier on against the slings and arrows of outrageous fortune because, after all, the show must go on.

That’s direct from their About page, and I don’t think I could describe it any better. Remember Slings & Arrows? Of course you do.  The love of Shakespeare extends beyond the text. We love to be around other people who love Shakespeare.  Put me in the audience, or let me watch from backstage or heck, let me hang out with these people in their normal lives. We all have a shared passion, and it’s great to be around.  (And let me tell you, having hung out with theatre people back in college, “we all have a shared passion” has a whole double meaning I hadn’t even considered when I wrote it!)

We open with Kira, our Juliet, speaking directly to the audience while she sits in makeup. She’s open in her criticism of the crew, and we clearly see one of them flip her off in the background.  “This is a mirror,” she says, “I can see you!”
Our story then parallels Mr. Shakespeare as we quickly see the two houses – “Montacrews” and “Castalets”, as the director dubs them – hate each other. The actors claim that crew are just has beens and wannabes.  The crew claims that actors are, and I love this line, “Props with dialogue.” The feud escalates into a literal sword fight (albeit with prop swords) until the Prince/Director steps in to declare that the next time anybody starts something, they’re fired, banished from the theatre, you name it.  Get the picture?
You can probably see where it’s going.  We introduce Orson, a new Mercutio, after the old one falls off the stage and breaks himself.  Orson then starts fraternizing with a pretty costume designer.  How long before he’s off to the drug store for poison?
Ok,  maybe it doesn’t go that far. I think that most of the parallels were just their way of showing that they could go there if they wanted to. This whole production – just ten episodes, running around ten minutes each – is wonderfully self aware, and I’m sure the theatre geeks who’ve actually gotten up there and done the half speed stage combat and the overly dramatized back stage romances will find even more inside jokes than I did.  Heck I laughed out loud when they dropped in a random reference to a production being “post apocalyptic” like that explained everything.
The whole point is, as I quoted above, a love letter to live theatre. Everything but the kitchen sink is thrown at actors, director and crew. People are fired. Replacements do not live up to expectations. Props are switched. Russian mafia come looking for the stage combat guy. Yet the idea of the show not going on just never materializes. Everybody rolls with it. Because at curtain call, when the audience applauds? It’s all worth it. Always.
Oh, and if it sounds like I enjoyed the series? The epilogue (of course there’s an epilogue, haven’t you been paying attention?) knocked me out of my seat.  Our Mercutio, who also happens to have written the show, comes out to address us.  “I can take any empty space and call it a bare stage,” he begins. “A man walks across this space whilst someone else is watching him and this is all that is needed for an act of theatre to be engaged.”
“Damn,” I think. “That’s really good. I mean, I get that, immediately. I understand that sentiment completely.”
“Peter Brook,” he continues.
“Oh, well, there you go,” I say to my empty living room.
He then continues his … what should we call it? A call to arms? A mission? About the actors’ duty to fill the empty spaces of the world with theatre at every opportunity. Seriously, it made me want to go enlist. I want to go find some guerilla Shakespeare now.  Maybe I should start some…

…oh, and did I mention this is all entirely free online? Not on Netflix, not on Amazon Prime, not coming to a theatre near you.  Just hanging out on a web page, every episode, just waiting for you to fill up some empty space in your day by binge watching it.  So why are you still reading?  Go!
Watch Empty Space
 

Shakespeare’s Insults : Educating Your Wit

Came in to work the other day and a coworker presented me with a book from her collection, Shakespeare’s Insults : Educating Your Wit. I had to admit, I do not have this one in my collection. Bit of history, when I wanted to teach myself Android app development I actually started out with a Shakespeare insult generator.

The book is definitely for reference, rather an a “How to Insult People With Shakespeare” sort of thing. Most of the chapters are a walk through play by play (or is it play-by-play?) listing everything that could be considered an insult. Unfortunately this ends up a case of “quantity over quality” and you get quotes like, “It out-Herods Herod” in the Hamlet section. An insult? Technically, sure, yes.  Does it sound like an insult out of context? Just barely. Or “Get thee to a nunnery?”  “If thou dost marry I’ll give thee this plague for thy dowry?”  Not so much insults and generally negative things.

You do what you’ve got to do to up the page count, I guess. I know that when I made my own statement against “love quote” collections by hand picking only those love quotes that could be used in weddings, I only managed about a 50 page ebook out of it. If a publisher told me to knock out 300 pages I’d probably do the same thing these guys did.

There’s about a dozen pages dedicated to insults for particular occasions – including fat, skinny, ugly, burping, farting….you get the idea. Not really what I’d think of as “occasions” but I’m just repeating what they called it.

There’s also a section in the beginning that’s more about how Shakespeare’s language worked in general, such as the few paragraphs on what exactly it meant to call somebody a “knave” and a “villain” and all the different variations Shakespeare used.  This part made me recall a conversation with Bardfilm over Coriolanus’ use of, “boy!” at the end of the play, how significant that was and how it might be played today.

Certainly a very good reference to add to the collection. There’s always opportunity to pull out some Shakespeare insults (just look at the recent Shakespeare Insult Challenge going around in the spirit of the Ice Bucket Challenge!)  It’s an older book (1995) so you might get lucky and score it on the cheap if you go hunting.

What’s your favorite insult?  I’m particularly fond of Kent’s rant in King Lear, mostly because I saw it live last summer and laughed until I cried. Imagine taking a deep breath and trying to do this all in one go:

A knave; a rascal; an eater of broken meats; a
base, proud, shallow, beggarly, three-suited,
hundred-pound, filthy, worsted-stocking knave; a
lily-livered, action-taking knave, a whoreson,
glass-gazing, super-serviceable finical rogue;
one-trunk-inheriting slave; one that wouldst be a
bawd, in way of good service, and art nothing but
the composition of a knave, beggar, coward, pandar,
and the son and heir of a mongrel bitch: one whom I
will beat into clamorous whining, if thou deniest
the least syllable of thy addition.

I love how, after all that, including taking a shot at his mother, he ends with “And I’ll beat the crap out of you if you deny a word of it.”

Notes & Quotes, or, Look What I Got!

When I started a new job recently I wrote about “decorating my life” with Shakespeare.  This week I’ve got a nice new piece to add to my collection thanks to the nice folks at Michael O’Mara Books who sent me a lovely William Shakespeare themed notepad.

I wasn’t quite sure what to expect, thinking maybe I’d see a picture of Shakespeare on the cover and some quotes in the margins.  Not at all! There’s both lined and blank pages, each of which is decorated with quotes and graphics in a variety of layouts to keep it from ever feeling boring. Every new page will bring new inspiration.

Usually I’m one for grabbing a generic yellow legal pad before running off to a meeting – and then promptly losing track of that one and starting a new one for the next meeting.  I think I’ll start a new tradition and actually keep track of this one :). I look forward to filling it up and filing it away on the bookshelf before I go get another one.