Romeo and Juliet Die in a Gunfight

I’m not sure how much Shakespeare we’re going to get in this one, but the coming action film starring Kaya Scoldelario and Josh Hutcherson is being billed that way:

The Mark Gordon Company has set Kaya Scodelario (Pirates of the Caribbean: Dead Men Tell No Tales), Josh Hutcherson (The Hunger Games), Olivia Munn (X-Men: Apocalypse) and Helen Hunt (As Good as It Gets) to star in the action romance Die in a Gunfight, a modern update on William Shakespeare’s Romeo and Juliet.

More specifically the film, “will see Hutcherson and Scodelario as two star-crossed lovers Ben and Mary. Set against a backdrop of corporate espionage, revenge, and a long-standing feud between their families.”

If we hold this one to the same standard as Lion King, I wonder how well it would fare?  I’ve often said that the only way we can call “brother kills brother and son takes revenge” a Hamlet story is if we count all “lovers can’t be together because their groups hate each other” a Romeo and Juliet story.

Maybe we need to come up with a metric for how much Shakespeare something has to have in it before they get to use the name?

Let’s predict, shall we?  This will be fun.  For us to consider this a modern retelling of Romeo and Juliet it should ideally have …

  • Two warring families (or other social groups) who hate each other just because.  They always have.  Maybe there’s backstory, maybe not, we don’t need one.
  • One representative from each family, who would like to see the families reconcile so they can be together.
  • A best friend / confidant for each.
  • One representative on each side (a Mercutio and a Tybalt) who are quite fine with them continuing to try to kill each other, thank you.
  • Some sort of time element driving the plot, such as Juliet’s marriage to Paris.  Something to keep it moving.
  • A Friar Laurence character to come up with a crazy “this’ll never work, but it’s our only hope!” plan.

You’ll notice I did not say “They have to end up dead.”  I’m actually quite ok with flipping to a happier ending, because if you don’t then you really do just rule out the possibility of any Disney or kid-friendly adaptations.

What do you think?  Something I missed? Something I put on my list that you can live without?

The Play So Nice They Filmed It Twice

So the other day I spot a headline that says something about the worst Emmy Awards in the history of the show.  Thinking it’s going to be some sort of slam on the job Stephen Colbert did, I check it out.

Imagine my surprise upon learning that the 1961 Emmy Awards are on the list primarily because a certain movie swept all the major categories. That movie?  The Hallmark Hall of Fame production of Macbeth!

Maurice EvansNow if you told me, in a year when I was alive, that a Shakespeare production was sweeping the night?  I’d watch the whole thing with popcorn.  Probably call some friends.

I went to research this production, see if I could maybe find some video.  It starred Maurice Evans, who I only knew from such supporting roles as Dr. Zaius in the original Planet of the Apes movies,  and The Puzzler from the Batman tv series (in fact I even blogged about him once).

But once you’ve seen his IMDB page you realize just the level of Shakespeare cred the man had in his prime:  Malvolio in 1957, Petruchio in 1956, Richard II in 1954, Macbeth in 1954…wait, what?

In 1954, Maurice Evans played Macbeth in the Hallmark Hall of Fame production of Macbeth.

In 1961, Maurice Evans played Macbeth in the Hallmark Hall of Fame production of Macbeth.

That’s not a typo.  According to the Wikipedia page:

Macbeth is a live television adaptation of the William Shakespeare play presented as the November 28, 1954 episode of the American anthology series Hallmark Hall of Fame. Directed by George Schaefer, and starring Maurice Evans and Dame Judith Anderson, the production was telecast in color, but has only been preserved on black-and-white kinescope.

In 1960, Evans and Anderson starred in a filmed made-for-television production of the play, also directed by Schaefer for the Hallmark Hall of Fame, but with an entirely different supporting cast. That production was filmed in color on location in Scotland, and was released theatrically in Europe.

These days when we think of a “reboot” we think of an entirely new production with an entirely new cast, usually because of some sort of contract wrangling between studios.  In this case we’ve got the same director and the same leads, just a different location and different supporting cast.

Though I’d love to watch them side by side and play spot the differences, I can’t find much video of the 1961 version.  However, the 1954 version appears to be complete on YouTube (as of this posting, at least), so enjoy!

All I found of the 1960 version (won an award in 1961 but the film is dated 1960) is the opening credits:

Is Disney Doing Othello?

Kind of.

For years I’ve said that Disney should tackle The Tempest or A Midsummer Night’s Dream.  Instead we got Romeo and Juliet with gnomes.  I’ll take what I can get.

So what if I told you that man of the moment David Oyelowo (“Selma”) is working on a live-action stage musical combining Othello and Cyrano de Bergerac?

