I bookmarked this conversation over on reddit too late to join in the fun, but I thought that my Shakespeare Geek readers might get a serious kick out of what happens when you put the problem in front of geeks of the more traditional sense.
I can’t really hold my own with the kind of mathematical experience they’ve got over there, but the way I’ve always imagined it is that “infinite” and “all” are, for the purposes of an abstract problem such as this, basically interchangeable. If you have a problem set of X possibilities, and then you say that you’re generating an infinite number of variations on X, then by definition one of them will be X.
Any attempt to discuss how long this would take, or the odds that it could ever happen, or comparison to atoms in the universe, seems to miss the point entirely.
The closest I’ve seen to an argument that makes me curious is the idea that by saying “monkey” you are not necessarily saying “a true random number generator.” Therefore you could argue that even with an infinite number of monkeys, your distribution does not follow a normal random distribution, and thus you can’t do predictions based on that curve.
Category: Uncategorized
Most of the posts in this category are simply leftovers from a previous era before the site had categories. Over time I plan to reduce that number to zero and remove this category. Until then, here they are. I had to put something in the box.
A Plot Hole in Othello?
Over on Shakespeare Answers, somebody asked Why Iago asks Roderigo to kill Cassio. In writing up my answer, I noticed something that strikes me as an odd gap, almost like Shakespeare did it on purpose.
Check out the end of Act 4, Scene 2:
IAGO
Why, by making him uncapable of Othello’s place;
knocking out his brains.RODERIGO
And that you would have me to do?
IAGO
Ay, if you dare do yourself a profit and a right.
He sups to-night with a harlotry, and thither will I
go to him: he knows not yet of his horrorable
fortune. If you will watch his going thence, which
I will fashion to fall out between twelve and one,
you may take him at your pleasure: I will be near
to second your attempt, and he shall fall between
us. Come, stand not amazed at it, but go along with
me; I will show you such a necessity in his death
that you shall think yourself bound to put it on
him. It is now high suppertime, and the night grows
to waste: about it.RODERIGO
I will hear further reason for this.
IAGO
And you shall be satisfied.
Iago has stated to Roderigo that to keep Othello and Desdemona for leaving for Mauritania, they need to remove Cassio from the picture (since he would be the one left in charge). When Roderigo asks why he has to do it, Iago says “I’ll show you why he has to die, and you’ll be in such agreement that you’ll want to be the one to do it.”
When we next see them, however?
RODERIGO
I have no great devotion to the deed;
And yet he hath given me satisfying reasons:
‘Tis but a man gone. Forth, my sword: he dies
I must be missing something, because on this rainy Monday morning that reads almost comically to me – I envision Iago putting his arm around Roderigo, walking off stage saying “Let me explain it to you…” and then 2 seconds later them coming back on stage with Roderigo saying, “Oh, ok, I understand, that makes sense.” It’s like Shakespeare didn’t really have a good answer to that question so he phoned that one in.
What am I missing?
Much Ado Rap
http://www.flocabulary.com/muchado
There’s lots of projects like this floating around the net, but I like and link this one for a few reasons:
* It comes with an animated video
* It’s about Much Ado About Nothing, not R+J or Hamlet or the other most common ones
* It’s actually good. ๐
They call me Shakespeare and I’mma make clear
When I write itโs on, my pen is my rapier
Dug for “pen is mightier than the sword” reference, even if that isn’t Shakespeare. ๐
Ticking Away, The Moments That Make Up A Dull Play
Question for a Friday : Which play spans the longest amount of time on stage? Stories and flashbacky sorts of things about what once happened don’t count, I mean “In Act 1 scene 1 the time is X, and in Act 5 the time is X + a whole bunch.” Does Winter’s Tale win, where Time “slides o’er sixteen years”?
On the flip side, which play takes the shortest amount of time? Doesn’t The Tempest span just as couple of hours, from the time of the shipwreck to the time of reuniting?
Answers Needed!
So it only took a day for the search engines to spot my new site, Shakespeare Answers. People are doing exactly what I expected, they’re searching for questions and they want answers. For those folks out there who’ve been helping me generate content by answering questions, here’s the list of questions that people have searched, that have landed them on my page. If you get a moment and are looking for an excuse to write some stuff, can I beg you to add your two cents on these? The more content on the page, the more engaged our google visitors will become.
Here they are. It’s an interesting mix!
- Does Macduff become King?
- How did old Fortinbras die?
- How did Othello and Desdemona meet?
- What does Claudius tell Laertes to do?
- What scene does Ophelia go mad?
- Where does Macduff go instead of Scone?
- Who is Banquo?
- Why did Macduff flee to England?
- Why does Iago deceive Othello?
- Why does Oberon want the changeling boy?