Tales of a Fourth Grade Shakespeare (Part 1)

So this time I got to return to the fourth grade for a rare “Part 2” lecture on Shakespeare.  I first visited my daughter’s class back in February, and they were by far the best grade level I’ve yet dealt with. Just the right combination of academics, attention span and politeness. Too young and it’s too hard for them to understand the material and/or pay attention when other kids are reading.  Too old and it’s harder to keep their attention, they want to show how cool they are by ignoring the speaker.

What to do now that I’ve run through my usual array of props and biographical stories?  Performance!

I brought with me a selection of monologues (Midsummer, As You Like It, Twelfth Night, Coriolanus, Hamlet, etc…) but more importantly some scenes to act (opening of Midsummer, Gertrude’s bedchamber, Romeo/Tybalt/Mercutio fight, Brutus/Antony speak at Caesar’s funeral, etc…) and some props — my Yorick skull (of course), but also some homemade swords I made from foam pipe insulation.

So, the kids remember me and are happy to dig back into Shakespeare. I’m pleasantly surprised by the reaction I get.  They are embarking on a school play (not Shakespeare) and the whole reason I’m here is to encourage them to get up out of their seats and practice reading a script in front of an audience.

I take volunteers.  We start with the opening to Romeo and Juliet, since I figure they’ll all recognize it (and they do). Of course, after the student reads it, I ask who understands it and nobody does.  They get that there’s two families that don’t like each other and that a boy and girl fall in love, but they could just as easily be getting that from their knowledge of the play. So I read it again to them, explaining that this is a gigantic spoiler, that right here in the first lines of the play Shakespeare has already told us that they’re going to die. They find that quite curious.

Then I let somebody try Hamlet’s Yorick speech.  I set the stage for when and why this speech occurs, but it’s obvious that at this age they’re going to be more impressed with “The gravedigger is getting rid of the old bones to make room for new ones” than any sort of existential crisis poor Yorick is going through.  So I let the next student start the speech, but then I stop him and break out the skull for him to talk to.

Again, at the end, nobody really *gets* it.  I ask if they recognize anything. I read “borne me on his back a thousand times” and ask if anybody knows what that means. I tell them that there’s pretty good odds that some of them have done this recently.  One kid ventures, “piggy back rides?” and I tell him, “EXACTLY!” and go on to talk about growing up prince and having your own personal clown to play with.

I let one of the girls try Kate’s speech from the end of Taming of the Shrew. Again, the fun for me is in setting up the scene.  “Ok, you’re Kate, and you’re a shrew.  Know what a shrew is? Not a very nice girl. All the boys don’t want to have anything to do with her, which is fine with her because she doesn’t want anything to do with them either! But her father is trying to marry her off, and she’s having none of it. Every boy that he brings into the house, she throws things at him until he runs away. Until along comes this new guy, Petruchio, who says he loves a challenge and marries her anyway. Because that’s how it worked back them, you as the girl didn’t get to say who you wanted to marry. If your dad says you’re marrying this guy, well, you married that guy.  The whole play is about these two fighting over who is going to back down first.  But at the very end a funny thing happens. They’re at a wedding, and there’s three husbands hanging out at a table comparing who has the best wife. So the first husband tells a servant, ‘Go tell my wife to come here, I need her.’ Servant leaves, comes back, says ‘Your wife says what do you need?’ and the whole wedding says OOOOOO!!!!!!  So the second husband says I’ll show you how its done, tells the servant, ‘Go in the other room and tell my wife I order her to come.’  Servant leaves, comes back, says ‘Your wife says that if you need her you should go to the other room where she is.’ Wedding is all OOOOOOOOOO!!!!!!!!!  Finally Petruchio, who married Kate the shrew, says to the servant, ‘Go and ask my wife to please come here.’ Servant leaves, and in comes Kate, dragging the other two wives with her by the ear.  This is the speech that she gives them on how a wife is supposed to act.”

She delivers the monologue and I tell them a little bit about the ending, using the expression “she’s got him wrapped around her little finger” until I discover that they don’t know what that means. Oh, well.

At this point the teacher fires up the projector to share a video I brought. I’d come with Coriolanus’ “Common cry of curs” speech, but I thought it would be fun to show a video of this speech being performed, and then let them have a go at it.  (I also brought Henry V, but this one was shorter so I started here). Funny thing, though, is that I tried to grab Ralph Fiennes’ version (since I own that one on DVD), but late last night I realize that I’d actually downloaded Tom Hiddleston’s version!

