Category: Twelfth Night

Twelfth Night is a beloved Shakespearean comedy that showcases the playwright’s wit, humor, and talent for creating complex characters. The play tells the story of Viola, a young woman who disguises herself as a man in order to serve in the court of Duke Orsino. Along the way, she falls in love with the Duke while also attracting the attention of the Countess Olivia, who herself is caught in a love triangle with Viola’s male alter ego. Twelfth Night explores themes of love, gender, identity, and social class with a sense of playfulness that is rare in Shakespeare’s more serious works. Its memorable characters and witty dialogue have made it a favorite of audiences and performers alike, and its influence can be seen in everything from modern romantic comedies to popular music. Reading or watching Twelfth Night is a delightful and enriching experience that offers a unique window into Shakespeare’s genius and the culture of his time.

Browse the text of Twelfth Night entire play here.

Christmas in Shakespeare’s Plays?

~ duane ~ Leave a comment

I continue playing with ChatGPT in as many varied ways as I can imagine. Last night I asked it to write me a blog post on “Christmas in Shakespeare’s Plays.” Here’s what I got. Let’s dissect!

The celebration of Christmas has a long and varied history, and it has been depicted in literature and art for centuries. In the plays of William Shakespeare, Christmas is often portrayed as a time of joy, celebration, and reflection.

Fine, I guess. Generic.

One of the most well-known references to Christmas in Shakespeare’s plays is in “A Midsummer Night’s Dream.” In this play, the character Bottom describes a dream he had in which he was transformed into an ass and danced at a Christmas feast. This humorous portrayal of Christmas is a lighthearted example of the way in which the holiday was often depicted in Elizabethan England.

…what? After all these years I’ve still got some pretty hefty impostor syndrome when it comes to Shakespeare, so whenever it said Bottom references “dancing at a Christmas feast” my first thought was, “He does? Why don’t I remember that?” So I went looking:

I have had a most rare
vision. I have had a dream, past the wit of man to
say what dream it was: man is but an ass, if he go
about to expound this dream. Methought I was–there
is no man can tell what. Methought I was,–and
methought I had,–but man is but a patched fool, if
he will offer to say what methought I had. The eye
of man hath not heard, the ear of man hath not
seen, man’s hand is not able to taste, his tongue
to conceive, nor his heart to report, what my dream
was. I will get Peter Quince to write a ballad of
this dream: it shall be called Bottom’s Dream,
because it hath no bottom; and I will sing it in the
latter end of a play, before the duke:
peradventure, to make it the more gracious, I shall
sing it at her death.

I even went into the Quarto versions. I’m aware that just searching “Christmas” isn’t going to yield a hit, but so far I see nothing even close. I asked on Twitter, and others didn’t seem to know, either. Hmm. Ok, moving on.

In “Henry V,” Shakespeare references the Christmas season in a more serious manner. The play takes place during the Hundred Years’ War between England and France, and it tells the story of King Henry V’s victory at the Battle of Agincourt. In one scene, the king speaks to his troops on the eve of the battle, reminding them that it is Christmas time and encouraging them to fight for their country.

It’s Christmas Time? <asks Google to remind me when St. Crispin’s Day is> October. Again, I’ll plead ignorance and ask, is there a connection here? Would you call Agincourt “Christmas time”? Ok, one more.

“Twelfth Night” is another play that features Christmas as a prominent theme. The play is set in Illyria during the Christmas season and follows the misadventures of the character Viola, who disguises herself as a man after being shipwrecked on the coast of Illyria. In one memorable scene, the character Sir Toby Belch gets drunk and sings a song about Christmas, declaring it to be “a time for joy, a time for love, a time for peace on earth.”

This is just a no. Twelfth Night is named for when the play was performed, not for the plot. It doesn’t mention anything related to Christmas or the Christmas season at all. And, much like Bottom’s Dream, I have no clue what song of Sir Toby’s it’s talking about. The word “peace” pretty much only appears in the play when people are saying “Hold thy peace.” Joy doesn’t appear at all. No version of “a time for” anything appears at all.

Overall, Shakespeare’s plays depict Christmas as a time of joy, celebration, and reflection. Whether it is through humorous references or more serious themes, the holiday is an important part of the fabric of Elizabethan England and continues to be a beloved tradition today.

And we wrap up with the generic, basically repeating the intro paragraph. This is what I used to teach my kids as the “middle school format”. Make a statement, say what your essay will show. Three paragraphs demonstrating your point. Conclude by restating your original argument.

