Did Everybody Have A Good Ides?

Hey all!

I feel like I haven’t posted in over a week (mostly because I can see my own post dates and know I haven’t posted in over a week :)), but I feel like I can’t let a Shakespeare day like the Ides of March go by without at least checking in.

How’s things?  Any bad luck?

Just so everybody knows, even when traffic on the blog is low we’re usually hanging out on Twitter.  On the busiest days I find it’s easier to toss out a quick link here or there, or write up a joke or two, then to sit down and write up an entire post on a topic.  I have to be at least somewhat inspired to do that, you know?  To feel like I’m adding some sort of value and not just talking for the sake of talking.

Remember, the moral of Julius Caesar is, “Listen to your wife.”

A Word By Any Other Name?

So today, Bardfilm and I were talking about Juliet’s famous “A rose by any other name” speech. More specifically, he’s the one who came to me and said “Hey I just noticed something!”

The line is actually “A rose by any other word.”  Not name.  Word.

We compare versions.  Turns out that Q1 has “name”, but Q2-Q4, as well as First Folio, all say “word.”

How odd!  Quick geek check — Google search for “a rose by any other name” shows 1.2 million instances, but for “a rose by any other word” shows only 250k.  That’s backwards.  According to the text, it appears that “name” would have been the first, possibly bad, version – that “word” should be the preferred interpretation.

Thoughts?  Where do you stand on this one? Have you always thought of the line as “a rose by any other word”? If so, does it drive you crazy when people misquote it?

The best I can figure is that “name” shows up like 5 other times in that speech, so this became the accepted modern edit to make it flow nicely.  But it does seem to fly in the face of the actual evidence, particularly First Folio.

Starter Plays

Saw this question on a different board, and thought it might make for good discussion.

Let’s say for the sake of argument that an adult, out of school, decides to start reading Shakespeare.  He asks, “What play should I start with?”

For the sake of discussion let’s take “Don’t read it, see it” off the table.  Given real world constraints this is almost always going to mean, “Get the DVD” which turns this into an entirely different discussion about whose version of which play is acceptable.

Given a willing, educated adult who wishes to start reading Shakespeare plays, where should he start? Make your case.

Do you pick a tragedy, a comedy, a history? Do you go with Midsummer because it’s supposedly so easy?  Personally I don’t think that one is easy at all to fully appreciate, I think that we teach it to young children entirely because of the fairy element and the silly Mechanicals.  But that one’s got some of the deepest poetry Shakespeare was capable of.

The best I could come up with for an answer went something like this:

There’s a moment when children learn to read that they go from “I recognize those letters” to “that group of letters is a word” to “that group of words is a sentence,” and so on.  There comes a moment in understanding Shakespeare that you go from, “Shakespeare wrote the following words on the page” to “I understand why this character said these words because I know what he is feeling at that moment.”  The play changes when that happens. Once that happens, you’ll never read the plays the same way again.

I realize that this doesn’t answer the question, but I think that it’s an important point to make.  If you read the plays as nothing more than words on a page and never escape that feeling that you are “decoding” or “translating” what Shakespeare meant, you’ll always be at a very shallow understanding of what you’re reading.  It won’t really be understanding at all.  It’s like Shakespearean reading comprehension.  Many children, when they learn to read, just go “word word word word word period word word word comma word word word…” in their heads, and nothing ever clicks to make them say, “Oh, ok!  I get what’s happening!”  I think that a very similar thing happens for most people when they try to understand Shakespeare.

If I have to pick a play, I’m going to say Hamlet.  I think that there are easier plays, but there’s more that goes into the question than simply which one is easiest or shortest. Hamlet is “popular” (every other page you’ll be spotting a modern cliche that came directly from the text). Hamlet is fairly easy to understand as far as plot goes. The character relationships (fathers and sons, men and women, brothers and sisters) are realistic.  Most importantly, there’s enough depth that you don’t just read it once and check it off your list.  You read it again and again and again and discover something new every time.

