A Midsummer Night’s Lorax

I won’t be the first person to compare Shakespeare and Dr. Seuss.  I just wanted to point out something that clicked in my head the other day and freaked me out a little bit:

I know a bank where the wild thyme blows,
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses and with eglantine:
There sleeps Titania sometime of the night,
Lull’d in these flowers with dances and delight;
And there the snake throws her enamell’d skin,
Weed wide enough to wrap a fairy in:
And with the juice of this I’ll streak her eyes,
And make her full of hateful fantasies.
At the far end of town where the grickle-grass grows
And the wind smells slow and sour when it blows
And no birds ever sing excepting old crows
Is the street of the Lifted Lorax.
And deep in the grickle-grass some people say
If you look deep enough you can still see today
Where the Lorax once stood, just as long as it could,
Before somebody lifted the Lorax away.

  Those sound nearly identical to my ear.  Dr. Seuss was even closer to Shakespeare than I think people realize. [And for the record, how brilliant is that opening?  It’s my favorite Seuss.  Look at the alliterative work – grass grows…smells slow and sour when it blows…birds ever sing excepting old crows…  I’ve got about half that book memorized.]

Hot Girl, Bad Article

http://vipchain.com/2009/06/18/megan-fox-says-no-more-tattoos/ One of the many, many ways that Shakespeare geeks can count themselves lucky is because of Megan Fox’s tattoos.  I think I find this more sad than funny, but the article above – which basically says that the poor girl’s covered enough of her body with ink, thank you – also says this:

…Including An Inscription On Her Right Shoulder Blade. It Reportedly Is A Reference To Shakespeare’s King Lear And Reads: “We Will All Laugh At Gilded Butterflies.”

Reportedly?  Actually it is an *actual* Shakespeare reference.  The text is a bit wrong, true, but I don’t think that word reportedly means what the author thinks it means. Am I being too picky?  Ok, how about this one:

The Tattoos May Have Led To Comparisons With Megastar Angelina Jolie, Who Has Least A Dozen All Over Her Body.

May have? Way to take a stand.

Let Kenneth Branagh Play Thisbe!

http://liveforfilm.blogspot.com/2009/06/kenneth-branagh-acted-out-whole-thor.html
I thought this story funny about how the people involved with the new Thor movie would get “a three hour one-man show” from the “very Shakespearean” Kenneth Branagh as he’d walk through every single part.
Comic geeks may not appreciate that as much as we Shakespeare geeks who are left wondering if there’s a bit of old Bully Bottom in Mr. Branagh?

“An I may hide my face, let me play Odin too!”

    “Have you Loki’s part written?”

”Let me play Loki too! I will roar and it will do any man’s heart good to hear me.”

Shakespeare Events Calendar

Ok, who wants to help me out with an idea? I’m tired of missing the good shows because I don’t hear about them until too late.  I may not get to go to many anyway, but at least if I know about them ahead of time I have a shot at it.  I’m sure others are in the same boat. So here’s what I’d like to try. I’m setting up a public calendar to track Shakespeare events.  Once I get a few on it I’ll send the link around.  Using Google Calendar you can get an RSS feed of events as they come up, too, and thus always be alerted to new ones.  Not to mention the integration with Google Maps so you can see immediately whether an event is half a country away from you. What I need, of course, are events.  If you’re in charge of an event and you’d like to be on the calendar, please send me the following info:

  1. Event / Organization Name
  2. Play(s) Performed / Description of event
  3. Dates it will run
  4. Location
  5. Link for more info

Thanks!  Should be interesting to see if I get quickly overwhelmed.  If I do, I’ll just open up the calendar so anybody can contribute.

Empathy For Tybalt?

Saw this as a Google search term in my logs today, thought it was interesting. Not exactly two words I tend to put together, empathy and Tybalt. Am I missing something? Is he not the classic example of everything that is wrong with this sort of situation? The whole “We hate each other and nobody can seem to remember why….but I don’t really care, I don’t need a reason” type of character? Maybe there’s something to this. Let’s look where we see him: Jumping into a fight in the very first scene. Not, like Benvolio, trying to stop it. Heck, Tybalt doesn’t know how it started or who started it, he just sees swords drawn and wants in on the action. Later he’s willing to ruin Capulet’s party by starting a fight in the middle of it. Maybe, *maybe* we can start to side with him here a little if you truly believe that he’s defending his family honor, that he believes Romeo is there to ruin the fun. We know it’s not the case, but part of empathy is being able to see things through other people’s eyes. Next up, he challenges Romeo to a duel. This is just logical behavior for him, as predictable as Laertes coming after Claudius to avenge Polonius’ death. In Tybalt’s world, if you are dishonored, you challenge the person to a duel. Primitive by today’s standards? Sure. But he’s not acting by today’s standards. Here’s where it gets interesting, because of Romeo’s reaction to the challenge. Tybalt doesn’t know it, but Romeo is now his family (having secretly married Juliet). So Romeo showers him with love like a brother. What’s going through Tybalt’s head? Obviously he thinks he’s being mocked. Here he is trying to do the right and honorable thing to do, reclaiming his honor (although much like the bad guy in Karate Kid II (Ralph Macchio Goes To Japan) he never seems to realize that he is the one costing them their honor, not restoring it). Had Mercutio not been in the picture, things might have turned out differently. Tybalt might have declared Romeo a lunatic and refused to battle. Instead – Mercutio drew first. Don’t forget that. Mercutio did not defend Romeo from harm. It was Mercutio who basically attacked Tybalt unprovoked (we can do “empathy for Mercutio” later). Well, we all know what happens next, Tybalt gets in the lucky (cheap?) shot, Mercutio dies. How’s that play out for Tybalt, though? Does anybody think Tybalt was actually trying to kill him? Or was it an accident? It was a dirty blow, no doubt about it, but that doesn’t mean it was supposed to be a killing one.

I think here’s it’s strictly up to interpretation. Back in the Zeffirelli version it was played out more like “kids taking things too far” – but in the Luhrman version with Jon Leguizamo, Tybalt *is* physically beating Romeo, and Mercutio’s rescue is much different. They really are trying to kill each other:
What do you think?