Oyelowo just came out of an off-Broadway production of Othello with Daniel Craig (also known as James Bond) so it’s a natural project for him. People are confused about Disney attaching its name, though.  Which I can totally see, if you assume that the story is going to be 90% Shakespearean tragedy, which it almost certainly will not be.

How would you combine Othello and Cyrano?  I’ve argued previously that As You Like It makes for a reasonable Cyrano story.  But Othello? Who is wooing whom? Who is whispering in which ear?

 

Special Sneak Preview! Here There Be Dragons!

Let’s try something different.  I may have mentioned once or a thousand times that there’s a Shakespeare Geek line of merchandise on Amazon.  I try very hard not to nag everybody by actually creating blog posts for every new design.  I keep it mostly to the Facebook/Twitter feed and some ads around the edges. I appreciate the patience of my most loyal readers who still make it here to the blog and don’t catch just the headlines and summaries on social media :).

tmmSo, I’ve got a present for you!  Introducing my new King LearGame of Thrones-inspired design, Come Not Between The Dragons And Their Wrath:

Everybody who sees you in this is going to go straight to Game of Thrones, but we Shakespeare geeks know that the original quote comes from King Lear ( albeit with 2 fewer dragons 😉 ).

For a limited time, this shirt is available ONLY through this link for the sneak preview price of $15.99.  It is not available in Amazon search, and I will not advertise it.  In a couple of weeks, once I feel that my followers have had a chance to buy it if they want it, I’ll release it to the Amazon public search feed – and raise the price as well, most likely to $19.99.

You CAN share the link with your friends, or just let them be envious and beg you to tell them where you got that awesome shirt.  As with just about all of my designs it’s available in men’s, women’s and youth styles, in a variety of colors.

Thanks for loyal readership over the years. This link will continue to work, but the price of $15.99 is only temporary, so if you want it I encourage you to grab it before the price goes up!

 

 

Also Based On Shakespeare

Once again the other day I walked into another Lion King is Hamlet conversation. Twice. It always goes like this:

Lion King is Hamlet.”

“Seriously? I had no idea it was based on Shakespeare.”

“Timon and Pumbaa are Rosencrantz and Guildenstern.”

Yes, there were three people talking. How the middle person hadn’t previously heard this story I have no idea, it seems like I hear it at least once a week.  There’s always somebody that brings it up, somebody that has no idea, and somebody that goes “Oh, sure…” and promptly parrots back what they saw on Buzzfeed last week.

I’ve decided that I give up. It’s no longer fun to explain to people that the number of ways in which Lion King is NOT Hamlet far outweigh those in which Lion King is Hamlet.  Instead I’m jumping on the bandwagon.  Enlisting the help of Bardfilm (who no doubt will be responsible for the best bits), I present:

 

#AlsoBasedOnShakespeare

Psycho is based on Coriolanus because it’s about a guy that does what his mother tells him.

The Shining is actually based on The Tempest.  They both take place in a remote location and involve apparitions.

Seriously, though, Titanic is really The Tempest.  Not only is there a shipwreck, but at the end an old person throws valuable stuff in the ocean.

Goodfellas is really Julius Caesar because that one guy gets stabbed a lot.

On The Waterfront is a modern retelling of The Merchant of Venice because both are on the waterfront.

The Silence of the Lambs is based on Titus Andronicus. We know all about Hannibal Lecter’s main course of liver with fava beans and a nice chianti, but he never talks about the pie he had for dessert.

Twins (with Arnold Schwarzenegger and Danny deVito) is really Comedy of Errors because both involve twins.

No Country for Old Men is King Lear, for obvious reasons.

Four Weddings And A Funeral is The Taming of the Shrew, only with more weddings.  (The funeral being for Petruchio’s father, which is technically before the play begins, but when has that ever stopped the movie people? )

The Godfather is King Lear.  I don’t know how, but apparently people really do think this. Hmmm, might require a separate post…

Purple Rain is based on Romeo and Juliet because Prince is a character in both.

The Wrestler (2008) with Mickey Rourke is a sequel to As You Like It, looking at what happens to Charles after the events of the play.

The Wizard of Oz is Twelfth Night.  It’s so obvious. Storm causes girl to be shipwrecked alone in a strange new land? The Wizard is Orsino, and Glenda is Olivia.  The Wicked Witch is a gender blind Malvolio.  Not buying it?  I don’t see why not, it makes about as much sense as saying the meerkat and warthog are Rosencrantz and Guildenstern.

My goal is to own the Google search results for “Lion King is Hamlet” so we can set the record straight and stop people from including it on all those lists otherwise reserved for 10 Things I Hate About You and She’s The Man.  Help Bardfilm and I achieve this goal by adding your comments below!  More content on the page helps drive up the quality score 😉