How often did Shakespeare lift whole lines right from Marlowe’s (or others’, I suppose) work? I’m curious. Currently reading a novel about Shakespeare’s life, and Kit Marlowe is a character. Just this evening I read a funny bit where Marlowe is complimenting Shakespeare on his Henry VI and says, “I particularly liked the such-and-such part…….wait, didn’t I write that?”
Category: Shakespeare Geek
Review : The Tragedy of Arthur
[ Ok, so I’m a little late on this one. I have to admit I was highly confused when, within days of even *receiving* my copy, my feeds were flooded with everybody else in the world putting up their review. How do these people read so fast??]
This will make the third book I’ve read on the “What would happen if a new work of Shakespeare turned up?” idea. The first two attempted to be glorified Da Vinci Codes complete with murder, car cases, and twist endings.
The Tragedy of Arthur is very much not that kind of book, and I love it. It is not about finding a lost work like Cardenio or Love’s Labour’s Won. It is about a man named Arthur Phillips (which also happens to be the name of the author) who is handed a previously unknown Shakespeare play called, appropriately enough, The Tragedy of Arthur. The only known copy, as a matter of fact – which means that he would be the copyright holder, and thus in financial control of the world’s most valuable artistic discovery.
But! There’s a catch. Arthur’s father gave him the book. Arthur’s father also happens to be a professional counterfeit man who has spent his life in jail for those crimes. He swears, however, that the book is an original that he really did find, not forge.
What to do, what to do?
I ended up quite loving this book. It starts with the story of the children, Arthur and Dana, as they’re raised by their debatably criminal father, who also happens to be a lifelong fan of Shakespeare. Arthur, the narrator, never really gets into Shakespeare. Dana, his twin sister, takes to it like, well, a Shakespeare geek. Truthfully, Dana is a far more interesting character than Arthur. A struggling novelist himself, Arthur spends way too much of this memoir whining about his relationship with his father and how he’s taking the memoirist’s privilege of making difficult memories seem easier, etc etc etc…
Meanwhile, I’d like my girls to grow up like Dana. It is 9yr old Dana who goes to visit her father in jail, and then promptly recites the courtroom scene from Merchant of Venice loudly enough for the guards to hear. Later in life, when Dana goes through her inevitable teenage rebellion from her father, she does something so unthinkably rebellious that I laughed out loud. She becomes an anti-Stratfordian. (Ok, maybe I take back what I said about my kids growing up like her!) I can just imagine, her poor dad is in prison and their entire conversation is through written letters, and she’s taunting him with her theories about the Earl of Oxford. I think I would have planned an escape.
Is the plot believable? When I heard that it was about a counterfeit-man who claimed to have a Shakespeare play, the ending sounds pretty obvious. Of course it’s fake, right? Well, that’s what’s cool – the book’s not going to tell you. Some of the characters think that it is, some don’t.
There’s much to geek out over. We learn about how to test paper and ink not just for age but for materials and composition. We learn all about Shakespeare’s word choices, what he would and wouldn’t do, how his early years differ from his later years. We learn about merchandising, and copyright law. Professor Crystal makes a cameo and gets to say cool things like “All the rhymes rhyme in original pronunciation! That’s good!” If you understand who that is and what that sentence means, you’re probably going to love this book 🙂
And then? Here’s where the author takes it over the top. He actually wrote an entirely new, five-act Shakespeare play. You heard that right. The play in question? Is actually included. Obviously it’s not going to pass the ink and paper tests 🙂 but the most hardcore geeks among us can have a grand old time digging through word choice and narrative structure and decide for themselves whether this one could pass for the real thing. I have to admit that I have not yet read through the play (it is not required to complete the book), but I look forward to doing so.
A very refreshing change indeed from the car-chase-laden Da Vinci Code meets Cardenio that I’ve been subjected to in the past. I’m glad I got to read it.
What If Shakespeare Wasn’t Public Domain?
A few years back, i had a coworker that ran a Hemingway site. He was, other than the difference in authors, a lot like many of us. He had no special academic background in the subject, he was just a rabid fan. Read what he could. Collected books. New opportunities to discuss new ideas? Jumped all over them. Hosted a forum where he posted his ideas to get discussion going, answered questions when he knew the answers, and so on.
Big, big difference? Hemingway is not public domain. Imagine all the things about Shakespeare that we take for granted – how often we freely cut and paste as many pieces of text, as long as we want, whenever we need to make a point. Need video? There’s almost always a YouTube clip of somebody reciting the sonnet or performing the scene that you need. He had none of that. He dreamed of the sort of concordances and textual analyses that we take for granted with Shakespeare. How many different words did Hemingway use? How did his vocabulary change during his career? Can’t do it.
So I wonder … how would your life be different if Shakespeare were not public domain? Let’s say that, like Winnie the Pooh, somebody along the line *had* the rights to Shakespeare’s works, and sold them. And that the entity who now owns them has aggressively marketed them, and rigorously defended their copyright. How would your life be different?
