How to Memorize Shakespeare

Six Word ShakespeareBeen told that you have to memorize Shakespeare? Been there, done that. Probably Romeo and Juliet, right? Balcony scene? You’re not alone. You probably resent the assignment. You’ve probably already tried it and aren’t doing too well, and are looking for ideas.

I’m with you. I think the whole concept of “Memorize Shakespeare, it’ll be good for you” might be the worst thing that teachers do when it comes to the subject. Because they do it all backwards. You have no context for the words, you’ve probably been told “don’t even think about watching the movie until after you read the script,” and you probably don’t really care in general. You’re just doing it because you’ve been told to do it, and you want to get it done as soon as possible.

I have an easy way to demonstrate how bad of an idea this really is. Let’s take a song that I like. Say, Astronomy Domine, by Pink Floyd. It helps if you’ve never heard it. Now, memorize it. Why? Because I said so. Because I’ve told you that it has value, and I’m the teacher, and I’m in a position to punish you if you fail. Do it on time, too, or else you fail.

Memorize Shakespeare, It's Totally Worth ItEven if you succeed, do you think you’ll ever like that song? Sure, maybe you could recognize it and even pull a few lines out of your memory, but would you know what the words mean? Would you care? Not likely. Very early on in your education I’m quite sure that they started watching for something called “reading comprehension,” which means that you can do more than just repeat the words, you can actually understand the meaning of what it is that you’re saying.

So why isn’t this true with Shakespeare? The way it is positioned — memorize first, understand second, appreciate last (if ever) is just totally backwards. The most important thing to you has to be just being able to mindlessly repeat the words so that you can pass the assignment. And you then promptly forget them after you get your passing grade.

How To Memorize Shakespeare

So having said all that, I can finally get to the tips. Some ideas for you, in no special order:

  • See if your teacher will let you memorize a passage of your choice. Many will, assuming that it is of an acceptable length. This gives you more freedom in finding a passage that is more comfortable for you. Some people find the balcony scene from Romeo and Juliet just too sappy to take seriously. So maybe take something from the great sword fight that Romeo and Tybalt have in Act Three? Or even something from the Chorus at the very beginning. Juliet’s “Gallop apace, you fiery footed steeds…” bit is great, once you realize that she’s basically hanging out at the window saying “I wish it would hurry up and get dark so Romeo can get here.”
  • See the movie! How are you supposed to know what these words sound like if you don’t hear someone speak them? To memorize Shakespeare, remember he wrote plays not novels. His words were meant to be performed. If your teacher insists that you not do this, then ask if you can complete the assignment by copying down the words instead of reciting them. If you only memorize what the words look like on paper, no one can expect you to know what they’re supposed to sound like.
  • Get some context for the words, by any means necessary. Ask somebody who has read the play, if you can’t see the movie. You need to have some clue about what the words mean, otherwise I could just as well ask you to memorize “blue garbage cat does triangle five table hands title”… or any other string of random words. In the balcony scene, Romeo hides in the bushes and sees Juliet come out onto the balcony. He’s talking to himself, trying to find words to describe how beautiful she is, how she stands out against the night sky (that’s where all that “Juliet is the sun” stuff comes from). Juliet, meanwhile, is also talking to herself out loud, saying “Of all the men in the world, how come I had to fall in love with one of my family’s mortal enemies?”
  • Find the rhythm in what you’re memorizing, as if it were music. This is poetry, after all. As you read it, tap your hand along and try to get the appropriate dah DAH dah DAH dah DAH sound.  But SOFT what LIGHT through YONder WINdow BREAKS, it IS the EAST…
  • Try to group the lines into a logical set. Usually one “line” is not a complete sentence. Shakespeare did tend to be wordy. “But soft, what light through yonder window breaks?” is a complete sentence, but it is a question. So what’s the answer? “It is the east, and Juliet is the sun.”
  • “Practice” by keeping an ear open for other lines in the play that stuck in your head. It’s actually easier to memorize 20 individual lines scattered around the play than it is to memorize 20 in a row. Much of the difficulty in trying to memorize Shakespeare monologues is just plain lack of confidence. You get a block that says “I can’t do it” and thus you can’t. But once you realize that you’ve already memorized a bunch of lines without even trying, that mental block tends to go away.
  • Try to remember that these are indeed people talking to other people, trying to get their point across. Put some emotion into the words. That’s one of the reasons that I say to try finding a passage that you really like. When I was in high school and memorized the balcony scene, there were 4 boys and 4 girls in the class and we were paired up to recite it. And, of course, all of us were painfully shy over the whole prospect, since if we actually did it well, then we’d have to endure endless speculation that we must like each other (ewwwwwww). I remember deliberately doing it badly just to avoid that. So maybe try a scene where Romeo is angry (like after the death of Mercutio), or when Juliet actually stands up for herself.

Break a leg!

Try not to let the experience of trying to memorize Shakespeare make you hate it for life. There’s some good stuff in there, if you listen for it. Twenty years after this homework assignment is over you’ll be so much happier recalling a line here and there that you understand and enjoy, than trying to remember a lengthy passage with no special meaning to you at all.
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Shadowplay : Shakespeare as secret political rebel?

Here’s an interesting story for a Sunday morning. In her new book “Shadowplay”, author Clare Asquith presents the case that Shakespeare was writing coded political messages into his plays. Asquith claims to be the first person to have discovered the code, as well as crack it.

A little sample, from the article…

Sunburn:

The sun represented divinity, and so sunburn denotes closeness to God. Shakespeare described himself as ‘tanned’ in Sonnet 62.

Turtle dove:

A traditional image for the apostles, used to signify those who remained faithful in the face of persecution.

Nightingale:

The story of Philomela, who was turned into a nightingale, was an image of the desecrated church and its covert protests.

Red rose:

A term used by Catholics for their ‘old, beautiful’ religion.

Dark:

The new, Protestant religion, associated with black print and sober dress.

Five:

Devotion to the five wounds of Christ led to patterned emblems on the banners borne against the new regime. Shakespeare uses it in the form of flowers, birthmarks or heraldic blazons as a marker of Catholicism.

All the Shakespeare Stuff You’d Hope to Find

Shakespeare’s Den is great for a laugh even if you’re not in the mood to buy. Anything and everything that’s ever had Shakespeare’s mug plastered upon it (including mugs, natch) can be found here. Of course there’s also every book, wall hanging and statue you might imagine as well.

Some gems:

  • Shakespeare bobblehead doll
  • Shakespeare action figure
  • After Shakespeare mints
  • Hamlet finger puppets
  • Shakespeare “celebriduck”

I don’t get an affiliate fee, either, so there :-P. I just wish my wife would let me buy half this stuff.

Shakespeare ala Wikipedia

If you haven’t yet visited the Wikipedia page for Shakespeare, I highly recommend it. It’s not like you’re going to find any new information that you couldn’t find anywhere else. But Wikipedia organizes it better than anywhere else.

Who knew about the “questionable” plays? I knew about the existence of Cardenio, which is more “lost” than “questionable”, and The Two Noble Kinsmen, which I got into an argument with my neighbor about (I lost, arguing “I have several copies of the complete works and there ain’t no Noble Kinsmen in it!”) I’m talking about plays like Edward III or Sir Thomas More, two plays which scholars think might have been collaborated on by Shakespeare.

Of course, the entry itself is link-heavy enough to keep you interested in any direction you wish to go. Elizabethan history? Shakespeare contemporaries? The actual text of the plays? All there.