Lincoln, on Shakespeare

We’ve certainly covered the relationship between President Abraham Lincoln and William Shakespeare previously.  So when I went to visit Ford’s Theatre, I wasn’t sure how much Shakespeare I’d find. Who am I kidding, if I’d spotted any Shakespeare at all I would have considered it a win.

Win!

I wish I could read Lincoln’s writing to learn more about the argument.  Who is this James Hackett person, and why is Lincoln having correspondence with him about Hamlet analysis? It’s one thing to hear about presidents who were in the habit of reading or quoting Shakespeare (there were a lot of them).  Here we’ve got an example of the president in active discussion about the play.  Not only that, he’s making a case not typically made (from my own personal experience).  I wonder why the President of the United States of America is making the case that King Claudius’ private admission of how heavily the guilt for his crimes weighs upon him is greater than “To be or not to be,” widely regarded as one of the greatest soliloquies in our language?  

This posting marathon, in celebration of Shakespeare Day, is brought to you by nothing but my time, my resources, and my love for the subject. While we’ll always be the original Shakespeare blog, it takes a significant amount of effort to make us the best in the digital universe.  If you’ve not yet seen how you can show your support, now’s a great opportunity.  If you’ve already done so, thanks very much!

Shakespeare at Ford’s Theatre

Heading down the stairs into the Ford’s Theatre Museum I was wondering how much Shakespeare I’d see.  Turns out, quite a bit!  They have a whole kiosk (if you can call it that) dedicated to the subject.

First up we have Miss Charlotte Cushman, performing “3 of her most artistic impressions”, including Hamlet!  This is curious to me.  I’m sure I’ve heard the name Charlotte Cushman before.  In fact, I heard it just today in the same story where I read about Edwin Booth’s grave (in a separate post).  Somebody tell us more about her?  I thought Sarah Bernhardt (late 1800’s) was the first great female Hamlet?  Or, rather, that’s what I always assumed, I suppose.

If you want Hamlet at this time period, though, I’m thinking you wanted the master himself – here is the card for an Edwin Booth performance.
We know the story of Edwin already, so there’s not too much I can say here (especially given the next card).  There’s a curiosity on this poster, though – does anybody know who S.K. Chester might have been?  I find that name curious because he’s playing Claudius, while “Mrs. S.K. Chester” is listed as well, playing “An Actress.”  So it sounds like Mr. Chester was important enough to request a role for his wife. They each have a page on the Internet Broadway Database, but it provides no information that’s not already on this poster.
But, I’ve got one more very cool poster to show….

Look at that.  The whole Booth family, starring in Julius Caesar.  Junius Brutus Booth, the father, as Julius Caesar.  Edwin as Brutus.  John Wilkes as Marc Antony.  Insert some sort of clever observation here about how maybe “the bad one” should have played Brutus?  Also of note, there’s a “Mr. C.K. Chester” in the credits – I wonder the relation to S K Chester above?

The poster clearly shows this performance as some sort of special occasion.  I’ll bet it was!  Does this show mark a historic event of some sort?  That is, do we know more about it?  When was the date relative to Lincoln’s assassination?  Was it a travelling show, or a one time event?  Were Edwin and his brother rotating parts?

I have one more picture of the Shakespeare booth (ha!  get it?  booth?) from Ford’s Theatre, but I’m saving that for another post…

This posting marathon, in celebration of Shakespeare Day, is brought to you by nothing but my time, my resources, and my love for the subject. While we’ll always be the original Shakespeare blog, it takes a significant amount of effort to make us the best in the digital universe.  If you’ve not yet seen how you can show your support, now’s a great opportunity.  If you’ve already done so, thanks very much!

Just Some Old Friends

I don’t really have a good place to put these pictures, but I can’t resist posting them.  These are what greeted me a I first approached the Folger building.  I didn’t get a wide shot of any of them, mostly because I was deathly afraid of being seen walking on the grass, but I’ll bet that you can figure out who they’re supposed to be!

My trip continues …

This posting marathon, in celebration of Shakespeare Day, is brought to you by nothing but my time, my resources, and my love for the subject. While we’ll always be the original Shakespeare blog, it takes a significant amount of effort to make us the best in the digital universe.  If you’ve not yet seen how you can show your support, now’s a great opportunity.  If you’ve already done so, thanks very much!

An Alphabet of History

First spotted on Reddit, this 1905 Alphabet of History has more than just the page on “Shakspeare” that the original commenter spotted.

First of all, you have to love a children’s ABC book that uses a Shakespearean villain as one of the letters. Does that mean that kids would have read Othello and known who this was?  The actual verse for Iago doesn’t seem very good, but I like how it suggests that he doesn’t get nearly the credit he deserves.

A page on Ben Jonson? Really?  No schoolchildren today would know Jonson or his works, certainly.  I wonder when he fell out of popular study?

And, of course, our star.  This verse has all kinds of great stuff going for it, starting with the spelling of his name. Was that the most common spelling 100 years ago?  There’s part of the verse that deals with people bidding on his rare signatures, I wonder if we could pin the 1905 date to some special event in the history of the known signatures, that would have been a newsworthy item right around this time.