At first glance I only picked up on Bottom’s Dream and thought, “Oh, interesting, I wonder what bug caused that.” But upon further reading and realization that it’s entirely wrong and just flat out making stuff up, my whole attitude toward the program has changed. A student tasked with looking for Christmas references in Shakespeare’s works could be given this response and assume every word of it is true. I sent me feedback to the creators (which you’re supposed to do, that’s one of the reasons it’s free for people), but I don’t expect it’s something they can address. Where do you even look for the source of something like that?

On that note, Happy Holidays, everyone! I hope everybody gets lots of Shakespeare Geek Merchandise!

Masters Of Their Wealth

~ duane ~ 1 Comment

So I proposed a question on Twitter the other day:

Which Shakespearean character is most associated with tremendous wealth? Nothing symbolic or metaphorical, I’m talking about good old-fashioned net worth. Shylock’s not really what I’m looking for.

https://twitter.com/ShakespeareGeek

I don’t particularly think of Shylock as wealthy, but I do think of him as being “all about the ducats.” In theory, somebody who’s very … careful? … with their money is a potential candidate for someone who is very wealthy. But I wasn’t looking for technicalities, I was looking for a character that just screamed, “Look how rich I am.”

The responses on Twitter were intriguing, and much more varied than I would have expected! There was one in particular I assumed would win (do you have the same one in mind?) so I was pleasantly surprised to see the other contenders…

Each Receiving One Vote

Orsino and Olivia from Twelfth Night each got a vote (in two separate responses from two separate people).

Lord Capulet from Romeo and Juliet and Baptista from Taming of the Shrew each got a vote, because if you’re going to woo a young Shakespearean lady, make sure she’s got a rich dad.

Speaking of Shylock, Antonio from Merchant of Venice got a vote, with the caveat that he basically lost it all.

Julius Caesar was emperor of Rome, and you have to figure that’s a pretty wealthy position to be in, even if it’s not explicitly discussed in the play.

Tamora (Titus Andronicus) made the list as well, though I don’t know enough about the play to speak to why.

How about Falstaff (Henry IV)? Anybody ever think of him as wealthy? He got a vote.

Receiving Two Votes

Portia, from Merchant of Venice, gets more votes than Antonio for being in the “super-rich tier” where suitors are bankrupting themselves wooing her.

“Any of the English kings” was mentioned, though Richard II specifically was called out twice.

Three Votes

Speaking of kings, King Lear got three votes. At the beginning, maybe, sure.

The Runner Up with Five Votes

Guesses? Anybody? Cleopatra (Antony and Cleopatra) garnered much praise, what with her “poop of beaten gold” and everything.

And the Winner is …

With a whopping ELEVEN votes, more than double any other contender, our winner for “Shakespearean character most associated with tremendous wealth” is …

Timon of Athens! Exactly who we thought it would be when we asked the question :). “Easy,” said one response. “Definitely the most obvious,” said another.

But there was a reason why I asked in the first place, too. People also commented “at least on paper” and “maybe in principle”, too. “At least in the beginning,” several responses noted. I was curious whether he’s generally regarded as wealthy, or as someone who lost it all. Now I guess we know the answer!

You’d think he can afford nicer clothes.

Guest Post : Shakespeare’s Travels

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Scotland – the famous setting for Macbeth

Should you ever decide to embark on a tour of the locations of Shakespeare’s plays you’d find yourself with a long itinerary. The bard’s quill pen roamed the world, from Egypt and Syria to Scotland – this blog has even provided a handy map. Some places, such as England and Italy, were, of course, frequently visited by his imagination. Others, such as Austria (Measure for Measure) and Cyprus (Othello) he only visited once.

Shakespeare shaped these foreign lands to suit his stories. Greece (A Midsummer Night’s Dream, Timon of Athens, The Two Noble Kinsmen, etc.), Wales (Cymbeline, Richard II, Henry IV P1) and Turkey (The Comedy of Errors, Troilus & Cressida, etc.) were made the settings for comedy, tragedy, romance, and history. The world truly was his stage to dress – in fact, most of his plays are set abroad, the Globe Theatre, therefore, becoming an actual microcosm of our globe.

Some locations are famously linked with his plays. Who, after all, would not know that Hamlet is set in Denmark? Other links are, perhaps, a little more obscure. Lebanon featuring in Pericles, for example, or the former Yugoslavia (specifically, the area known as Illyria) in Twelfth Night.

