The Most Important Person Ever

What happens when computer scientists want to figure out what would once have been a hypothetical question? Like, say, “Who was the most important person in the history of the world?” They think like Google:

We rank historical figures just as Google ranks webpages, by integrating a diverse set of measurements about their reputation (including PageRank, article length, and readership) into estimates of their fame, explained by a combination of achievement (gravitas) and celebrity. We correct for the passage of time in a principled way, so we can fairly compare the significance of historical figures of different eras.

 I’ll just tell you — Shakespeare comes in at #3.  #1 probably won’t surprise many people, but I think that #2 might.

There’s a link right to their WhoIsBigger site, which looks like it could be fun to play with.  It looks like it might be broken, though — I’m in “American Writers” and the top category is dominated by Howard Stern, Angelina Jolie, director Ed Wood and professional wrestler Jon “JBL” Leyfield.  I don’t even know what category that’s *supposed* to be.

They also have a book Who’s Bigger?: Where Historical Figures Really Rank
, which could probably be some interesting bathroom reading material for that college student relative you haven’t bought for yet. 🙂

Speaking of Music and Shakespeare

Music doesn’t make you smarter, Harvard study finds,” the headline read.  Actually I should say “The angry Facebook post read” because I first spotted this story when a musician friend of mine shared it.

But then it showed up on my Shakespeare radar because of quotes like this:

“We don’t teach our children Shakespeare and Dante and Tolstoy because it makes them do better in American history class or at learning the periodic table of the elements,” said Samuel Mehr, a graduate student at the Harvard School of Education who led the work. “We teach them those great authors because those great authors are important. There’s really no reason to justify music education on any other basis than its intrinsic merits. We have our Dante, Tolstoy, and Shakespeare, and they are Bach, Duke Ellington, and Benjamin Britten.”

I love that like “we teach great authors because great authors are important.”  It sounds like something a fourth grader says when doing an oral biography report.  “Charles Darwin…was….a really great scientist…because….he did great things….and he was really great.”

What’s interesting to me though is that while we’ve done away with the idea of the “Mozart effect”, we may be living in a world of  “Shakespeare effect.”  What if reading Shakespeare really does make you smarter?

Or am I just grasping at the same straws the musicians grasped at with the Mozart thing?  Something that will be totally debunked in a few years?  Or should expecting parents start piping audiobooks of Love’s Labour’s Lost through suction cup headphones directly to the womb?  Get it?  Pregnant? Labor?  Ah, forget it.

(Seriously, though, who remembers the episode of E.R. where Dr. Mark Green tries to save a pregnant woman and her baby?  That episode was so good they used to play it every year on Thanksgiving. They won awards for that episode.  That episode was called Love’s Labor Lost
.)

Which of Shakespeare’s Friends Created Father Christmas?

HuffPo’s article on “Literary Connections to Christmas” hit my radar because Nahum Tate, who gave King Lear a happy ending, also wrote the Christmas Carol “While Shepherds Watched Their Flocks.” I’m not even sure I know that one.

But keep reading, loyal geeks, because the fun fact comes later in the list:

The term ‘Father Christmas’ — used to refer to the personification of the festive season, a bit like ‘Old Father Time’ — first turns up in a 1616 masque … [featuring] old man ‘Christmas,’ attended by all ten of his children, whose names include Carol, Wassail, Misrule, and Minced-Pie.

Guessed which contemporary?  No fair if you already knew.  It’s 1616 so it’s probably not Marlowe, what with him being dead and all.  Speaking of dead, it’s also probably not Edward de Vere, though that won’t stop him from laying claim to the credit.

The friend of our beloved Shakespeare who brought us the term Father Christmas was none other than Ben Jonson.

Crash Into Shakespeare

My little Dave Matthews joke.  Because here’s Dave Matthews putting the “Come Away” song from Twelfth Night (Act 2, Scene 4) to music:

I found it hard to understand him, particularly in the beginning, so here’s the words:

Clown

Come away, come away, death,
And in sad cypress let me be laid;
Fly away, fly away breath;
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O, prepare it!
My part of death, no one so true
Did share it.
Not a flower, not a flower sweet
On my black coffin let there be strown;
Not a friend, not a friend greet
My poor corpse, where my bones shall be thrown:
A thousand thousand sighs to save,
Lay me, O, where
Sad true lover never find my grave,
To weep there!

What do you think?   I thought it was slow and mumbly, myself.  But as I wrote on Twitter, it’s always a big deal to me when professional musicians go after Shakespeare.  David Gilmour’s rendition of Sonnet 18 changed my life.  If they can bring the audience for their music into my world?  It’s a win for everybody.  If music makes people understand and remember Shakespeare?  Yes please.

Who’s Up For Nose Painting?

Spotted this question about nose painting on Reddit, but it’s not getting much conversation over there and I think it’s interesting.

Falstaff, King of Nose-Painting
This is Falstaff. He isn’t in the play but he’s what comes to mind when I think of noses painted from drinking.

The question is this: When the Porter in Macbeth says that drink provokes “nose-painting, sleep and urine,” what exactly is nose-painting?  The student in question assumed, as do many online resources that it refers to the idea that your nose turns red when you drink too much. His teacher apparently told him that it was more vulgar than that.

Well, off to Filthy Shakespeare and Shakespeare’s Bawdy I went.  Both list it as a euphemism for sex without going into any detail that I can find.

But here’s the thing.  Look at the context:

MACDUFF 

What three things does drink especially provoke? 

Porter 

Marry, sir, nose-painting, sleep, and
urine. Lechery, sir, it provokes, and unprovokes;
it provokes the desire, but it takes
away the performance: therefore, much drink
may be said to be an equivocator with lechery:
it makes him, and it mars him; it sets
him on, and it takes him off; it persuades him,
and disheartens him; makes him stand to, and
not stand to; in conclusion, equivocates him
in a sleep, and, giving him the lie, leaves him.

So his first joke was that drink makes you want to sleep, urinate, and … well, you know.  But then he starts calling it “lechery” and does the rest of the speech about how drink “takes away the performance”, and the more I read that, the more I realize that almost every word is a euphemism for something sexual.  “Stand to and not stand to” is particularly illustrative on dear Mr. Shakespeare’s part.

That doesn’t seem to flow.  “Drink provokes sex, sleep and urine.  Sex, it provokes and unprovokes…”  What?

“Drink makes your nose red, makes you sleepy, and makes you need to pee.  Sex?  Sex is funny when you’re drinking.  You want it, you just cant do it.”  Makes more sense to me.

I believe that Macbeth is the only place Shakespeare used nose-painting, so we can’t compare context elsewhere.  All of the online references I find suggest that it is the “your nose turns red” thing, not the sex thing.

What do you think?  Anybody got some more academic references, like an OED, where we can get something definitive?