What about Romeo and Juliet?
Shallow, confused, then dead.
I honestly thought that Eleanor and Park by Rainbow Rowell as a new release, after seeing it on some random “must read this summer” list. It had some sort of Romeo and Juliet connection, so I thought, “I’m in. Maybe it’ll be something my kids will like.” Turns out it’s published in 2013 so I’m late to the party.
The first line of the book is, “He’d stopped trying to bring her back.”
Interesting! I immediately wondered whether the book was taking a page from Romeo and Juliet and giving us ye olde “star-crossed lovers take their life” right there in the prologue. So I was hooked for the rest of the story thinking, “When’s it all gonna go down?” The boy (Park) is still narrating so I guess he doesn’t die, but then again, no one says that we’re starting at the very end. This could be the middle. He could be telling us the equivalent of standing in front of her tomb holding his own poison.
Eleanor and Park does have some Romeo and Juliet in it. On the surface, it’s just the standard “boy and girl decide they like each other to the backdrop of high school English class,” where of course they’re studying Romeo and Juliet. This gives us a chance to learn about the modern teenager’s interpretation of love at first sight:
‘I just don’t think it’s a tragedy.’ She rolled her eyes again. She knew Mr Stessman’s game by now. ‘But he’s so obviously making fun of them. Romeo and Juliet are just two rich kids who’ve always gotten every little thing they wanted. And now, they think they want each other.’
‘They’re in love …’ Mr Stessman said, clutching his heart.
‘They don’t even know each other,’ she said.
‘It was love at first sight.’
‘It was “Oh my God, he’s so cute” at first sight. If Shakespeare wanted you to believe they were in love, he wouldn’t tell you in almost the very first scene that Romeo was hung up on Rosaline … It’s Shakespeare making fun of love,’ she said.
The rest of the book, of course, is two teenagers from different worlds (he from the nice happy family, she from the broken home with the abusive step father) who fall head over heels in love and can’t bear to live life without each other.
I still can’t figure out if it’s supposed to be a Romeo and Juliet story or I’m just looking for parallels. It’s got some weird gender flippy things going on, with the weird girl who likes to dress in boys’ clothes and the longer boy who discovers he really likes how he looks in makeup. I thought that would be cool to run with. But the girl’s still got violent family members and her boyfriend couldn’t be caught dead at her house, so I guess she’s still playing the Capulet role. She’s welcome at his house, though, which was the motivation for my earlier post “Dinner At The Montagues.”
Without the Shakespeare? I suppose it’s good, but maybe it’s too far removed from my world to fully appreciate. I get what it’s like to be young and in love, I’m not that old. The author does a great job of painting that slow, slow crawl from “Oh god I hate you” to “I hope that girl I hate sits next to me again” to “Maybe today I’ll tell her I liked what she said in English class” to “I should ask her about those song lyrics written on her book cover…” until one day you’re deciding whether or not you’re boyfriend and girlfriend and should you tell anybody? Eleanor and Park ride that entire rollercoaster right before our eyes.
I was expecting a Bridge to Terabithia twist through the whole thing. I thought I knew where it was going. I was mistaken. I think I would have liked my ending better.
generous and treat it as, “Characters only Shakespeare could have created.” Mercutio’s a great example. The Romeo and Juliet story existed before Shakespeare, but one of the reasons why we remember his version is because of character creations like Mercutio (who technically existed in the Brooke original, if I recall, but you know what I mean. Shakespeare gave him life.)
I wonder if we could make a claim to greatest play, then, by looking at which plays provide the most characters for this list? As You Like It, Henry IV and King Lear provide two characters, but Macbeth and Romeo and Juliet each bring three. (Othello has one, Julius Caesar one.)
I won’t pretend to suggest the “best” ones I’ve found because it’s going to take me forever to browse. There’s every genre you could imagine. Sometimes it looks like the band is just named / inspired by Shakespeare and the work itself is not so much about the text, but in most cases I’ve seen it’s actually putting the text to music. In some cases it appears to be music that was produced for actual Shakespeare performances.
So I went through all the sonnets and quote databases I could, pruning out the not by Shakespeares (*), organizing them into how they might be used (the proposal, the vows, the guest book, the toast…) and explaining their context.