Dubrovnik, once the centre of the Republic of Ragusa in the ancient region of Illyria

Are visitors to Spain’s Basque Country aware that they’re following in the footsteps of the characters in Love’s Labour’s Lost? The location of the French court in All’s Well That Ends Well is a little unclear, but it isn’t hard to imagine Helena and Bertram amidst the grand buildings of Carcassonne. I’m also a fan of the vague Mediterranean setting of The Tempest, which allows me to imagine Prospero roaming Malta, or Menorca, or perhaps Sardinia.

The Great Pyramid of Giza, famous even in Shakespeare’s day

How did Shakespeare know about these far-flung places? As the No Sweat Shakespeare blog once mentioned, even travel between Stratford-Upon-Avon and London was no mean feat. Shakespeare, therefore, didn’t have direct experience of these locations – it was 40 years after Shakespeare’s death when The Grand Tour made foreign travel popular amongst the English elite. Instead he took inspiration from historical texts and other stories (including Italian novellas) – Egypt, for example, has always been well-known to the western world and descriptions of its ancient sites would not have been hard to come by.

“The world’s mine oyster, which I with sword will open” – the world isn’t currently our oyster to open, but with Shakespeare’s stages on shores near and distant, perhaps we can, for now, take a little peek and plan for the day when we follow the footsteps of his far-flung characters.

Olly loves to travel and has visited over 80 countries and all 7 continents. He also likes to explore the world through the medium of literature and enjoys matching famous locations with the places he’s been to. Olly runs travel planning blog APlanToGo.com, on which you can download free, highly detailed itineraries for destinations across the globe.

NKOTBard?

~ duane ~ Leave a comment

How old am I? I saw New Kids On The Block in concert. Back in the 80s, when they (we!) were still kids. Not the modern nostalgia tour.

So it caught my eye when I saw that Joey McIntyre is playing Orsino in Twelfth Night in a New Jersey production over the next few weeks.

I wonder what kind of reaction he still gets? In a parallel universe those kids might have ended up bigger than Justin Timberlake.

Some actors have said that Shakespeare is the ultimate test of their talent. McIntyre says that he isn’t exactly sure about this theory.

And then

“This is something I’ve always wanted to do.”

So, wait, he’s got an opinion on how it’s not “the ultimate test of talent” and yet this is the first time he’s done it? Great. No word on whether he sings.

Trivia!

I grew up in the same town that the Wahlberg family (though we know Mark now, Donnie was a New Kid) lived. The girl I was dating was good friends with some girls that lived on their same street, as a matter of fact. So we’d go over there to hang out on the off chance there’d be a celebrity sighting. Normally you couldn’t get within 100 yards of the place because if Donnie was in town, they’d block off traffic.

On one of those nights, there was quite a commotion. As it came to be told to us, the cops had come to arrest Mark, and Donnie had put up a fight. I remember talk of the cops walking Mark out to the car, then Donnie coming out of the house and jumping on them. I couldn’t possibly prove any of that, I didn’t see it with my own eyes, but I remember the story.

Mark, on the other hand. Nobody likes to talk about Mark’s younger years…

That’s Just, Like, Your Point of View, Man

~ duane ~ Leave a comment

Here’s a simple game. Pick a play.  Now pretend you’re doing a production where the gimmick is that it’s told from a different character’s point of view than normal. Which play do you pick, which character and how does the play change?

In most cases, this is going to create a much shorter play, because the character you pick will often have less stage time than the stars.

Maybe we do The Tempest told from the perspective of King Alonso?  Coming home from a wedding he’s caught in a storm, shipwrecked on an island, his son drowned. Suddenly he’s standing face to face with Prospero, who he’s thought dead for the past fifteen years.

Or how about King Lear from Fool’s point of view? That could be interesting.  Lot of different ways to interpret just how much Fool knows.

Twelfth Night from Malvolio’s POV?

Romeo and Juliet as seen by Lord Capulet? That could be interesting. There’s an almost fight scene, there’s him getting fined by the Prince, there’s a wedding to plan, a big dance party, an argument with his daughter, the death of Tybalt, the death of Juliet…

Winter’s Tale from Hermione’s point of view would make a funny comic short. Gets accused of adultery by her husband, goes to live with her friend who promises to fix everything. Cut to twelve years later when she says, “ok, he’s coming. Pretend you’re a statue.”

Who else?