And then of course there’s the Bacon reference, although I think the author put that in there entirely for the “ham” joke.  Mark Twain, noted Baconian, died in 1910.  And Helen Keller was get getting started.  So the Bacon theory seems to have been in full swing.

This posting marathon, in celebration of Shakespeare Day, is brought to you by nothing but my time, my resources, and my love for the subject. While we’ll always be the original Shakespeare blog, it takes a significant amount of effort to make us the best in the digital universe.  If you’ve not yet seen how you can show your support, now’s a great opportunity.  If you’ve already done so, thanks very much!

To The Memory of My Beloved, and What He Hath Left Us

Since this week has been all about First Folios for me, and since today is such a very big day in the Shakespeare world, allow me to present something that many casual readers may have not yet read:  Ben Jonson’s dedication to his lost friend:

To the memory of my beloved,
The Author
MR. W I L L I A M S H A K E S P E A R E :
A N D
what he hath left us.
To draw no envy (Shakespeare) on thy name,
Am I thus ample to thy Booke, and Fame;
While I confesse thy writings to be such,
As neither Man, nor Muse, can praise too much.
‘Tis true, and all men’s suffrage. But these wayes
Were not the paths I meant unto thy praise;
For seeliest Ignorance on these may light,
Which, when it sounds at best, but eccho’s right;
Or blinde Affection, which doth ne’re advance
The truth, but gropes, and urgeth all by chance;
Or crafty Malice, might pretend this praise,
And thine to ruine, where it seem’d to raise.
These are, as some infamous Baud, or Whore,
Should praise a Matron. What could hurt her more?
But thou art proofe against them, and indeed
Above th’ ill fortune of them, or the need.
I, therefore will begin. Soule of the Age !
The applause ! delight ! the wonder of our Stage !
My
 Shakespeare, rise; I will not lodge thee by
Chaucer, or Spenser, or bid Beaumont lye
A little further, to make thee a roome :
Thou art a Moniment, without a tombe,
And art alive still, while thy Booke doth live,
And we have wits to read, and praise to give.
That I not mixe thee so, my braine excuses ;
I meane with great, but disproportion’d
 Muses :
For, if I thought my judgement were of yeeres,
I should commit thee surely with thy peeres,
And tell, how farre thou dist our
 Lily out-shine,
Or sporting
 Kid or Marlowes mighty line.
And though thou hadst small
 Latine, and lesse Greeke,
From thence to honour thee, I would not seeke
For names; but call forth thund’ring 
Æschilus,
Euripides, and Sophocles to us,
Paccuvius, Accius, him of Cordova dead,
To life againe, to heare thy Buskin tread,
And shake a stage : Or, when thy sockes were on,
Leave thee alone, for the comparison
Of all, that insolent
 Greece, or haughtie Rome
Sent forth, or since did from their ashes come.
Triumph, my
 Britaine, thou hast one to showe,
To whom all scenes of
 Europe homage owe.
He was not of an age, but for all time !
And all the
 Muses still were in their prime,
When like
 Apollo he came forth to warme
Our eares, or like a
 Mercury to charme !
Nature her selfe was proud of his designes,
And joy’d to weare the dressing of his lines !
Which were so richly spun, and woven so fit,
As, since, she will vouchsafe no other Wit.
The merry 
Greeke, tart Aristophanes,
Neat Terence, witty Plautus, now not please;
But antiquated, and deserted lye
As they were not of Natures family.
Yet must I not give Nature all: Thy Art,
My gentle
 Shakespeare, must enjoy a part;
For though the
 Poets matter, Nature be,
His Art doth give the fashion. And, that he,
Who casts to write a living line, must sweat,
(Such as thine are) and strike the second heat
Upon the Muses anvile : turne the same,
(And himselfe with it) that he thinkes to frame;
Or for the lawrell, he may gaine a scorne,
For a good
 Poet’s made, as well as borne.
And such wert thou. Looke how the fathers face
Lives in his issue, even so, the race
Of 
Shakespeares minde, and manners brightly shines
In his well toned, and true-filed lines :
In each of which, he seemes to shake a Lance,
As brandish’t at the eyes of Ignorance.
Sweet swan of
 Avon! what a fight it were
To see thee in our waters yet appeare,
And make those flights upon the bankes of
 Thames,
That so did take Eliza, and our James !
But stay, I see thee in the Hemisphere
Advanc’d, and made a Constellation there !
Shine forth, thou Starre of
 Poets, and with rage,
Or influence, chide, or cheere the drooping Stage;
Which, since thy flight fro’ hence, hath mourn’d like night,
And despaires day, but for thy Volumes light.
B E N: J O N S O N.
(from http://shakespeare.palomar.edu/folio1.htm)

This posting marathon, in celebration of Shakespeare Day, is brought to you by nothing but my time, my resources, and my love for the subject. While we’ll always be the original Shakespeare blog, it takes a significant amount of effort to make us the best in the digital universe.  If you’ve not yet seen how you can show your support, now’s a great opportunity.  If you’ve already done so, thanks very much!