And I Loved Her That She Did Not Pity Them

Bear with me for a moment.

I have a very vivid memory of studying Othello in high school, some thirty plus years ago, and getting to this pretty famous passage, where Othello explains how he won Desdemona’s heart:

My story being done,
She gave me for my pains a world of sighs:
She swore, in faith, twas strange, ’twas passing strange,
‘Twas pitiful, ’twas wondrous pitiful:
She wish’d she had not heard it, yet she wish’d
That heaven had made her such a man: she thank’d me,
And bade me, if I had a friend that loved her,
I should but teach him how to tell my story.
And that would woo her. Upon this hint I spake:
She loved me for the dangers I had pass’d,
And I loved her that she did pity them.
This only is the witchcraft I have used:
Here comes the lady; let her witness it.

The problem is that I remember reading, “that she did not pity them.”  I couldn’t tell you how or why, it would have been one of those things where teachers photocopy an excerpt out of a book into a few pages and staple them together to pass out to the class.  Additionally it would have been my first exposure to Othello, and I was maybe fifteen years old? So I wasn’t exactly looking to document the citation at the time.

Later during that same class (not literally within that hour – days or weeks later while still taking that same class with that same teacher) I remember seeing the passage again, seeing it as “did pity them”, and immediately seeing the discrepancy. But when I went back to locate the documentation for “did not pity them”, I never found it.

I never really gave it much thought over the years.  But now I’ve got access to a certain amount of resources I didn’t have then. I’ve got professional Shakespeare researchers who can do things like check to see if Shakespeare ever wrote it down that way, or if any editors chose to make that alteration.

So far we haven’t come up with any.  And yet — Googling for the phrase “and I loved her that she did not pity them” turns up some results.  Where’d those come from?  I can’t decide if I find it amusing or upsetting that most of the hits come from quizlets and essay sites.

One of the hits is from a 2015 novel called Vienna by William S. Kirby.  I’ve even gone so far as to write to the man, to see if he remembers why he thinks that’s the line.  I’ll have to update this post if I ever get a response.

I’m mostly documenting this here in case there’s other people out there that have a vague memory of this, as I do. Bardfilm suggested that “an ill-prepared edition” could have made it into use by the schools at some point.  If that’s the case, which certainly seems reasonable if we assume that my memory is not faulty. Maybe some day we’ll know for sure!

 

Is Disney Doing Othello?

Kind of.

For years I’ve said that Disney should tackle The Tempest or A Midsummer Night’s Dream.  Instead we got Romeo and Juliet with gnomes.  I’ll take what I can get.

So what if I told you that man of the moment David Oyelowo (“Selma”) is working on a live-action stage musical combining Othello and Cyrano de Bergerac?

Oyelowo just came out of an off-Broadway production of Othello with Daniel Craig (also known as James Bond) so it’s a natural project for him. People are confused about Disney attaching its name, though.  Which I can totally see, if you assume that the story is going to be 90% Shakespearean tragedy, which it almost certainly will not be.

How would you combine Othello and Cyrano?  I’ve argued previously that As You Like It makes for a reasonable Cyrano story.  But Othello? Who is wooing whom? Who is whispering in which ear?

 

What Are Some Of Your Favorite Moments in Shakespeare?

I’m not a big fan of “favorites” when it comes to Shakespeare – I like to play the “that’s like picking a favorite child” card.  But part of the reason for that is because every play has got some good and some bad, something to recommend and something to avoid, none of them are perfect.

So instead let’s play Moments.  Doesn’t have to be a scene, or a line.  I’m not interested so much in the “what” as I am in the “why”?  Explain for me when, during the course of a particular play, you feel like everything hinges on this one moment?  Maybe it’s just one character’s chance to do something right. Maybe it gives ultimate insight into your favorite interpretation of the character. Maybe it’s one of those lines that rockets through 400 years and hits you square in the heart like it happened 5 minutes ago.

