And I Loved Her That She Did Not Pity Them

Bear with me for a moment.

I have a very vivid memory of studying Othello in high school, some thirty plus years ago, and getting to this pretty famous passage, where Othello explains how he won Desdemona’s heart:

My story being done,
She gave me for my pains a world of sighs:
She swore, in faith, twas strange, ’twas passing strange,
‘Twas pitiful, ’twas wondrous pitiful:
She wish’d she had not heard it, yet she wish’d
That heaven had made her such a man: she thank’d me,
And bade me, if I had a friend that loved her,
I should but teach him how to tell my story.
And that would woo her. Upon this hint I spake:
She loved me for the dangers I had pass’d,
And I loved her that she did pity them.
This only is the witchcraft I have used:
Here comes the lady; let her witness it.

The problem is that I remember reading, “that she did not pity them.”  I couldn’t tell you how or why, it would have been one of those things where teachers photocopy an excerpt out of a book into a few pages and staple them together to pass out to the class.  Additionally it would have been my first exposure to Othello, and I was maybe fifteen years old? So I wasn’t exactly looking to document the citation at the time.

Later during that same class (not literally within that hour – days or weeks later while still taking that same class with that same teacher) I remember seeing the passage again, seeing it as “did pity them”, and immediately seeing the discrepancy. But when I went back to locate the documentation for “did not pity them”, I never found it.

I never really gave it much thought over the years.  But now I’ve got access to a certain amount of resources I didn’t have then. I’ve got professional Shakespeare researchers who can do things like check to see if Shakespeare ever wrote it down that way, or if any editors chose to make that alteration.

So far we haven’t come up with any.  And yet — Googling for the phrase “and I loved her that she did not pity them” turns up some results.  Where’d those come from?  I can’t decide if I find it amusing or upsetting that most of the hits come from quizlets and essay sites.

One of the hits is from a 2015 novel called Vienna by William S. Kirby.  I’ve even gone so far as to write to the man, to see if he remembers why he thinks that’s the line.  I’ll have to update this post if I ever get a response.

I’m mostly documenting this here in case there’s other people out there that have a vague memory of this, as I do. Bardfilm suggested that “an ill-prepared edition” could have made it into use by the schools at some point.  If that’s the case, which certainly seems reasonable if we assume that my memory is not faulty. Maybe some day we’ll know for sure!

 

Why Some Scholars Hate Romeo and Juliet

or, What Play Can You Just Not Even?

Our pal Bardfilm is mad as hell, and he’s not gonna take it anymore!

He is so over Romeo and Juliet, that he’s decided no more productions for him. It has been plumbed to its depths, we have wrung all possible angles and meaning from it, it has been set in every possible time and space in the continuum. He’s seen enough, he can’t see any more.  In fact, he wants to eradicate it completely. Sort of.

Here’s his proposal. We keep the text, and we can read it whenever (if ever) we want. But if we elected some crazy dictator who’d been horribly bullied in high school for being a theatre geek and takes out his emotional issues by banning Romeo and Juliet from ever being produced again … Bardfilm’s totally ok with that.

Which of the works brings out similar resentment for you?  You’re in charge, you get to declare a complete moratorium on one Shakespeare play never to be performed again.

What’s it going to be? Shall it be Merchant of Venice, so people can stop arguing with you whether Shakespeare was anti-Semitic? Comedy of Errors, so directors can stop worrying where they’re supposed to find two sets of identical twins?  Maybe A Midsummer Night’s Dream so we can stop having kindergarten productions with five-year-old butterfly-looking fairies?

I’m totally going to take the easy road and pick Merry Wives of Windsor. I’ve literally never seen it, nor even read it (except during my brief “read them all” period in college).  But I also don’t know how much it “makes life better,” otherwise it probably would have hit my radar by now.  So, having never missed it, I figure I won’t miss it going forward.

 

Virtual Reality Shakespeare is Almost Here

A good video game starts with a good story, and anybody looking for a good story heads straight for Shakespeare.  I’ve seen many video game versions of Hamlet over the years, and even wrote about virtual reality Shakespeare back in 2015. Now it looks like we’re one step closer.

TheatreVR has created a demo where you don the headset and play through the last scene of Hamlet.  Check it out!

Companies have been working around this idea for years.  Remember Second Life?  There was a whole virtual reality Shakespeare troupe in there.

I think that the problem with VR has always been one of interface.  There’s just too many ways that your body is interacting with reality – site, sound, smell, touch, not to mention peripheral vision, not to mention more specific senses like balance and proprioception (knowing where your limbs are in space). You can only do so much putting on a headset and some gloves.

Don’t get me wrong, I think that the OMG COOL! factor is very real.  Even putting on something like Google Cardboard (not to mention Oculus Rift) is still something to be experienced before you’ll believe it.  But the same was true of Pacman and DOOM once, too.  The excitement wears off, and you’d better have a good story to tell when it does.  From the perspective of the plot, yup, you’ve got Shakespeare.  But have we just reduced it down to going through the motions?  Escape the pirates, save Ophelia, kill Claudius?  Or are we saying that one day we’ll act it out as well?

I’m not a “gamer” by modern standards, and will likely never have the necessary gear to play most of these. I’m hoping that eventually they become the new video arcade, and I can go somewhere like a Dave and Busters to try my hand for a couple bucks.  I’m sure it’ll last 30 seconds, but maybe if I manage to kill Laertes and Claudius I can win enough tickets to a shot glass! 🙂

 

This Is Gonna Get Ugly

For my day job we have a very large email marketing business.  It’s normal conversation to talk about what others are doing, so when I got the following subject line in an email I laughed and showed it to my coworkers:

Make someone ugly cry. Adobe can help.

What I wrong as a comment was, “I know what they meant, but that’s the worst subject line I’ve ever seen.”  It sounds like Adobe’s offering to help you chase ugly kids around the playground and make them cry.

A couple days after that post, a coworker calls me over and says, “You posted something the other day and I’ve been meaning to ask you about it…I don’t get it?  You wrote, I know what they mean … but I don’t.  I don’t know what they mean? Is it like the optical illusion with the old woman and the young woman and I can only see the old woman?”

So I told him, “Claire Danes in the Leonardo DiCaprio Romeo+Juliet.”Clare Danes cry faceTurns out there’s actually several blogs and tumblrs dedicated to her cry face in particular, and she’s even been asked about it in interviews 🙂

Sir Anthony Hopkins To Play Lear….Finally!

I’ve never seen Sir Antony Hopkins play in King Lear, though I’ve always felt he’d be outstanding.

In fact, I’ve been watching the possibility closely for years.

Here’s a post from 2006 about how he wanted to do a Lear movie one more time and then quit doing Shakespeare.

And here’s a 2008 discussion about an “upcoming Lear” that was to star Hopkins, but I don’t recall ever seeing anything else about it.

Well, I’m happy to report that it looks like it’s finally happening!

Set in the fictional present, King Lear sees Hopkins as the eponymous ruler, presiding over a totalitarian military dictatorship in England. Emma Thompson stars as his oldest daughter Goneril. The ensemble also includes Emily Watson, who stars as his middle daughter, Regan, and Florence Pugh (Lacy Macbeth), who plays his youngest daughter Cordelia.

This is a BBC production, but the headline clearly says Amazon, so I’m unclear when (and whether) this will be available to Amazon Prime customers in the US.  But I’ll be waiting!

Does anybody know whatever happened to that 2008 production? None of the actors (nor the director) named in that post appear to have any IMDB Shakespeare credits in that time frame.