College Geeklet: Zendaya is the newest Lady Macbeth

May 14, 2024May 13, 2024 ~ E Morin ~ Leave a comment

I grew up watching “Shake it Up” on Disney Channel. In fact, I grew up watching Disney Channel in general, but there were certain shows that just stuck with me into adulthood. I now find myself obsessed with how Bridget Mendler from “Good Luck Charlie” was able to get like seven degrees, how Sabrina Carpenter from “Girl Meets World” is now touring the world with Taylor Swift, and more particularly, how Zendaya has taken over the world.

When I saw Zendaya was going to be in the new movie “Challengers” by Luca Guadagnino, I knew I had to watch. I’ve loved everything that she’s been in since her time on “Shake It Up”, and as a former theater kid, I saw Mike Faist was going to be in it as well which sealed the deal for me. But going into the movie, I had no idea that there would be similarities to Macbeth in it.

The whole movie isn’t a modern retelling of Macbeth like “10 Things I Hate About You” or “She’s The Man.” The only real connection is the main female character, Tashi Duncan.

The gimmick with Tashi is that she’s an obsessed artist. Sort of like Tonya Harding in I, Tonya, or Nina Sayers in Black Swan. Tashi is a tennis prodigy whose entire existence is wrapped around tennis. She spends her free time analyzing players moves and every conversation she has with a character is related to tennis. She can’t even talk to her own boyfriend in the movie without it being about tennis- I’m not kidding. They get into a huge fight because he doesn’t want her to criticize him anymore, and they end up breaking up over it.

I don’t think the intention was to make her a modern day Lady Macbeth, but she shares too many similarities to not notice. For starters, from the way the movie was marketed, and even at first watch of the story, Tashi Duncan is the villain. She gets in between two best friends and makes them hate each other so that she can watch a good game of tennis between the two. This is very similar to the surface level treatment that Lady Macbeth gets. Lady Macbeth pushes Macbeth to kill King Duncan, therefore she’s the bad guy. Right? Both characters are strongly villainized by readers and viewers.

Both of them use their power to manipulate the men around them. Lady Macbeth uses Macbeth’s masculinity to manipulate him to kill Duncan, questioning his manliness if he does not want to kill. This works because masculinity was a huge aspect of a man’s identity at that time, and if they didn’t appear as the stereotypical man, they could be shunned by society. It is this manipulation that landed her the role of “villain” according to many readers. Tashi similarly manipulates the two men in the movies, Art and Patrick. She turns the two of them against each other with romantic entanglements that serve as a means to exert control over them. While Lady Macbeth’s goal was to become queen, Tashi knew that if they turned against each other, she would get to watch some good tennis. Art and Patrick were both so good together that she knew if they played against each other it would be a legendary match. And that’s what she got in the end.

A lot of female characters who feel very strongly about something, whether it be their careers or goals, are often victims of attacks from audiences. I wrote my final paper for my gender studies course on this. Powerful female characters make [mostly] male audiences uncomfortable, even if some people don’t want to admit it. This is for several reasons, but the larger theme is that they feel threatened in their own masculinity, and seeing a woman so comfortable and able to knock down barriers to get what she wants makes them uncomfortable.

There are several instances of this in literature that I noted in my paper; Eve from the Bible, Amy Dunne from “Gone Girl”, Cathy Ames from “East of Eden”, Bellatrix Lestrange from “Harry Potter”, Amy March from “Little Women”. This isn’t denying that some of them committed horrible acts, but they all matched that definition of female characters who feel super passionate about something but are clumped together as villains. Both Lady Macbeth and Tashi feel very strongly about something, Lady Macbeth feeling strongly about becoming queen, and Tashi feeling strongly about tennis. While they both do questionable things, their passion makes it easy for audiences to call them the villains of the story without looking at their other character traits.

It’s up to you if you think she is similar to Lady Macbeth…I certainly think so. Other sites have picked up on these similarities as well, such as Sports Illustrated, Ensemble Magazine, Glamour U.K., and more. You’ll have to watch for yourself to see!

College Geeklet Stories: Macbeth

November 3, 2023November 4, 2023 ~ E Morin ~ 1 Comment

Hello! It is so cool for me to be writing for my dad’s blog after reading stories about me as a young kid reciting Shakespeare and the fact that I named my dolls Goneril and Regan before I had even read King Lear. There is something so full circle about this, and I’m so excited.

I’m in college, studying English with a Creative Writing concentration and Journalism. Unfortunately, I have no plans to be a Shakespeare academic (right now). I’m actually leaning more toward the journalism path. But of course, when I saw a Shakespeare class offered, I knew I had to take it. Learning Shakespeare again in college has been so fascinating as someone who grew up with Shakespeare. I have so many thoughts now that I’m old enough to have a deeper understanding of the plays.

My college offers two Shakespeare classes, one from the beginning portion of his life, focusing on comedies, and another on the second half of his life, focusing on tragedies. The tragedies course was the only one offered this semester, so I signed up. So far, we’ve read Macbeth, Hamlet, Romeo and Juliet, and Othello. Currently, we’re reading King Lear, and we still have Antony and Cleopatra and, finally, Pericles.

I had read the first three before the course, which made rereading them at a college level interesting. I didn’t have to focus on understanding the plot at first because I already knew the summary of these plays. That’s why when I read Othello, I interpreted it a lot slower because I wasn’t as familiar with the characters and story the way I knew Hamlet and Romeo and Juliet from the heart. Not that I didn’t love Othello, but it’s much easier to take away specific details when you know the basic summary of the story by heart.