So I put the speech in context.  I say, “Who here knows Captain America?”  Every hand shoots up.  “Ok, now imagine Captain America a few thousand years ago. Here’s this super soldier standing at the front of the Roman Army, leading all the charges into battle, singlehandedly crushing every enemy.  Literally, the battle starts, he runs ahead, and by the time the rest of the army shows up, the enemy is already defeated.  That’s this dude Coriolanus. Well, the politicians start thinking, what do you do with a war hero? You make him into a politician.  Only the problem is, he doesn’t want to be a politician. He hates the idea. Doesn’t like hanging out with regular people. He wants to be out there on the battlefield. And his political enemies know this.  The tide turns on him, and before he knows what’s happening, the people that he’s spent his life defending are now demanding that he be the one who is banished from the city!  This is what he has to say to them in return…”  *play*

After the speech I ask, “Did that guy look familiar at all?”

One kid’s hand shoots up.  “Is that Ralph Fiennes?”  He even pronounced in “Ray”.  Well, I suppose “Rayf” is probably more accurate.

I give him a double take.  “No, but nice pull! How did you guess that?  Ralph Fiennes actually did another movie version of Coriolanus, that I almost brought. But no, this is not Ralph Fiennes’ version.”  I’m still not sure how the kid had that name ready.  He obviously didn’t know the movie, because he would have known that this is not him. But he must also have known that it existed.  Not too many people see “Ralph” and know to pronounce it.

The kids eventually figure out that it is Loki from the Avengers movie and that same kid says, “Tom Hiddle…something.”

I get the feeling that I’m losing them with the monologues. The hands are still shooting up to come up to the front of the class and read something, which is good, and I have a whole bunch more to choose from … but I realize that when one kid is reading and not really understanding what they’re saying, there’s 20 kids trying not to be bored.  I’ve tried to tell them to move around and to emote a bit, but it’s not working.  They need some stage directions.

Time to bring out the swordplay.

To be continued!

And now, a break for our fundraiser.  This year, Shakespeare is Universal is looking to prove that Shakespeare makes life better by donating money to support cancer research. Last year’s shirt was a big success and we’re looking forward to shattering our previous goal, all in the name of charity. Please take a moment, visit the site and see if I can’t convince you to show the world your love for Shakespeare and support a great cause.  Not for you? Fair enough – but that’s what those Share buttons are for!  Don’t leave without telling your friends and family. Surely you know somebody that would love one of our limited edition shirts.  Available this year in multiple styles including long sleeve, v-neck and women’s styles. Multiple colors available!

Most Wholesome Physic: Medicine in the Age of Shakespeare

Most Wholesome Physic: Medicine in the Age of Shakespeare, 1564-1616.
An exhibition at the Library of the Royal Society of Medicine to mark the 450th anniversary of the birth of William Shakespeare.
Tuesday 6 May 2014 until Saturday 26th July 2014.
Monday – Thursday: 9.00 – 21.00
Friday: 9.00 – 17.30
Saturday: 10.00 – 16.30
Admission free. Open to all.
The Library,
Royal Society of Medicine
1 Wimpole Street
London W1G 0AE
William Shakespeare was born at Stratford-upon-Avon on 23 April 1564. This exhibition of books from the Library of the Royal Society of Medicine is intended to mark the 450th anniversary of Shakespeare’s birth. Almost all of the books on display were published in Shakespeare’s lifetime, and show many of the medical preoccupations of the age, liberally juxtaposed with quotations from the plays and poems. This was a great period for books published in the vernacular and therefore more accessible to a lay public, so much emphasis is given in this exhibition to works written in English, or translated into English.

Shakespeare saves lives. Find out how.

The Sex Jokes Your Teacher Probably Skipped Over

Long-time contributor Alexi contributed to this story on Vox about Shakespeare Innuendoes You Should Have Been Embarrassed To Read in Class. I think it’s a funny article about what could easily be an immature topic.

Regular Shakespeare readers probably know most if not all of them already – C’s, U’s and T’s … Juliet falling on her back instead of her face, Hamlet and Ophelia’s groaning, etc…

There’s one in there that’s little more than Rosalind looking for 20 of Orlando’s “things” which I thought was a bit of a stretch.

And then there’s the usual bit about Juliet, dying, happy daggers and sheaths. I’m not sure if anybody noticed, but this week in the Shakespeare’s dictionary story? There was an example given where the original owner had marked “scabbard/sheath” and written “vagina” next to it, almost confirming exactly what Juliet really meant.  Honestly when I saw that I thought it fell into the “now I know it’s fake, that’s too obvious to be true” camp.

The bit about dying is interesting. There’s the connection between “little death” and orgasm.  Fine.  But the way I was taught, it was called that because it had to do with spilling one’s life seed.  Therefore it was something that only men had to worry about.  Therefore if you catch a woman in a Shakespeare play talking about dying, she is definitely not talking about orgasm.    Thoughts, one way or the other?

