Thanks, Mr. D!

We did it all for the Shakespeare cookie.

My daughter has one particular teacher, we’ll call him Mr. D.

We love Mr. D.  She had him freshman year of high school for British literature (where she brought him Shakespeare cookies) and again sophomore year for American literature, where alas there was little Shakespeare in the curriculum but not only did he tell me (during parent teacher night) that he’d be sure to point it out in Huckleberry Finn (true!), he also managed to work in some Julius Caesar (although I’m still not sure how).

My wife and I were both looking forward to our second child, who’ll start at this school in the fall, having the same experience. And then our son after that.  The man’s been at the school over forty years, he’s one of those fixtures you just think will be there forever.

Only he won’t be, because he’s retiring this year.

We went to his retirement party, we said our thank yous and our congratulations, and my daughter promised that he’s invited to her book signing when she’s published.

I wanted to put an extra little something out there into the universe, just because. I don’t expect he’ll ever see it, but you never know. My daughter would have been mortified if I’d told it to him in person, but I think it was a wonderful thing to say.

On the way to the party, my daughter said of her teacher, “I like Mr. D as a person. I have conversations with him. He’s my friend.”

To all the teachers out there, know that you’re appreciated.

Thanks, Mr. D.  We’ll bring you Shakespeare cookies one last time.

 

The Lost Plays Database

I can’t remember ever stumbling across this before, but sometimes it’s hard to remember after all these years.

Today while following some random Google rabbit hole to Love’s Labour’s Won, I found The Lost Plays Database.

I’m a little disappointed that Shakespeare’s only got two entries – Cardenio and the aforementioned LLW. But!  That’s because the folks running this site are sticklers for detail, and they’ve also got a category for “Attributed to W. Shakespeare”, which is not the same thing.  In the attributed category we have several entries, none of which I think I’ve ever seen before, including a Henry I and Henry II.

I’m not much of a fan of the lost plays, I figure if I can’t read or see them, they can’t do much for me. But I thought maybe some of you might like to cruise around.  Check out the dramatists’ page — Shakespeare gets just two categories out of somewhere north of a hundred and fifty!

Have fun going down this newly discovered rabbit hole!

 

It is 1636. A Young William Shakespeare …. Wait What?

I have a keyword alert on Reddit for references to Shakespeare across all subreddits because you never know where he’s going to turn up.  (I don’t want to tell you how many personal ads I see 🙁 ).  This time /r/WritingPrompts is the winner:

It is the year 1636. A young William Shakespeare finds a secret compartment in his house. He opens it up, and finds a massive collection of written plays and poems.

Anybody else troubled by something in that premise?  It’s probably an honest mistake, or the person who came up with it doesn’t think it’s relevant, but let’s just play it through because it’s bugging me. And because I haven’t put up much new content recently.

Shakespeare died in 1616.  So we’ve got a young William Shakespeare 20 years after he died.

What did you expect from a Shakespeare Geek?

The most logical interpretation here, albeit the most conservative, is that William is, in fact, one of Judith and Thomas Quiney’s boys.  They had three children – Shakespeare Quiney, who died young, but Richard and Thomas both lived until 1639.  So maybe we pretend that one of them finds Shakespeare’s documents and does something underhanded with them because their dad and their granddad had a falling out shortly before ol’ Will died. This story totally makes sense to me – one of the grandsons basically seeks vengeance on his famous family’s name by burying all the original evidence connecting William as the true author of the stories.  Of course, the First Folio would have come out in 1623 and I don’t think the conspiracy theories about authorship had really had time to cook yet, but who knows.  Maybe they just decided to hide them in case they were worth money some day, and then forgot where they hid them.  I could make it work.

But let’s say that’s not true and we’re talking about a “real” Shakespeare who lived a literal lifetime after his actual self.  That means that somebody else wrote the plays, thirty years previously?  During the reign of Elizabeth and/or James, both of whom are no longer around?  Will audiences still care? The Puritans are about to close the theatres in less than a decade, so if he’s going to get started putting on thirty eight plays he’s got to crank them out at a rate of more than four per year.  Better hurry!

Maybe our question poser mistyped and meant 1536, which would be closer to Shakespeare’s actual lifespan.  But now we’re in a world where there’s no Queen Elizabeth or James I at all, so do we still get the plays that are directly tied to their reigns? Where are Marlowe, Middleton and the others during all of this to help the mysterious author collaborate, are they also unstuck in time?

