http://mashable.com/2009/02/12/shakespeare-twitter/ Don’t miss Twitter Of The Shrew this weekend!  “Spanning 19 Twitter accounts and presented over 12 days (one scene daily), Twitter of the Shrew attempts to live up to Shakespeare’s “Brevity is the soul of wit” proverb, by condensing the play’s iambic pentameter dialogue down to updates of 140 characters or less.“ The poor author of the article doesn’t seem to get the meta-culture value of the project.  He says, “I don’t see a classical play functioning too well in this form.”  No kidding.  I think that’s part of the reason they didn’t choose Lear or something, they chose a play about relationships and gossip and stereotypes, exactly paralleling the Twitterverse.

http://www.physorg.com/news153595290.html I am still trying to absorb this aticle, and I have not watched the video yet, but the subject matter is so up my alley that I can’t wait to post it.  It’s all about a technique for analyzing large groups of stuff called “feature frequency profiles”, or FFP.  In theory, you can apply the technique to anything that might have patterns in it – DNA, music taste…and, of course, the works of Shakespeare. Kim and his colleagues later applied the FFP technique to a comparative analysis of the works of William Shakespeare, contemporaries such as Christopher Marlowe, plus several works from the Jacobean era that were once attributed to Shakespeare but whose authorships are now in question. The results cast new doubt on Shakespeare having been the author of the play Pericles, Prince of Tyre, and point to his authorship of the comedy Two Noble Kinsmen, for which in the past he has only received partial credit. In that particular case I don’t think of it so much as a discovery, since there’s already been doubt on those plays – but if the FFP algorithm also kicked those out as questionable, without having been told, that’d be pretty impressive.

Just got word that the Salem, Mass group Rebel Shakespeare is set to receive a “major award” for their work in making the Salem parks a better place, specifically regarding their 2008 Romeo and Juliet production.  The Rebels range in age from 5-19, and I got the chance to see a least a piece of their Henry V last summer.  I hate that I missed their Romeo and Juliet, where somebody had the absolutely brilliant idea to play it out in and around one of those massive playground climbing structures in the middle of the park.  Congratulations to Keri and Christine, leaders of the Rebel forces!  I look forward to catching several of their shows this year – maybe I’ll get the geeklets to Midsummer?  We shall see…

http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendID=401633472&blogID=468835770 12 I keepe my Stashe hidden in our seconde best bedde. Shhh. Don’t tell the Fyve-Oh.   !! I love it.

http://bigtweet.com/c/b/twitter/lowercase_dave/38uA88 I’m at least somewhat familiar with the Marlowe authorship story – faked his death, blah blah blah.  Here we have a nice little 15 minutes of video from a documentary filmmaker who goes into detail about why he believes the theory.