Shakespeare Toasts: Get Inspired with Quotes from the Bard

Shakespeare Toasts

Have you ever found yourself in a situation where you needed to give a toast but had no idea what to say? You can’t go wrong with Shakespeare toasts. Here are a few lines from Shakespeare to keep in your back pocket (figuratively, by memorizing them, or have them written on a card in your back pocket :)) to help you out.

Set It Up

“Shakespeare said.”  Remember those words.  It may be more accurate to say that Duke Orsino said it in Twelfth Night, but most of your audience will typically not get that.  Everyone in the crowd, however, is guaranteed to recognize the name Shakespeare and pay attention to what you’re about to say. Of course, you can phrase it however you like.  “As Shakespeare once said…” or “In his romantic comedy Twelfth Night, William Shakespeare wrote….”  You get the idea.  That’s just a matter of style. Below, each quote cites the character who said it, the play, and the act/scene where it can be found, in case you want to work this information into your Shakespeare toasts.

Openers / Ice-breakers for Shakespeare Toasts

“Men of few words are the best men.”
[Boy, Henry V.  Act 3, Scene 2]

“…so, I’ll keep it brief.”  Or, if you prefer the self-deprecating style, “Shakespeare said that men of few words are best men. I guess that doesn’t say much for me because I’ve got about 20 index cards of notes to get through.”

“Brevity is the soul of wit.”
[Polonius, Hamlet. Act 2, Scene 2]

This line serves the same general purpose as the one above if you like it better.  It’s the more popular quote, so your audience may recognize it.  That may make it too cliché for you, though.  Judgment call.

“Though I am not naturally honest, I am sometimes by chance.”
[Autolycus, The Winter’s Tale. Act 4, Scene 4]

On the other hand, not too many people will recognize the source of this quote.  But hopefully, they get the joke – that you lie so often that when you do tell the truth, it’s probably a mistake. You can then go on to say whatever complimentary words you like and leave them wondering whether or not you meant any of it!

“Better a witty fool than a foolish wit.”
[Feste, Twelfth Night, Act 1, Scene 5]

If you were worried that dropping some Shakespeare into your toast would make you feel silly, here’s your out. Everybody knows the expression “better to have them laughing with you than at you,” this is just Shakespeare’s version. You can try to say something smart and end up sounding ridiculous, or you can start by setting the expectation that you might say something ridiculous, and leaving everyone pleasantly surprised.

“All the world’s a stage, and all the men and women merely players.”
Jaques, As You Like It, Act 2, Scene 7

This is one of your great “everybody will recognize this one” Shakespeare toasts, so it’s a sure bet to get people’s attention. Of course, what you follow it up with is up to you. It literally sets the stage for whatever sentiment you want to convey. You can carry it through with more of the speech, too, if you want:

They have their exits and their entrances;
And one man in his time plays many parts.

The perfect set up for any significant life event – a graduation, a new job … even a wedding. Life is all about change, and Shakespeare toasts are always appropriate.

Best Wishes

There are plenty of ways to say “Best Wishes” in the works of Shakespeare.  Here are but a few.

“Your heart’s desires be with you.”
[Celia, As You Like It. Act 1, Scene 2]

“Lack nothing: be merry.”
[Shallow, Henry IVp2. Act 5, Scene 3]

“All days of glory, joy and happiness.”
[Lewis, King John. Act 3, Scene 4]

“Fair thought and happy hours attend you.”
[Lorenzo, Merchant of Venice. Act 3, Scene 4]

“I wish you all the joy you can wish.”
[Gratiano, Merchant of Venice. Act 3, Scene 2]

This one’s a personal favorite. It’s modern enough that it doesn’t feel like Shakespeare, and generic enough that it can fit any occasion. I write it on a lot of cards, but it’s even more powerful when you get to look someone in the eye and say it.

“Heaven give you many, many merry days.”
[Mistress Page, Merry Wives of Windsor. Act 5, Scene 5]

“Heaven send thee good fortune.”
[Mistress Quickly, Merry Wives of Windsor. Act 3, Scene 4]

Wrap It Up

“I drink to the general joy of the whole table.”
[Macbeth, Macbeth. Act 3, scene 4]

Shakespeare toasts are just a way of getting between the guests and their drinks, so the less you talk, the better.  People also love knowing when it’s over, so they’ve got permission to get back to drinking.  Use this line as your closer, drink, and sit down.

