Alas, Poor Will. We Knew Him, Horatio

I don’t know that I was expecting any different, but it doesn’t look good for a season 2 of Will on TNT. What, not enough sex and violence for everybody?

I don’t really understand the expectation on new series, reading this article.  On the one hand, “it was the lowest-rated premiere for the network… ever.”  That can’t be good. I also find it hard to believe.  But later that the series was “performing better than most dramas on television… it’s performing at levels that many networks would call a hit.”

What qualifies as a good show for a network like TNT?  Do they pull HBO numbers, or NBC numbers? I’m not even sure in today’s market where the bigger audiences are.

I’ll be pleasantly surprised if we see a second season. Because that would mean that there’s enough people out there who aren’t Shakespeare geeks, who found the story of Will Shakespeare interesting enough that they want more. I’m ok with that.

 

Review : The Rise and Fall of D.O.D.O

As a geek in the traditional (i.e. nerdy) sense of the word I have long been a huge fan of Neal Stephenson’s work.  Snow Crash, Diamond Age, Cryptonomicon, REAMDE, Anathem, Seveneves – all highly recommended.

So when I heard that he was doing a time travel story about Elizabethan England?  I did something I don’t usually do, I went ahead and got the hardcover.

Should have waited. I think this is the first Stephenson book that I can’t say I recommend. Most of the time, like with Seveneves or Anathem, I’ll ask, “Are you up for the challenge?”  Not here, not by a long shot.

Let’s get something out of the way. Shakespeare’s not in this. They do have a visit to Elizabethan England and do meet Richard Burbage and have what I’ll admit is an amusing scene there.  But that’s it.  There’s some discussion by others about Shakespeare’s work, but that’s it.  There’s a bit about the Irish that’s worth another blog post, coming soon. So if, like me, you’re interested in this book for the Shakespeare content? Save your money. There isn’t enough.

The rest of the book isn’t up to Stephenson’s standard.  He spends most of his time amusing himself with sophomoric pokes at bureaucracy and government, with various side trip opportunities to describe sexual stuff (like what happens when you put an 1800s prostitute and a Viking warrior in the same room together) that has nothing to do with the plot.  He seems so entertained by his own words that he forgot to write a compelling story.

Who knows, maybe I’m just so thrown off by the lack of Shakespeare that I’m being unnecessarily hard on this one. When I described it to coworkers they said, “Sounds entertaining despite itself.”  And it was, I’ll give it that. But I don’t go through these books (especially in hardcover!) just to be entertained. I want to get something out of it.  I don’t know what I got out of this other than temporary amusement.

 

I’m Baaaccckkk.

<cartoon-like cloud of dust obscuring the action>

<sounds of a struggle>

<Batman sound effects>

<hotdish goes flying>

<furniture breaking>

*slam*

*lock*

AND STAY OUT!

I’ve waited almost 10 years to say this….

You’re bard!

Knew I shouldn’t have set my password to “open locks, whoever knocks.”  That just does not meet modern cryptographic standards.

Seriously, though, I’d like to thank my old pal Bardfilm for keeping the lights on and not breaking anything too badly while I was gone (though there is a faint aroma of lutefisk I have not quite tracked down).  I’m still trying to get myself back on schedule on all fronts, home, work and Shakespeare, so it might still be a few days before I have regular posts flowing again.  Thank you everybody for their patience!

And hey, did you hear that Tom Hiddleston is playing Hamlet?

What’s everybody’s opinion on USC’s bold choice of spelling on their new statue?  (Personally I’m ok with it, it was one of the more popular versions with folks like Alexander Pope using it.)

I’m aware that I’m now two full episodes behind on WILL, so I will try to binge watch those before Labor Day (although this message will no doubt be scheduled to post after Labor Day so you may not even notice ;))

Glad to be back!

Review : Will #9

Ok we’re heading toward a big finish and lots of plots are moving forward.

Richard Burbage is a changed man after coming out of the plague house. He’s showing more attention to Moll, which is pleasant. Shakespeare has written Richard III for him, but for some reason his father James wants to play the role (because “I made this theatre and I’ll play any role I want.”).  There’s actually a nice father/son moment between the two where Richard says, “You also made me, so when I play the role, it’ll be you playing the role as well.”

Alice Burbage has fallen under the spell of Southwell, agreeing not only to be baptized but also to carry Southwell’s book to … wherever it is that it needs to go.

This doesn’t go well after Marcus narcs on them to Topcliffe in an attempt to save his son.  Southwell and his people have no time for this, dispatching Marcus when he tries to prevent Southwell from escaping, and then leaving Alice behind to be captured.  Marlowe is there, however, and won’t stand for it. He brings Sir Francis Walsingham in (I kept thinking it was Bacon, to be honest), just before Alice can be whipped and tortured.  This however doesn’t stop Topcliffe from beating her (after everyone’s left them alone), and potentially choking her to death.  I honestly don’t know what’s going to happen.  I don’t know the real Alice Burbage’s story, so it’s quite possible that she dies in this. I’m curious.

There’s some Richard III content in this one as they teach Presto (the street urchin) to play the role of Prince Edward.  Honestly I wish I knew more about the play. I can’t recognize it from the quotes, other than the obvious ones.

Next week is the final episode. I have no idea if we’ll get another season. I have no idea what the ratings have been.  I guess I’ve liked it, once we got past the ridiculous sex and violence. I’ve watched every episode.  It’ll be a shame when it’s over.

 

Review : Will #8

Ok, after a great episode that was weak on sex and violence we’re back with blood flying.  This one opens up not just with a disembowelling but a decapitation. Awesome. This time it’s somebody we know – the fat guy from a few previous episodes who was captured and tortured. And this time we see Southwell in the audience praying for his soul.  This does not sit well with Marcus, whose son was busted by Topcliffe last week.

I don’t get most of this episode. There’s very little Shakespeare in it.  Their friend Autolycus – who is part of the storyline so infrequently that I would forget his name were it not for the reference to the text – has a new girlfriend.  Which ends up with him getting plague.  How that happens? I don’t know.

 

But he ends up in a plague house, which basically means he’s dead.  But a twist!  Burbage can’t let him go alone, so agrees to be boarded up in a plague house with him.  What? Did that actually happen? We know he’s not going to die, so I’m not sure what the writers are getting at with this little side trip.

Shakespeare has an idea – he’s going to write a story exposing the Queen’s torturer Topcliffe.  That play? Richard III.

Shakespeare learns that Southwell now has Alice Burbage on his side as well, which gets them (Shakespeare and Southwell) into an argument since Shakespeare sees it as putting Alice in harm’s way, while Southwell is

 

starting to be shown as a bit of a nut who cares only about people’s eternal spirit and is thus not troubled by people being captured and tortured.

Best line of the night? Alice says that Shakespeare’s offering nothing of value to the world because who cares about Henry VI Parts 1, 2, 3. He swears that he is working on a play of such greatness… to which she responds, “What, part 4? Does it have a funny dog?”  Ouch.

Marlowe is still his typical atheist self. Having failed to meet the devil he

wants to see Southwell, to meet god. We know how that’s going to go.

It’s clear that the story is racing toward some conclusions, but that also means focusing on the story that they’ve been telling, rather than Shakespeare’s biography. So you know how I’m going to feel about that.  I get it, I get why it’s necessary. I’m just not all that interested in it.  An episode like this is in the background while I do other things.

Let’s see what the next episode has for us!  There’s only ten I’m told, so whatever’s going to happen is going to happen soon.