Never Thought I’d Miss Tupac

My son (along with most of the other neighborhood 12yr old boys) has become fascinated with the death of rapper XXXTentacion. I’d never heard of the guy until he was killed, but it doesn’t take much googling to realize that he was as infamous for his violence against women as he was for his music.

I’ve heard that Migos did it.  I’ve heard that he faked his own death.  And amid reminding my son whenever he pauses for breath that this 20 yr old was in jail what was it, three times? And abused his pregnant girlfriend?  So let’s not pretend that his music changed anybody’s life more than his actions did, I thought, “Is this guy going to be this generation’s Tupac?”  I don’t intend to compare their music (as I’m not terribly familiar with either’s body of work), I mean how their early deaths impacted a generation of fans who refuse to believe they’re gone so soon.

At least Tupac had Shakespeare.  That alone is going to make me sit up and take notice.  When you start with that kind of foundation, can you really produce something bad?

Let’s say I want to discover some new music.  Who’s out there right now that’s inspired by Shakespeare?  I’d love it if you can point me to some lyrics that are actually from Shakespeare, but I’ll take what I can get.  Who has some suggestions for me?

 

The Tempest Is A Bad Play

Got your attention?  Because it certainly got mine when I read it.

I didn’t write it — this guy did.

A friend cc’d me on a shared post, knowing that a clickbait headline like that was guaranteed to make me a little nuts.  It did.

His argument appears to be that Prospero is too powerful, and his enemies don’t stand a chance against him, therefore it’s boring to watch what we know will be his ultimate triumph over them.  I think this guy maybe thought he was going to see Infinity War or something. He’s describing Shakespeare like a superhero movie and he’s disappointed that there weren’t enough explosions.

He also seems bewildered at this idea that we know how the play is going to end, therefore it stinks:

We must root for him, and we know at every moment that he — yawn — will triumph.

…but you know in an instant how that’s going to end up; there’s no more suspense in it than in the Harlem Globetrotters taking on the Washington Generals.

I wonder how he feels about Romeo and Juliet?

At the end, though, he seems to actually get it:

There is a scene toward the end of the play in which Ariel expresses sympathy for Prospero’s enemies, laid low as they are from Prospero’s magic. Prospero marvels at the fact that the inhuman Ariel can experience empathy, where he, though human, cannot. And at that moment Prospero has his singular insight, which turns his life around: although he himself is at present incapable of empathy, he must act as though he has empathy for others, and, over time, learn to acquire it. And to do so, he must give up his god-like powers, and take his share in the human heart.

Like the kids say, and excuse my language, No Shit, Sherlock. That’s the story that’s in front of you the whole time.  Did you think that the director and actors put it there? I don’t follow how you get off calling the play terrible for half your word count, and then saying “But, this production was amazing.”  Were you scarred by a bad high school production when you were a child?

This guy’s bio suggests he’s actually seen Shakespeare more than once, so the only possible explanation I can find for this nonsense is that he’s trolling us.  He also takes a random slap at Coriolanus, which is apparently also terrible.  I’m surprised he didn’t say Hamlet is overrated and Falstaff’s not that difficult a role to play.

 

 

BardBots, Or, How Did I Miss This?!

Though the “geek” in Shakespeare Geek refers primarily to our obsession with our favorite subject, I am still a lifelong computer geek by trade and have always kept a special eye on crossover projects that map Shakespeare onto the digital world, be in apps, video games…

Students study monologues from Shakespeare, annotate for characterization and blocking, then they are challenged to program robots to perform the scenes.

…or, sure, why not? Robots performing scenes.  Sounds awesome.

In honor of Shakespeare’s 454th birthday…

Wait, what?

April 23, 2018

This is over two months old?!  I’m slipping in my old age. Can’t believe this flew completely under my radar.

Note that this is a classroom project, not something out of Westworld.  The robots are basic, the environment is basic.  A long time ago, a professor named Terry Winograd made huge advances in natural language processing in a project called SHRDLU that did nothing but move colored blocks (“Put the red square on the yellow rectangle”, “Where is the blue pyramid?”, etc…)  This project reminds me a lot of that.