In conclusion, Shakespeare toasts offer a delightful way to add depth, eloquence, and a touch of literary charm to any celebration. By drawing inspiration from the works of William Shakespeare, you can craft memorable toasts that resonate with your audience and leave a lasting impression. Whether it’s a wedding, anniversary, or simply a gathering of friends, incorporating Shakespeare’s timeless words elevates the art of toasting, creating moments of connection, celebration, and appreciation. So, raise your glasses and let the Bard’s words inspire your next heartfelt and captivating toast, making your special occasions truly unforgettable. Cheers to the power of Shakespearean toasts!

Based on material from the book Hear My Soul Speak: Wedding Quotations from Shakespeare, now available on Amazon! The definitive guide to Shakespeare toasts, wedding quotes, and readings.

Which Play Is The Most Romantic?

Might Twelfth Night be Shakespeare's most romantic play?

Going over edits for my Shakespeare wedding quotes book, I’m curious about which play provided the most romantic quotes.  That’s a fairly arbitrary measure, of course, but it’s an interesting question. I’m not thinking of the storyline. I mean, which play has the most passages that you could pull out of context and use elsewhere and still have them sound romantic?

From where I sit, As You Like It and A Midsummer Night’s Dream both have a great deal of stuff to say on the subject of love and romance.  But they’re both … light? about it.  Neither, in my book, expresses the sort of ups and downs that come with what love’s really all about.  Don’t get me wrong, A Midsummer Night’s Dream is damned near perfection from some angles, but half the time, the lovers are in the grip of a magic potion and in love with the wrong person.  As You Like It, I find just too corny.  Cute but corny. Life’s not as easy as that one makes it out to be.

I think I’ll put my money on Twelfth Night. I love the discussion we had on music being the food of love.  Orsino has got some amazing insight about what love’s really all about, and that place where it can actually cause you pain, and yet you still want more of it.

“They are in the very wrath of love, clubs cannot part them.”

“Love sought is good, but given unsought is better.”

Calling Doctor Shakespeare! (Or maybe Dr. DeVere?)

Unfortunately the JAMA article linked in this Washington Post piece about Shakespeare’s medical knowledge is available only to AMA members, so I’m left linking a link of a link :(.

The article points to a piece from the “100 Years Ago” department that ponders how Shakespeare acquired his “extensive knowledge of medical matters.”  Deniers will, of course, tell you that this very sentence is prove that Stratford Will could not have written the plays because he was not a doctor, and we should be seeking out the medical professional who did write them.  (I heard that Oxford once successfully put a Band-Aid onto the pinky finger of his left hand, however.  So he’s still in the running.)

But Shakespeare did know his mental illnesses. The article notes that in his day, mentally ill people weren’t locked away in institutions. Shakespeare could train his powers of observation on people suffering all manner of mental disorders without going out of his way to encounter them.

It’s interesting to periodically step away and look at the words from this “100 years ago” perspective.  We’re so used to what Freud told us about Hamlet that we rarely stop to differentiate what Shakespeare couldn’t possibly have been trying to say (because the very concepts did not exist yet), from what he really was trying to say that we’re not seeing because we fail to look at what he gave us from his own terms.  Would Shakespeare have had a name for the behaviors that he gave to Ophelia? Was he describing what he’d personally seen in someone else?

Since Freud comes so much re: Hamlet, I’ve often wondered what other modern psycho/socio creations we have today that Shakespeare might have been showing us, in his own way.  Does Hamlet, for example, go through the “five stages or grief”? Do any of his characters suffer from textbook schizophrenia?  In my review of Tennant’s Hamlet earlier today I deliberately made reference to Asperger’s (and, on Twitter, ADHD) to see if anybody with more knowledge of those subjects would pick up on the thread.

