More Tempest Questions! Prospero’s Magic Powers

I love when I research a play, I get to ask all these questions that fall into the “no clear answer” category and we get to discuss them. Here’s my latest:

When, exactly, does Prospero gain his magical powers?

Are we to assume that he was actively studying magic before he was banished? Or that he was merely studying nature, etc… in general, and that only by the coincidence of landing on the magical island to his powers come to exist?

Here’s my dilemma:

If we assume that he was already trying to become a mage, then it’s a little weird that he just happens to land on an island populated by sprites (and once ruled by a witch) that magnifies his powers.

But if we assume that it was mostly the island that did all the magical heavy lifting, that seems like it would take a major edge off of all his “retirement” speeches and drowning his books and burying his staff. As if, by taking those things with him, he could have brought his magic back to Milan?

Bardfilm suggests the interpretation that leaving behind his books has more to do with “and now paying attention to being Duke like I should have done in the first place,” but what about the staff? Prospero numerous times refers to his staff as an instrument of his powers. Breaking his staff clearly seems to indicate his voluntary choice to terminate his power.

What does everybody else think?

I Wish I’d Thought Of That. Seriously.

When I saw a press release go by that appeared to be somebody selling a card game based on the “Shakespeare Insult Kit” my first thought was, “Really? Everybody does know that that’s freely available on the net in like a hundred different forms, right? Apps and everything?”

Everybody knows how the game works, right? You get three columns of words that Shakespeare supposedly used, and you combine a random word from each column to produce a new insult like, “Thou loggerheaded knotty-pated scullian!” or “Thou goatish elf-skinned bum-bailey!”

I had to check it out. If nothing else I wanted to see how one would win such a game.

But it’s not a game, it’s a book! A very clever book. I wish I could get Amazon to show a picture from the inside (you can see that here), but the book is in 3 vertical sections representing the original columns, and you turn to random pages “flip book” style to create your insult. Each word even comes with its definition, which is a nice touch. Although it appears like the definition is on the back of each card, and I think maybe it should be  on the back of the preceding card so that when your word is on the right, the definition is on the left. Otherwise you have to flip back and forth.

It’s a cute idea, a neat spin on an existing source of amusement, and probably a fun gift for Shakespeare fans. Wish I’d thought of it!

Announcing … Kill Oxford!

In a blatant effort to strike while the “Kill Shakespeare” iron is hot, Bardfilm and I have teamed up to offer you what you know you’re all waiting for…

KJDM Productions Proudly Presents… KILL OXFORD!

In this fast paced Elizabethan era side-scrolling platform shooter, you play the role of William Shakespeare, the greatest writer the world has ever known. Coming at you are wave after wave of pretenders to your throne – Bacon, Barnard, Blount…Manners, Marlowe, Middleton….the list goes on and on! Will the onslaught ever end!?

Race through the events of Shakespeare’s life in real time, wracking up coin as you churn out plays that are seen again and again and again. As the neverending stream of imposters come at you hurling their mediocre verse, slash at them with your mighty quill and blot their lines by the thousand!  Beat the bonus round, collect Heminges and Condell along the way, and gain the power of the Folio Shield.

Make it past Queen Elizabeth and Henry Wriosthesley and brace yourself for the Big Boss, Edward de Vere, the Earl of Oxford!

Unless you’ve reached June 1604, in which case Oxford is already dead and you win.  You continue to write plays and enjoy success for the rest of your days.

Coming to iOS and Android devices April 1, 2014!

The Fool’s A Genius


Fool 

Can you make no use of
nothing, nuncle? 

KING LEAR 

Then ’tis like the breath of an unfee’d lawyer; you
Why, no, boy; nothing can be made out of nothing.

Interesting, interesting. Nothing can me made out of nothing.  Where have I heard something like that before…

CORDELIA 

Nothing, my lord. 


KING LEAR 

Nothing! 


CORDELIA 

Nothing. 


KING LEAR 

Nothing will come of nothing: speak again.

I’ve probably heard this scene played out a dozen times, but for the first time I appreciate just how blatantly the Fool can look Lear in the eye and say, “You’re an idiot.”

Would You Forgive Caliban?

Bardfilm and I are currently having a heated debate about sympathy for Caliban.  He basically commits one sin (attempts to, at least), and for that he is cast out from his adopted family and turned into their slave, treated like something less than human.

His sin, for those unfamiliar with the story, is that Prospero walked on him trying to “violate the honor” of his daughter Miranda.  Rape her, to put it bluntly.

Wait wait wait, don’t get out your pitchforks yet, it’s more complicated than that.

Caliban was born on the island, far away from any civilization, with only his mother Sycorax as his guardian. It is unclear how old he was when she died, but from that point on he lived alone on the island for something like the next twelve years (we know that Ariel was trapped in the tree that long).  So he’s likely a young teenager when Prospero arrives with three year old Miranda in tow.

While recounting the story, Caliban tells us that he wanted to “people the isle with Calibans.” So presumably he understood what he was trying to do, and that Miranda had to be old enough to do it with. That suggests that maybe ten years or so have gone by, making Miranda maybe twelve or thirteen, but making Caliban closer to twenty.

We can also assume that this was a single incident. Miranda clearly wasn’t a willing participant, so it’s not like she had any urges of her own that she was exploring behind her father’s back.

So then we arrive at the critical moment. What do you think of Caliban’s state of mind at that point? What was his capacity for understanding right from wrong? He certainly understood the general idea behind sex and the purpose of it, probably from having seen animals on the island. Do you think that Prospero ever sat down to tell him about the birds and the bees?  I don’t. I expect that the thought never occurred to Prospero until he literally walked in on them. Why would he? He taught Caliban language so that Caliban could tell him about the island, not to better Caliban’s existence.

The other important part of the story, not to be too graphic about it, is that we don’t really know what he walked in on. Was Caliban chasing her around the cave with a lusty look? Or did he have her on the ground and half out of her clothes? Prospero is the very definition of an overprotective father, so it’s easy to imagine Caliban doing little more than giving her the eye and Prospero seeing that as over the line.

Whatever happened, it was enough to cast him out as a slave. I suppose it could be worse, I suppose Prospero could have just killed him outright. But then who would bring them their firewood?

The play is about forgiveness. Prospero brings his enemies to his island to forgive them. Do you think he forgives Caliban?  Would you?