Just last week we were talking about Patrick Winston’s work in training an AI to understand Macbeth.  Over on this side, we’re training robots to act it out. Can’t wait to see how they meet in the middle.

What’s This About A Wadlow Portrait?

I had to double check my archives because sometimes what I think is new, I actually wrote about years ago. But so far the word “Wadlow” doesn’t appear in my archives.

“Could This Be A Portrait of Young William Shakespeare?” That’s what you call clickbait in my universe 🙂

I don’t see the resemblance.

In the linked article above, an art historian makes her case. I’m not going to attempt to debate any of her points, because I don’t exactly have the credentials to do so. But it is a very interesting (lengthy) read, with almost as many footnotes and references as actual content.  I like when historians write because they tend not to offer unsubstantiated opinion, they point to documents.

Anyway, we’re not afraid of unsubstantiated opinions here. If I had to research and document everything I’ve ever wanted to say about Shakespeare I never would have started this site in the first place.

What do you think? Have you heard of this Wadlow portrait? Do you know anything about the “Is it Shakespeare?” question?  Is it?  I don’t think it looks anything like him (not counting the earring). I suppose we could argue that this one is supposedly painted from life rather than after his death, but the other portraits do all tend to look alike – even Cobbe – mostly around the eyes. Having this be a more accurate depiction of Shakespeare would make all those other ones, including the one on the front pages of the First Folio, pretty wrong.

 

What’s On Your Shakespeare Bucket List?

See you this summer, Richard III.

I don’t think we’ve ever done this before.  What are your life’s goals with respect to Shakespeare? Which ones have you accomplished, and what’s your progress toward the next one?

  • Publish something. Done – Hear My Soul Speak is available for download on Amazon!
  • Teach something. Done – I volunteered in my children’s classes throughout elementary school where I taught Macbeth, Hamlet, Midsummer and others.  Always excerpt type stuff, never a full production, but we definitely got the kids up on their feet.
  • Be invited to speak on a Shakespearean subject.  Done – Bardfilm invited me to speak to one of his college classes.
  • Make some money at this. Not “make a living at it,” since given my day job that’s highly unlikely.  But I’ve had this hobby now for well over ten years, if I don’t at least try to make it pay for itself I’m missing an opportunity.  I’m pretty pleased so far with how the line of Shakespeare Geek Merchandise has been selling.   (Check it out, new designs going up regularly!)

Still On The List

  • Visit Stratford on Avon.  This is one of the most common questions I’m asked (behind “What’s your favorite play?”) As the years go by I see people all around me going, and wondering why I haven’t been.  It’s hard to explain.  At this point I’ve built it up in my head like a religious pilgrimage.  I could never see myself going without my family, because I wouldn’t deprive them of sharing that experience with me. But if I’m going to take an international trip with a family of five, well then the world is a big place and there’s lots of options, I’m not going to call dibs on the place *I* want to go at everybody else’s expense.
  • See all the plays. This one’s probably on most people’s lists.  It’s particularly tricky to find a performance of some of the more obscure plays, I know, but I’ve still got a lot of the basics yet to see.  To date I’ve seen, let’s see if I can do this off the top of my head:  Hamlet, Lear, Macbeth, Othello, Romeo and Juliet, Coriolanus, Tempest, Midsummer, Shrew, Comedy of Errors, Two Gentlemen of Verona, All’s Well That Ends Well, Much Ado, Twelfth Night, As You Like It, Love’s Labour’s Lost, Winter’s Tale.  So really I’m only about halfway there. This summer they’re doing Richard III in Boston so I’ll be able to check that one off as well.
  • Publish something real. Not to discount my efforts on the ebook, but that project started out much bigger in my head, intending to write the definitive guide to Shakespeare and weddings.  As time went by it got smaller and smaller and eventually turned into a “Just finish this” project.  The next time I try it I want to do something that’s physically published, something that can sit on my bookshelf. And preferably sell for more than ebook prices 😉
  • Perform. I don’t expect to ever be cast in a show, nor would I want to be.  But on the flip side I’ve literally dreamed about spontaneously standing on a desk and delivering a monologue to a rapt audience.  At some point before I die I’d like to achieve something in between the two.

Your turn!