I’m pretty sure this blog wouldn’t exist. I can go out and buy a book on Shakespeare like anybody else, but what I really needed was the forum where we could talk about it. I’m not a theatre person or an academic, so I am not normally surrounded with Shakespearean resources (be they scripts or people). So if you suddenly took away my ability to make my point in text by preventing me from cutting and pasting a portion of a scene from a play? Or, worse, hung the spectre of the takedown notice over my head so that whenever I did cite text I could potentially receive such a scary lawyer letter? I can’t see how it would ever get off the ground.
UPDATED: If you’re coming in from Twitter, don’t be shy! How do you think the world would be different if Shakespeare were not public domain?
A professor on Twitter wanted to make sure that everybody knew that not every *edition* of Shakespeare is public domain, and that her notes and emendations were copyrighted! I pointed out that, if Shakespeare were not public domain to begin with, she wouldn’t have had anything to write notes on 🙂 No response.
The Shakespeare Tavern said that their budget would go up, which is certainly true since now they’d have to pay for rights to produce the plays :). But, I wonder, if Shakespeare wasn’t so universal, would there even be a market anymore for full-time Shakespeare houses?
My Mini Macbeth
Haven’t told a kid story in awhile. Turns out my 4yr old boy may be the biggest geeklet of them all.
Over the weekend, he was trying to figure out when he had school again. “Do I have school today?”
“No,” I said, this being Saturday, “not today.”
Him: “Tomorrow?”
Me: “Nope, not tomorrow either.”
Him: “Tomorrow and tomorrow?” That’s his way of saying “two days from now.”
Me: “Not quite. One more day.” He actually has Monday off as well as Sunday.
Him: “Tomorrow and tomorrow and tomorrow?”
Me:”Creeps in this petty pace from day to day to the last syllable of recorded time.”
Him: “….What?”
Me: “Macbeth. That’s a line from Macbeth you just recited.”
Him: “….ELIZABETH!” His sister is seated next to him at the breakfast table. “When I said Tomorrow and tomorrow and tomorrow THAT WAS FROM MACBETH!”
He’s also gotten into the habit of making his elders feel stupid. The other day he runs up to his grandmother (my wife’s mother) and says, “To be or not to be, Gammie! Do you know who said that?”
“Was it Macbeth?” she asks.
“No, Gammie, it wasn’t *Macbeth*,” he says, “It was Hamlet!” And then runs off. He does this to his preschool teachers as well.
Drive-by 4yr old Shakespeare. I couldn’t be more proud.
Top Twenty Shakespearean Faux Pas (Guest Post by Bardfilm)
The author of Bardfilm thought it would be fun to compose a guest post here at Shakespeare Geek. And I thought it would be fun to let him! Here we are, then:
Bardfilm’s list of the Top Twenty Shakespearean Faux Pas:
- Inviting Lady Macbeth to a dinner party and constantly telling her where she can wash up.
- Inviting Macbeth to a dinner party and constantly saying, “What a great Banquo!” instead of “What a great Banquet.”
- Asking Henry V “Whatever happened to Richard II? We hardly ever see him around anymore!”
- Telling Rosalind she looks just like a boy actor playing a girl pretending to be a boy acting like a girl.
- Asking the two noble kinsmen which one is the noblest.
- Casually mentioning to Macduff that your wife and children weren’t butchered by a desperate
megalomaniac.
- Inviting Claudius to see Agatha Christie’s The Mousetrap with you.
- Trying to compliment Hamlet by referring to him as “The Great Dane.” He hates that.
- Shouting “No! It’s your imagination!” whenever Macbeth starts on that “Is this a dagger?” nonsense.
- Answering all of Hamlet’s rhetorical questions in a sarcastic tone of voice (viz. “What’s Hecuba to him? He dated Hecuba in high school!”).
- Standing in the way of Richard III’s ascent to the throne.
- Offering Othello a handkerchief after he sneezes. It’s kind of like offering Lady Macbeth a moist towelette.
- Singing the Beatles’ “I Want to Hold Your Hand” when Lavinia (from Titus Andronicus) is in the room.
- Slipping a fake spider into the martini glass of Leontes (from The Winter’s Tale).
- Referring to Gertrude as “Hamlet’s father’s brother’s wife.”
- Requesting the pianist at a bar to play “We Don’t Need Another Hero” when Claudio is right there.
- Showing up at a social occasion wearing the same cloth-of-gold of tissue dress as Cleopatra.
- Serving Caesar a salad . . . over and over again . . . every single time he comes to your place.
- Proposing marriage to Isabella—even though you know she’s almost finished taking her vows to be a nun.
- Asking King Lear about his 401(k).
Our thanks to kj, the author of Bardfilm. Bardfilm is a blog that comments on films, plays, and other matters related to Shakespeare in a relatively-informal manner.