The most significant discovery from this class was how much I love Macbeth. If you were to ask me my thoughts on Macbeth pre-college, I wouldn’t have thought much about it. To me, Macbeth and Hamlet were very interchangeable, and I would have preferred to discuss Much Ado About Nothing or As You Like It. I think I was more familiar with comedies because while my dad always taught me about tragedies, it’s hard to teach a little kid a story about a guy who wants to kill his uncle for revenge compared to a guy who turns into a donkey.

My new love for Macbeth came from my class’s in-depth analysis of Lady Macbeth and gender. Reading Macbeth in high school, the complexity of Lady Macbeth never crossed my mind. But when I sat down and read her monologue, I was blown away. When she said, “Come, you spirits that tend on mortal thoughts, unsex me here,” I knew that this character was different than any character I had ever read. Most of Shakespeare’s women I had read were very restricted by the gender norms of the time. Now that I’m thinking out loud, most of the comedies I read are heavily romance-driven. This was one of the first plays I had read that not only had zero romance but also a female character who took on the male characteristics of the time.

This led to me being fascinated with how exactly Shakespeare can challenge gender roles in some of his plays while also reinforcing them in others. I would say Taming of the Shrew is a pretty blatant example of him enforcing the rules, but most of the tragedies I’ve read break away from the gender rules. Except Ophelia, that I know of. I wrote my first paper for the course about the irony of Shakespeare’s strong female characters being in the tragedies, almost symbolizing that women who defy what society expects from them will meet tragic demise.

In my essay, I wrote about how women at the time were associated with Eve for being manipulative and needing a man to control them so they would not cause harm. I took this to explain why Lady Macbeth is villanized by most readers, rather than being a woman who knew what she wanted but was frustrated by the limits of her gender. Growing up reading Macbeth, I fell victim to this, and I thought she was the story’s villain. And while I obviously think murder makes someone a wrong person, I have a better understanding of why she wanted to kill Duncan so severely. I used to think she was crazy for wanting to kill Duncan so badly, but she is such a complex character.

Frankly, her character makes me sad. She isn’t afraid to face the challenges her gender presents her. Still, in the end, she falls victim to her biological gender (Though I do have questions about this, I think this was Shakespeare’s intention). In my essay, I wrote,

“Lady Macbeth mentally recognized that she needed to take on male characteristics to get what she wanted, but this was not something she could maintain, as she died shortly after going mad, presumably by suicide. Shakespeare believes that the cruelty that Macbeth can maintain naturally as a man is not something Lady Macbeth can hold on to for a very long time.”

The idea that she was doomed from the beginning is frustrating. She felt guilty about the killing, and she wasn’t entirely inhumane. There are several cases where she expresses her worry for Macbeth, which shows that she isn’t sociopathic but does show emotions and regret.

In the other plays I’ve read so far, there have been women who strayed from the gender norms of the time, but I have yet to find a character who stands out to me the way Lady Macbeth has. The comparison between Emilia and Desdemona in Othello is probably a close second for me. They weren’t as intense with their gender defiance the way Lady Macbeth was, but the small moments throughout the play interested me. When Emilia announces that she believes women should be allowed to cheat on their husbands, I was kinda like…oh wow, that was not something I would ever expect a Shakespeare character to say. I found Desdemona frustrating, but the fact that she married Othello despite society being against interracial marriage I thought was interesting. Though if she actually loves Othello, that’s an entirely different question that I will try and figure out for my second essay on Othello.

This is a lot of writing, so I’ll cut it here. But I’ll continue to brain-dump my thoughts on relearning Shakespeare as a college student regularly!

How did Lady Macbeth die?

February 3, 2015April 27, 2024 ~ duane ~ 1 Comment

How does Lady Macbeth die? It’s easy to miss when and how Lady Macbeth dies because, like so many other major characters, she dies off stage, and a lesser character reports her death.

Lady Macbeth, a pivotal character in Shakespeare’s Macbeth, is a fascinating blend of ambition, manipulation, and eventual descent into madness. From the moment she learns of the prophecy foretelling Macbeth’s rise to the throne, she becomes the driving force behind his bloody path to power. Her unwavering determination and skillful manipulation push her husband towards regicide, yet her conscience unravels as guilt consumes her. Lady Macbeth’s haunting soliloquies and sleepwalking scenes vividly depict her mental and emotional breakdown. Through her character, Shakespeare explores the corrupting nature of unchecked ambition, revealing the devastating consequences it can inflict upon both the individual and those around them.

When does Lady Macbeth die?

In this case, the news comes in Act 5 Scene 5, when Macbeth hears a scream and sends Seyton to investigate. Seyton returns and famously says, “The queen, my lord, is dead.”

Macbeth does not ask how she died. Before the play ends, however, Malcolm gives more information about the circumstances in Act 5 Scene 8:

…Producing forth the cruel ministers
Of this dead butcher and his fiend-like queen,
Who, as ’tis thought, by self and violent hands
Took off her life;

Malcolm here appears to be confirming a rumor that Lady Macbeth killed herself. It is well established in other scenes that she has been slowly losing her mind. Shakespeare’s audience would have accepted that demons possessed her at this point, and no additional detail would have been necessary.

Lady Macbeth’s unrelenting guilt, stemming from her involvement in Duncan’s murder and the subsequent bloodshed, becomes an overwhelming burden. Haunted by her conscience, she descends into madness as the weight of her actions takes a toll on her mental well-being, ultimately leading to her tragic decision to end her own life.

Conclusion

Although her demise occurs off-stage and is reported by a lesser character, the circumstances surrounding Lady Macbeth’s death leave a lasting impact.

Can’t Get Enough Macbeth?

Check out my book, My Own Personal Shakespeare: Macbeth, now available on Amazon! Explore Macbeth at your own pace and on your own terms, and document your personal experience with the Scottish Play.