You know what just occurred to me?  I don’t recall seeing a single peanut in any of Shakespeare’s works.  Perhaps Shakespeare was suggesting that Hamlet was allergic?  More importantly could he have found a rhyme for “epi pen” while still getting the meter to come out right?

[Credit to vtelizabeth on Twitter for the Tweet which pointed me in this direction.]

Review : David Tennant as Hamlet, Nerd of Denmark

Ok, here we go!  The easiest way to review Hamlet, I’ve found, is to break it into three distinct reviews : the direction, the rest of the cast, and Hamlet himself.  Otherwise it’s just too hard to separate what David Tennant did with what he was given to work with. Let me just first say that watching Shakespeare on “live” TV as if it were some sort of major event was just awesome.  It was this wonderful combination of nostalgia (remember the days before DVR where if you got up to go to the bathroom you missed stuff?) with modern technology – I sat on Twitter and did play-by-play throughout most of the show.  Could I have DVR’d it?  Sure, and I did, kind  of — I was running maybe 45 minutes behind everybody else.  But it was important to me to watch it as live as I could, as if we were watching the Academy Awards or something.  I wanted to share the experience with my geeks.  Great time, and I look forward to what PBS has in store for us next time..

Continue reading “Review : David Tennant as Hamlet, Nerd of Denmark”

Shakespeare Geek’s Top 10 Shakespeare Plays

Over the years I’ve seen many Shakespeare lists.  Instead of linking to yet another one I thought it would be fun to combine several and come up with my own, the Shakespeare Geek Top 10.  This is not my opinion, this is the mathematical analysis (according to my own algorithm :)) from a variety of places, some here and some elsewhere, that people have voted on a general “top 10” for Shakespeare’s plays.

How you define “best” is up to you and I fully expect that people use different scales all the time.  That’s why I’m looking at it statistically – if most people pick Dream as the best play, then does it really matter why they think they picked it?

Ready?

#10. The Tempest.   Maybe it’s the fascination with “Shakespeare’s last play”, maybe the fairy tale, happy ending nature of the story (I know it’s the latter that gets my vote), but I’m happy to see one of my favorites just make the top 10.
#9. Julius Caesar.  I appreciate that this is one of the great tragedies that most of us will read in high school, but I was surprised at the showing it made.  I don’t understand.  If the Twilight lady announced that she was filming a new version of Julius Caesar I’d bet you can hear the crickets chirp.

#8. A Midsummer Night’s Dream.  I know there are folks out there who will put Dream up against Hamlet as one of the best, and I have to concur.  I’ve ranted at times that I get sick of seeing it, but really, as I called it the other week after seeing a production, it’s “pretty near perfect on the page.”

#7. Richard III.  I’m not familiar enough with this one to have cast a vote on it.  Tell me why you love it?  Just the evilness of the title character, or something more?

#6. Henry V.  Do we all love it because of the Crispin’s Day speech and the Muse of Fire, or is there more to it?

#5. Romeo and Juliet.  Now we get into some of the more obvious ones, will there be any surprises in the top 5? Does Romeo and Juliet deserve a spot this high or is it just because we’re all so familiar with this high school favorite?

#4. Othello.  I’ve seen many people speak of Othello as one of the great underrated tragedies, and I have to agree.  When you really take the time to dig into it, it’s far better than the more shallow analysis might suggest.

#3. Macbeth. Glad to see the Scottish play fare so well, it’s one of my top choices.

…and the big question *still* not answered:

#1 King Lear and Hamlet
We have a statistical tie for the #1 spot with Hamlet and King Lear both getting the exact same score!  (That just means I need more data, hint hint hint.)

Disclaimer : Only 7 of my top 10 made the final list, so I’m not skewing the results to my own personal choices.

I can’t say there are many surprises.  If I pulled it out to a top 15 we’d start to see some of the popular comedies, As You Like It, Much Ado About Nothing, Twelfth Night … but at some point I run out of numbers to make a meaningful argument, too.

Disagree?  Make your own top 10 and post it in the comments!  I’d love to keep my statistics up to date and have a true and accurate top 10 list, as defined by the audience of Shakespeare geeks as a whole and not just one person’s personal opinion.  I may have even added you already, if you’ve made a list. Who knows? 🙂