Why does Viola dress as a man?

Twelfth Night opens with a shipwreck, but if you blink you’ll miss it. There’s no actual stage direction that says “And now a shipwreck happens,” unlike The Tempest which starts in exactly this way.

Instead, the first cue about what’s happened comes as Viola, the Captain and sailors enter (Act 1 Scene 2) and Viola asks, “What country is this?” and fears that her brother has drowned:

[Enter VIOLA, a Captain, and Sailors]

Viola. What country, friends, is this?

Captain. This is Illyria, lady.

Viola. And what should I do in Illyria?
My brother he is in Elysium.
Perchance he is not drown’d: what think you, sailors?

The Captain goes on to describe what he saw during the wreck, and gives Viola hope that her brother might indeed have survived (spoiler alert – he did!) But, still, that leaves Viola alone in a country unknown to her. The Captain tells her the story of the Lady Olivia and Duke Orsino. Viola wonders if she might become a servant for Olivia, but she is not seeing any visitors. So instead Viola decides that go into the service of Orsino, with the help of the Captain:

Conceal me what I am, and be my aid
For such disguise as haply shall become
The form of my intent. I’ll serve this duke:
Thou shall present me as an eunuch to him:
It may be worth thy pains; for I can sing
And speak to him in many sorts of music
That will allow me very worth his service.

She never says “help me dress like a boy”, of course, but it can be inferred from the clues (“conceal me what I am”, “present me as an eunuch to him”).

Viola as Cesario
Image via Wikimedia Commons

But why is this her plan? Surely there must be easier ways to survive in Illyria. There are a few theories:

  • It’s a matter of safety. She’s an unaccompanied woman in an unknown country (even though she is with the Captain, he’s still just a hired hand, not exactly a family member). She’ll meet with less trouble if people think she’s a man. This is the logic that one of Shakespeare’s other cross-dressing heroines, Rosalind, uses in As You Like It:

Rosalind. Alas, what danger will it be to us,
Maids as we are, to travel forth so far!
Beauty provoketh thieves sooner than gold.

Celia. I’ll put myself in poor and mean attire,
And with a kind of umber smirch my face;
The like do you; so shall we pass along,
And never stir assailants.

Rosalind. Were it not better,
Because that I am more than common tall,
That I did suit me all points like a man?
A gallant curtle-axe upon my thigh,
A boar spear in my hand; and- in my heart
Lie there what hidden woman’s fear there will-
We’ll have a swashing and a martial outside,
As many other mannish cowards have
That do outface it with their semblances.

  • She needs money. Viola’s first thought is to go into the service of Olivia until she can get her own situation together:

Viola. O that I served that lady
And might not be delivered to the world,
Till I had made mine own occasion mellow,
What my estate is!

  • The Captain’s description of the story between Orsino and Olivia has captivated Viola’s attention, and she wants to insert herself into the story. She believes that she will be of value to the Duke because she “can sing, and speak to him in many different sorts of music” and also “what else may hap to time,” so it’s quite possible that she’s already thinking about trying to play matchmaker.

 

 

How did Lady Macbeth die?

Ellen Terry as Lady Macbeth
John Singer Sargent [Public domain], via Wikimedia Commons

How does Lady Macbeth die? It’s easy to miss when and how Lady Macbeth dies because, like so many other major characters, she dies off stage, and a lesser character reports her death.

Lady Macbeth, a pivotal character in Shakespeare’s Macbeth, is a fascinating blend of ambition, manipulation, and eventual descent into madness. From the moment she learns of the prophecy foretelling Macbeth’s rise to the throne, she becomes the driving force behind his bloody path to power. Her unwavering determination and skillful manipulation push her husband towards regicide, yet her conscience unravels as guilt consumes her. Lady Macbeth’s haunting soliloquies and sleepwalking scenes vividly depict her mental and emotional breakdown. Through her character, Shakespeare explores the corrupting nature of unchecked ambition, revealing the devastating consequences it can inflict upon both the individual and those around them.

When does Lady Macbeth die?

In this case, the news comes in Act 5 Scene 5, when Macbeth hears a scream and sends Seyton to investigate. Seyton returns and famously says, “The queen, my lord, is dead.”

Macbeth does not ask how she died. Before the play ends, however, Malcolm gives more information about the circumstances in Act 5 Scene 8:

…Producing forth the cruel ministers
Of this dead butcher and his fiend-like queen,
Who, as ’tis thought, by self and violent hands
Took off her life;

Malcolm here appears to be confirming a rumor that Lady Macbeth killed herself. It is well established in other scenes that she has been slowly losing her mind. Shakespeare’s audience would have accepted that demons possessed her at this point, and no additional detail would have been necessary.

Lady Macbeth’s unrelenting guilt, stemming from her involvement in Duncan’s murder and the subsequent bloodshed, becomes an overwhelming burden. Haunted by her conscience, she descends into madness as the weight of her actions takes a toll on her mental well-being, ultimately leading to her tragic decision to end her own life.

Conclusion

Although her demise occurs off-stage and is reported by a lesser character, the circumstances surrounding Lady Macbeth’s death leave a lasting impact.

Can’t Get Enough Macbeth?

Check out my book, My Own Personal Shakespeare: Macbeth, now available on Amazon! Explore Macbeth at your own pace and on your own terms, and document your personal experience with the Scottish Play.