UPDATE : Joe S on Twitter called me out on this, citing multiple examples of “die” used to reference female orgasm, in Shakespeare and before.  But my googling continued to suggest that up to the Victorian Era it was the assumption (myth?) that there was no such thing, and that it was not “proven” until the 1950’s.

Enter Bardfilm and his academic access to the OED, where we found multiple examples of Shakespeare’s usage, such as this exchange from Much Ado About Nothing:

CLAUDIO

Nay, but I know who loves him.

DON PEDRO

That would I know too: I warrant, one that knows him not.

CLAUDIO

Yes, and his ill conditions; and, in despite of
all, dies for him.

DON PEDRO

She shall be buried with her face upwards.

Now if we assume that the “bury her face upwards” line is a sex joke – and it’s almost a carbon copy of the Nurse’s joke to Juliet, so I think we can – then that puts the whole exchange in a bawdy light. In that context it seems almost certainly a sexual / orgasm reference.

And that’s only one of many references. In fact, the OED cites that example first.  I still think it’s interesting that it only ever talks about orgasm and never differentiates male/female, even though the two are pretty different.

But, still.  Today I Learned!

Shakespeare saves lives. Find out how.

Today was good, today was fun. Tomorrow is another one.

Another Shakespeare Day has just about come and gone (although I’m sure I’ll be tweeting for a few more hours yet!)

Here is the complete list of blog posts on the day.  Did I break the previous record of 28?

Counting this one it should be 29.  Record achieved.  🙂

This year it’s not about just quantity. I’ve always said that the mission of the site is to prove that Shakespeare makes life better, and this year we’re doing it with a couple of projects that are donating money to the American Cancer Society.

First is the Shakespeare Haiku Project. One of the most popular posts ever on Shakespeare Geek is Bardfilm’s epic Complete Works of Shakespeare in Haiku. Recently I put one of my favorites, onto a wall poster and suggested that we donate 100% of the proceeds to charity. The poster, depicting the famous “Great Wave off Kanagawa” woodcut that you’ve no doubt seen, is available in multiple sizes and price points from postcard up to framed wall hanging.  All proceeds from the the sale of this item will go directly to the American Cancer Society.  If there is interest in seeing a whole line of products based on Bardfilm’s haiku, all the proceeds from those products will be donated as well. You just have to let us know what you’d like to see.  A coffee mug? A pillow? If you’re willing to buy it for charity we’re willing to make it.

The second is the return of our annual, limited edition Shakespeare is Universal t-shirt.  Last year we met our goal of 100 shirts, and I had people banging on the door trying to get them after the deadline had passed.  This year we’re going for 150.  The image is an original graphic by my friend Peter Phelan  depicting Shakespeare cut out into little stars and making the heavens shine so very bright. Most importantly, we will be donating 30% of the proceeds to the American Cancer Society.

I hope I kept you entertained for another Shakespeare Day, here and on Twitter. I did not hit my 5000 followers yet, but it’ll happen soon I’m sure. If you’re not yet following, please think about it. Some of the most spontaneous (and therefore funniest) material only ever shows up there.

That’s about it for me. Please take a moment to visit our two charitable links, and consider a purchase/donation.  Then like and share them with your friends and family! Let’s prove that Shakespeare can make a lot of lives better this year.

Happy Birthday, and Thank You Shakespeare!

Shakespeare Books for Children, You Say?

Here’s a list that’s right up my alley -Top 10 Shakespeare Books for Children. My first thought is, “I wonder how many of them I have?”  My second is, “I wonder how many are “filler” that shouldn’t on this list?”

Charles and Mary Lamb make an appearance, of course. I never liked these, and I’m probably in the minority. Not only is the writing really dated, but the stories are painfully abridged. Their version of The Tempest completely cuts out the entire Trinculo/Stephano subplot.  Go ahead, search for their names, they’re not in there.

Usborne’s Illustrated Shakespeare got the most play (ha!) in my house, mostly because it’s been around the longest and has pictures. My daughter picked it up on more than one occasion by herself to read the stories.

I want to like the Shakespeare Can Be Fun series, which retell the stories entirely in a series of rhyming couplets, illustrated by children’s drawings. But they are an insane chore to work through! You have no idea how hard it is to read rhyming couplets until you try to read an entire play that way. I take these to my kids’ classrooms to read and the kids get up and go see what else is available. True story.

Marcia Williams’ books are our most recent find, and are excellent on all levels. If anything they’re packed a little too densely, translating each page into a series of comic-book panels with commentary from the audience running down the margins.  You want to read it all but it’s hard to tell *how* to read it all.

Definitely some new ideas on the list, and some books I don’t have yet.

This year’s Shakespeare posting marathon is sponsored by “Shakespeare is Universal.” Help us prove that Shakespeare makes life better. Buy a t-shirt and support cancer research.