Happy Birthday To The Only “Modern Shakespeare”, Dr. Seuss!

I mention Dr. Seuss on this blog. A lot.  I think that there are places in the text where Shakespeare and Seuss practically overlap.  Not in tragic storyline, of course, but in mastery at using rhyme and meter to make their point.

Last year for Seuss Day we had a grand old time mashing up our beloved poetic heroes over on Twitter with the #SeussSpeare tag, and repeated the effort this year.

Here, for your enjoyment, are the best of the bunch:

  • Did you hide him here, or there?  I hid Polonius under the stairs.  #SeussSpeare
  • “And To Think That I Saw It At Elsinore Castle”.  No, wait, that wasn’t Seuss, that was Horatio.  #SeussSpeare
  • And cut him out into little stars, which those Sneetches o’er thar shall wear upon thars. #SeussSpeare
  • I am the Lorax, I speak for the trees! Which are marching to Dunsinane quick as they please! #SeussSpeare
  • Stop! You must not Hop On Top of Pop! Or divide his kingdom between yourselves and send him out alone into a raging storm. #SeussSpeare
  • I would not wish any companion in the world but you. And, of course, Thing One and Thing Two. #SeussSpeare
  • Big M, little m, what begins that way? Macbeth Macduff and murder, all in a Scottish Play. #SeussSpeare
  • Today was good, today was fun. Tomorrow and tomorrow and tomorrow are other ones.  #SeussSpeare
  • He meant what he said and he said what he meant, faithful Iago’s word is one hundred percent. #SeussSpeare
  • I know a bank where the wild thyme blows, Where Oxlips and the grickle-grass grows. #SeussSpeare
  • Lear’s shoes are off, his feet are cold, he has a Fool he likes to hold. #SeussSpeare   (One of my favorites :))
  • “Regan doth not fear mere Lear sneers…”” #SeussSpeare
  • Cordelia is more near dear Lear’s sphere.  #SeussSpeare
  • I may be certain there’s a Yurtain in my curtain, but I really might embarrass the old Polonius in my arras. #SeussSpeare
  • O is very useful, you use it when you say, obsessed Othello offed his obedient one and only today. #SeussSpeare
  • Who’s that, who’s there? I said, who’s there? Is that Horatio on the stairs? #SeussSpeare
  • Rest now, prince, let angels sing. Fortinbras shall be our king.  #SeussSpeare
  • Cup is up, Gertrude’s down!  Claudius heads out of town.  #SeussSpeare
  • I lay there with Julie. We lay there, we two, and I said, “How I wish I had poison to drink.” #SeussSpeare  (courtesy @bardfilm)
  • Unbated and envenom’d, too? Tell me, Laertes, what you planned to do? #SeussSpeare

Happy Birthday, Dr. Seuss!

King Jobs

Some people get road rage when the traffic is too heavy, or when somebody cuts you off without a directional, or any of 100 other reasons.  I bet I’m the only guy who gets road rage in this situation:

I’m driving to work, listening to the Steve Jobs biography on audiobook.  I come to this passage:

“I started to listen to music a whole lot, and I started to read more outside of just science and technology – Shakespeare, Plato. I loved King Lear.”  His other favorites included Moby-Dick and the poems of Dylan Thomas.  I asked him why he related to King Lear and Captain Ahab, two of the most willful and driven characters in literature, but he didn’t respond to the connection I was making, so I let it drop.

You…let it drop?!  I will kill you.  Yeah, in the course of my book research the single most brilliant technologist of the last century who created an empire focused on integrating the humanities rather than ignoring them, just told you he loved Shakespeare and you let it drop. 

Man, way to make me sad.  I would read an entire book of Steve Jobs’ thoughts on Shakespeare.

By the way, true story — the original NeXT computer (by Steve Jobs) came with the complete works of Shakespeare.  How do you not love that?  Sure, at the time it was just one of those “Because we can” opportunities, but have you ever seen it since then?  Why doesn’t your phone come with the complete works of Shakespeare built in?