Last Day To Enter! Free Poster Giveaway!

[Originally posted January 15, 2015.  DEADLINE TODAY January 31, 2015!]

Hello my geeks! It’s been awhile since I’ve given something away.  Let’s change that.

Shortly before the holidays I was contacted by Clifford from ExaTextPosters.com who sent me a copy of their Utterly Complete Works of William Shakespeare for review. It’s really the kind of thing you have to see to appreciate, so for the first time I decided to do a video.  Check it out!

Sorry about the shaky cam, I did it on my cell phone. And yes you can see my reflection in the glass.  Hi!

Pretty neat, huh?  I really wasn’t sure what to expect when Clifford first wrote me, and we talked briefly about other similar products like One Page Books (of which I have several) and Spineless Classics (which I’d not yet heard of).  This is different. Those are more about turning literature into a work of art.  Anybody can walk up to one and recognize what it is.

This is different. From a distance, the ExaText poster just looks like a regular image. I’ve asked guests to take a look at it and see if they can figure out the secret.  They can’t.  That’s when I fire up the magnifying loupe that came with the poster, and that’s when they agree that this is indeed very cool and geeky. The value in this product is not when your guests spot it from across the room and come over to admire it like a work of art, the value is in knowing the secret it holds.

There’s two things I wish were different about the product. This is a review, after all. I was at first thinking that it might be something more along the lines of what we old timers used to call ASCII art, where the actual arrangement of the letters and appropriate choice of font, face and style are used to create the image itself (like this example spotted on qarchive). That’s not this.  The image is just a regular black and white print, on top of which they’ve put the words.  So you’re either looking at the words on white background or dark background, but at no point does the arrangement of the words go into creating the image of Shakespeare. Does that make sense?  They could just as easily printed the complete works on top of an image of the Mona Lisa. So what we end up with is a fairly generic picture of Shakespeare hung up on the wall.

I don’t expect they can change that, as it’s a complete different way to layout the text.  What I do think they can change, though, is the arrangement of the works. Right now they’re in alphabetical order. Which I suppose is as rational a choice as any other. But imagine if they weren’t. Imagine if they were random.  Suddenly the poster becomes a huge treasure hunt.  We all have our favorite plays and quotes, right? You get an opportunity like this and you’re immediately going to look for a particular line. Alphabetically, it’s pretty easy. I wanted The Tempest, I just moved down until I spotted Twelfth Night, then worked backwards through Troilus and Cressida until I found it. If the plays were randomly laid out? I’d probably still be looking … and that would be awesome.

Ok, now for the fun part … who wants one?

Win Your Own Utterly Complete Works of William Shakespeare from ExaTextPosters

If this sounds like something you simply must add to your collection, here’s what you have to do.

  1. Visit the Shakespeare Geek Facebook page.
  2. Share this post.
  3. Leave a comment telling us what quote you’ll look up first.
  4. Contest ends midnight EST on January 31, 2015.  Winner will be notified by Facebook message.
Good luck!

What lie does Iago tell Montano about Cassio?

Governor Montano falls for Iago’s lies.

Othello has appointed Cassio to the job that Iago wanted. It is Iago’s ultimate plan to bring about the downfall of Othello, but he’s not above ruining Cassio’s career at the same time. In Act 2 Scene 3, Iago gets Cassio drunk and then plants the idea in Governor Montano’s head that Cassio is an alcoholic, and that he worries about the trust Othello has put in him:

Iago You see this fellow that is gone before;
He is a soldier fit to stand by Caesar
And give direction: and do but see his vice;
‘Tis to his virtue a just equinox,
The one as long as the other: ’tis pity of him.
I fear the trust Othello puts him in.
On some odd time of his infirmity,
Will shake this island.

Montano But is he often thus?

Iago ‘Tis evermore the prologue to his sleep:
He’ll watch the horologe a double set,
If drink rock not his cradle.

(Literally, Iago is saying “You’ve seen the virtues the man has to offer, but now you realize he’s got just as many vices.” He then goes on to suggest that Cassio drinks himself to sleep every night.)

The truth of the situation is that Cassio is a lightweight drinker and he knows it. When Iago first offers him wine he responds , “I have very poor and unhappy brains for drinking” and “I have drunk but one cup to-night, and…
dare not task my weakness with any more.” What Cassio does not realize is that you can’t tell Iago something like that. He’s going to use it against you.

*That* is the Question (A Geeklet Morning Story)

Today over breakfast my 8yr son asked me, “What would rather watch, Hamlet or Midsummer Night’s Dream?”

Good question.

In theory I’d like to say Hamlet, I think Hamlet is the better play with more depth to explore. But honestly Hamlet can also be incredibly boring if it’s done poorly. Many times I find myself playing closer attention entirely in an attempt to find something about the secondary cast to interest me.

Midsummer, on the other hand, has that light and entertaining layer on top of its depth, so even a mediocre production is still likely going to be good for some laughs.

So my answer was, “Depends on who is playing Hamlet. If it’s just another Hamlet with nobody special, well, I’ve seen that a bunch. But if it’s a big actor of today, like say Daniel Day Lewis, then I’m totally picking the Hamlet. Otherwise I’ll go Midsummer.”

What do you think?