Examples

King Lear‘s “Why is my man in the stocks?” scene.  I wrote about this at length when Commonwealth Shakespeare did the play a few years back, and having rediscovered that post this scene is what gave me the idea for the post.  It’s not the line that’s important. I can’t even tell you the act and scene in which it occurs.  But that image of the king, who previously had people falling to their knees whenever he looked at them crossly, now being unable to get his question answered? Just does something for me.  This is the unraveling.

Emilia’s confrontation of Othello.  How she discovers what has happened, and how she is implicated in Desdemona’s murder?  Her first thought isn’t, “How can I get out of this?” her first thought is to confront her husband.  Bold move, since she has the most insight into just how dangerous he is.

Who else has some good ones?

 

But What’s It Mean, Mooch?

I try not to do politics here because I know it annoys people, but when Shakespeare comes up, it counts as news.  There’s a non-story going around about how somebody emailed the now fired Scaramucci, pretending to be Reince Priebus (that name’s harder to spell than Benderwhal Cucumber) and getting him to fall for it.

What’s interesting to us is where Mooch responds at one point:

Read Shakespeare. Particularly Othello.

I for the life of me can’t figure out who is who in that reference.  I get that this is a story about trust and betrayal and apparently somebody thinks somebody stabbed somebody in the back.  But saying that makes it an Othello story is like saying that the Lion King is actually Hamlet  (oh, wait…).  Who is Othello in this?  Who is Iago?  Is it just a weird way for Mooch to say the Priebus was jealous of him? Should the wives be worried? The wives don’t fare well in the original, if you recall.

I appreciate it whenever somebody drops Shakespeare into a Trump story, I do. It makes my news alerts light up like a Christmas tree :).  But I don’t get this one.  Anybody able to decipher it?

Reddit’s Favorite Shakespeare

Hello /r/Shakespeare!Anybody that knows me knows that when I see a post titled 1000 Most Mentioned Books on Reddit (or, really, anywhere), the first thing I’m going to do is search it to see where Shakespeare shows up.  Any guesses?

I’d love to say more about who made the list and why and how, but there doesn’t seem much to go on. The post, on Medium, was made by BookAdvice.  Have to look more into that, see what other cool lists they have.  All we know about the methodology is, from the summary, “Sorted based on the number of upvotes and the number of different users linking to them in post and comments.”  I suppose that’s got a certain chronological bias — a book that came out last year couldn’t possibly compete with those that have been around since before Reddit.  But it does say “most mentioned” and not “best” or “most loved” or anything like that, so I suppose it’s accurate to say that a book that has existed for ten years will typically be mentioned more than a book that’s only existed for one.

Much of the list is highly predictable, if you know anything about Reddit.  Lord of the Rings, Game of Thrones, Hitchhikers’ Guide To The Galaxy all rank in the top ten.  I’m pleasantly surprised to see To Kill A Mockingbird in there, and The Count of Monte Cristo (though not so pleasantly Catcher in the Rye.  Really, reddit?)  Thrilled to see J.K. Rowling’s name not appear until well after the 250 mark.  Not that her work is bad, just that I’m tired of seeing such brand new books always top the lists of “all time classics”.

Ok, you want the data?  Drum roll, please. Presented in reverse order, from least to most mentioned, we have …

905. The Taming of the Shrew

754. The Tempest

674. Merchant of Venice

625. King Lear

578. Much Ado About Nothing

568. Othello

371. A Midsummer Night’s Dream (*)

295. Macbeth

237. Romeo and Juliet

and the most mentioned work of William Shakespeare on Reddit is……

144. Hamlet

What do we think, any surprises?  Surely not the great tragedies, I think those became self-fulfilling long long ago.  Is Romeo and Juliet popular because it’s so good, or is it considered so good because it’s popular?  Little surprised about Othello, that one doesn’t usually get much love, and I’m kind of wondering if they took the time to rule out references to the board game.

When I first made this list, searching for the word “Shakespeare”, I was surprised to see A Midsummer Night’s Dream not make the list.  I had to go back and double check.  It’s because they’ve got it listed by, and I’m not kidding, SparkNotes.  I wondered if there were many on the list marked this way, but it turns out that’s the only one.  Glad I checked, I almost missed it!

Anything you think should be on the list that’s not there?  Hey, wait … where’s Twelfth Night?