I’m so confused.  I think I’ll mark that post and come back to it to see what kind of stories people come up with.

EDIT : I couldn’t help myself, I wrote to the original poster and asked if he did that on purpose.  He “messed up 1616 as his birthdate.”

 

 

Decorate Your Life

Today a coworker asked me casually, “Don’t you get sick of Shakespeare knick-knacks?”  He’d noticed my desk has, let’s see if I can get them all:

  • laptop decorated with Shakespeare stickers
  • business card with Shakespeare’s picture and “Not of an age, but for all time” catchphrase.
  • an old book, “Shakespeare Criticism 1919-1935”
  • Shakespeare teddy bear
  • multiple Shakespeare imagery postcards from “Behowl The Moon“, a successful Kickstarter that Shakespeare Geek readers helped get off the ground
  • Shakespeare bobblehead
  • Shakespeare action figure
  • homemade Shakespeare “Funko POP” figure
  • (what happened to my Shakespeare finger puppet?????)

“No,” I reply.

“Just wondering,” he said.  “I’m a Bruins fan, and everybody knows I’m a Bruins fan, but there eventually came a time when I had to tell people, stop buying me Bruins stuff, I’ve already got just about everything.  My wife’s the same way, she likes sharks, people know she likes sharks, but it’s like, enough already, stop buying me shark things.”

“I see it differently,” I replied.  “I call it decorating my life.  I don’t even necessarily use this stuff or read these books. But wherever I go, people who don’t know me can see, Shakespeare. And they ask me about it. And there’s a connection there that might not otherwise have been made.  I’m putting more Shakespeare out into the world, through that person.  Everybody wins.”

If you want more of something that you love in the universe, decorate your life with it.

 

Guest Post : The Wild Waves Whist by Erin Nelsen Parekh

Back in September 2016, Shakespeare Geek readers helped make life better by backing Behowl the Moon, a baby board book based on “A Midsummer Night’s Dream”, into existence. I’m very happy to welcome back Erin Nelsen Parekh to tell us about her follow on project “The Wild Waves Whist”, using material from The Tempest.

Maybe you remember reading here about Behowl the Moon, the board book that turns two quotes from A Midsummer Night’s Dream into a story for babies and toddlers. There’s a second book up on Kickstarter now that would make it a series: The Wild Waves Whist, which steals two bits of The Tempest.

https://www.kickstarter.com/projects/172320179/shakespeare-for-babies-real-literature-to-read-on

The Wild Waves Whist will have more Shakespeare-certified animal noises, more rhymes, more funny old language, an island setting brimming with mystery and possibility. It will be a delight and a dare.

Many of you helped bring Behowl the Moon into being by supporting it on
Kickstarter. And once it was made, the pairing of Shakespeare’s words and narrative art caught a good bit of attention (link to http://drivelanddrool.com/press/). Behowl the Moon is just about sold out of its first printing and going back to press!

It’s not probably ever going to be a blockbuster—not every adult wants this kind of wordplay during storytime with a kid. Even if they did, lots of people grow up with no feelings about Shakespeare aside from vague, homework-induced distaste. But among those who love and respect the complex play of image and sound and meaning in Shakespeare’s work, Behowl the Moon finds the perfect audience.

The Wild Waves Whist
Back The Wild Waves Whist on Kickstarter now!

What actually happens when you mix small children and early modern English? My oldest, at two, told me we needed breakfast, “else the Puck a liar call.” A three-year-old remixes songs and quotes: “Twinkle, twinkle, little star, and the wolf behowls the moon.” When I read for a group of kids, usually aged from about one to three or sometimes all the way to six and seven, they hiss for “’scape the serpent’s tongue,” clap on “give me your hands,” lay their heads down at “good night unto you all,” and happily roar, tweet, bray, hoot, and squeak whenever they get a chance. And everybody, everybody, howls.

Toddlers interact with a snippet of unadulterated Shakespeare just as they would any other kids’ book, remembering the bits they like the sound of, puzzling out what’s going on in the pictures, asking questions about the characters. They are hilarious and brave and unexpected. I have to make another one—just to see what they’ll do next.

If you can help me make this, by supporting the project, sharing the link, or telling a friend, you’ll get my endless gratitude—and we’ll get to find out what happens together.